black metal / death metal
Very often, “supergroups” suck because there is vast amount of namedropping heightening the expectations and then you get a record, listen to it and … throw it onto the shelf. Nevertheless, if a journalist doesn’t play the naming-game he or she’s going to be cut off because of bad research. So here we go: Blood Incantation. Spectral Voice. Wayfarer. Khemnis. Primitive Man. Need more? Then check their metal-archives page. And now on to the thing that matters, the music.
The debut-release by Denver-based extreme metal outfit Black Curse is mind-changing:
First of, because of its ability to simply terrorize your mind. Those harsh speedy, double blast-attacks can totally slit every ligament you might possess in your neck. If listening to it on earphones, be advised to start with a low volume and then slowly turn it up. The songs often start their harakiri-attacks on the very first tone, using that moment of surprise to its fullest advantage.
Second, because they lure into a false sense of “Oh, I understand, this is pure rage and no sense for melody!” True, on the surface that’s exactly it. However, if your ears got used to all of the noise screaming in (be it via the instruments or the vocals by Eli Wendler) one might notice the small razorblades underneath all of the blunt axes. Razorblades because they cut wounds and yet glisten and radiate if you hold it into the sunlight. Many songs use a fine layer of mid-level echos on some minuscule guitar parts so that there is that notion of noise rock underneath it the black and death metal surfaces.
Third, as they create a whole cosmos of dissonances it is sometimes hard to figure out where these come from, so that in the end it’s unclear which genre this might be shelved on. Yes, this is black metal. Yes, there is a lot of death metal. Yes, it’s noisy as hell. In some way this one might be a perfect example of how genres make no sense, let’s just call it extreme metal as it incorporates parts from each.
Fourth, because there is melody in all of this. Take the final track “Finality I Behold” (with 8:51 also the longest track in these roughly 40 minutes): The opening 25 seconds before the start of the black metal vocals are good post-metal with dominating drums taking over your heartbeat. The harsh blast-beats then disguise the moments of clear riffing that are carefully woven into the fabric of all of this. After 150 seconds there is a change for a kind of more noise-driven blastbeat before the song slows down a bit in its middle with the bass leading the way through some slower passages.
Well, after forty minutes your ears might be bleeding, your neural connections might be dead and because of that you hit the repeat button. Why. Not. Give. it. Another. Try? This is an “Endless Wound” after all. (And sometimes supergroups do make sense.)
Thorsten
The debut-release by Denver-based extreme metal outfit Black Curse is mind-changing:
First of, because of its ability to simply terrorize your mind. Those harsh speedy, double blast-attacks can totally slit every ligament you might possess in your neck. If listening to it on earphones, be advised to start with a low volume and then slowly turn it up. The songs often start their harakiri-attacks on the very first tone, using that moment of surprise to its fullest advantage.
Second, because they lure into a false sense of “Oh, I understand, this is pure rage and no sense for melody!” True, on the surface that’s exactly it. However, if your ears got used to all of the noise screaming in (be it via the instruments or the vocals by Eli Wendler) one might notice the small razorblades underneath all of the blunt axes. Razorblades because they cut wounds and yet glisten and radiate if you hold it into the sunlight. Many songs use a fine layer of mid-level echos on some minuscule guitar parts so that there is that notion of noise rock underneath it the black and death metal surfaces.
Third, as they create a whole cosmos of dissonances it is sometimes hard to figure out where these come from, so that in the end it’s unclear which genre this might be shelved on. Yes, this is black metal. Yes, there is a lot of death metal. Yes, it’s noisy as hell. In some way this one might be a perfect example of how genres make no sense, let’s just call it extreme metal as it incorporates parts from each.
Fourth, because there is melody in all of this. Take the final track “Finality I Behold” (with 8:51 also the longest track in these roughly 40 minutes): The opening 25 seconds before the start of the black metal vocals are good post-metal with dominating drums taking over your heartbeat. The harsh blast-beats then disguise the moments of clear riffing that are carefully woven into the fabric of all of this. After 150 seconds there is a change for a kind of more noise-driven blastbeat before the song slows down a bit in its middle with the bass leading the way through some slower passages.
Well, after forty minutes your ears might be bleeding, your neural connections might be dead and because of that you hit the repeat button. Why. Not. Give. it. Another. Try? This is an “Endless Wound” after all. (And sometimes supergroups do make sense.)
Thorsten
