
Departing from conventional, but surreptitiously deep melodic alignments that break the spiral axis of the conspicuous effigies of sound that drives the linear pulse of the beatings, the album consistently displays a dynamic creative fever that definitely understands the bizarre complexity of its own vivacious concept, and effectively plays by the rules; beautiful harmonies dance in the colorful horizon of a day that never fades away, as red twilights shine bright at the tender displacement of ascendant harmonies, that rise from the dreams of its own imperative intonations.
As the album evolves, the harmonies become more and more fluid, lucid and organic, though the flexible design of its anatomy exhibits a creatively expressive composure that is the groundwork of the artist’s style. Nevertheless, the psychedelic galaxy that vividly revolves around the charming and elegant harmonies creates surreal cadences of everlasting clouds that filtrates the impulsive beatings of the rhythm, although the general layout of the sound is left untouched, and obeys a coherent melodic elasticity that rarely moves outside its peripheral zone of sensibility.
Ataraxia is definitely a formidable album of psychedelic chill. With disruptive harmonies and a sentimental musical layer that promotes a delightful collision between effective melodies and surreal intonations, the record is definitely a sensational musical achievement. Despite the fact that the artist is somewhat relapse in terms of audacity, the consistency and the inebriant agility abundant in the music showcases a genuine charisma that overflows the ordinary elements of its inherent creative abilities, exposing a dimension of hidden splendor, which is something that the audience can experience with a high degree of satisfaction.
Wagner