synthwave / black metal
A fabulous and magnificent album by experimental artist Abstract Void, Into the Blue is an audacious and beautiful work, that perfectly amalgamates in electronic musical textures the intrinsic and volatile rapture of atmospheric and post black metal sonorous elements, in a marvelous virtuosity of ambivalent harmonious symphonies, like you’ve never experienced before in your life. A little less than twenty nine minutes long, this is a very short album, with only six tracks: Strings of Time, The Night Wanderer, An Euphoric Dream, Into the Blue – the title track –, Police Cruiser and It's Not the End. With an astonishingly expansive amount of creativity, the music of Abstract Void is a profound ocean of consecrated and virginal vicissitudes, that elevates the soul of the listener into a more demanding existential path of sensibility and serenity. Without any fear of introducing groundbreaking innovations, the music presented on Into the Blue is exceedingly original and boundless, energized with an unprecedented scale of genuine vivaciousness.
Marvelous from the beginning until the end, there is not a single second on this record that sounds generic, or out of order. Certainly the product of a very original and restless creative mind, Into the Blue surprises for its consistent, appealing, authentic and colorful mixture of electronic music and atmospheric black metal, but doesn’t limit itself to this feature – although to combine in such a perfect symmetry two apparently disparate genres is no minor achievement. More precisely, what we have here is a symphonic electro wave sound deeply committed to function as the basis for a poetic, melancholic and sensible type of black metal.
With its unconventional sentimental style, and a very audacious combination – that reverberates the ascendancy of a brave musical originality –, Abstract Void creates a singular, as a matter of fact, an exceedingly vast and peculiar genre, as well as its own signature into the underground scene, that contemplates a new direction of creative settlements, destined to circumnavigate and to expand the boundaries of its own parallel paradigms, where sonorous barriers and conventions simply don’t exist.
A fabulous album that will certainly impress its audience given the strength of its fearless originality, Into the Void is a sensational, magnificent and exponentially solid work, the product of a vivacious and formidably creative artist, that has so much to present, to expand and to contribute to the worldwide underground musical scene, that, in our limitations, we simply can’t predict what surprising masterpieces he will be releasing in the future.
Wagner
Marvelous from the beginning until the end, there is not a single second on this record that sounds generic, or out of order. Certainly the product of a very original and restless creative mind, Into the Blue surprises for its consistent, appealing, authentic and colorful mixture of electronic music and atmospheric black metal, but doesn’t limit itself to this feature – although to combine in such a perfect symmetry two apparently disparate genres is no minor achievement. More precisely, what we have here is a symphonic electro wave sound deeply committed to function as the basis for a poetic, melancholic and sensible type of black metal.
With its unconventional sentimental style, and a very audacious combination – that reverberates the ascendancy of a brave musical originality –, Abstract Void creates a singular, as a matter of fact, an exceedingly vast and peculiar genre, as well as its own signature into the underground scene, that contemplates a new direction of creative settlements, destined to circumnavigate and to expand the boundaries of its own parallel paradigms, where sonorous barriers and conventions simply don’t exist.
A fabulous album that will certainly impress its audience given the strength of its fearless originality, Into the Void is a sensational, magnificent and exponentially solid work, the product of a vivacious and formidably creative artist, that has so much to present, to expand and to contribute to the worldwide underground musical scene, that, in our limitations, we simply can’t predict what surprising masterpieces he will be releasing in the future.
Wagner
