post-metal / doom / alternative rock

dark jazz / ambient / experimental / trip hop

hardcore

acoustic blues

dark ambient / noise

doom / occult metal

death metal

black metal / doom / death metal

post punk / synth pop

breakcore / industrial

alternative rock / blues

facebook

style of Tool and quite a bit of grunge - vocals that remind of Cobain included. So go buy this one if you appreciate something that refuses to fit into one box.

ambient / experimental

Pany Rosas Discos

blues / stoner rock

Blues for a Dying Planet is an album by Swedish blues rock/ stoner rock group Spiral Skies, released on May 18. A little more than thirty-eight minutes long, the record has nine tracks: Black Hole Waltz, Awakening, Dark side of the Cross, The Wizard's Ball, Danse Macabre, Labyrinth of the Mind, Shattered Hopes, Left Is Right And Right Is Left Behind and The Prisoner. An extremely powerful and impressive album, with amazingly catchy and sensitive melodies – exceedingly reminiscent of more traditional rock’n’roll –, the style of Spiral Skies is simple and clean, but energetic, creative, dense and highly original. Certainly, a masterful artistry that intelligently combines in a lucid panorama a wide understanding of peculiar sonorous perceptions, Blues for a Dying Planet sounds an instant classic from the very first moments, with its genuine and marvelous style, that feels as excruciatingly explosive as well as moderately restrained at the same time. 

With strident guitar lines that summarizes with perfection the accordance of its melodic rites, the album generally follows a very simple musical line, but with such an artistic grandiosity, that instantly surprises the listener. With constrained, but at the same time expansive harmonies, that obeys the sensible insinuations of its own creative impositions, Blues for a Dying Planet sounds like a universal symphony of innocent amazement, that softly revolves itself directly from the heart of the listener, at the onset of its own gracious illusive paradigms.

With a captivating beauty that invites the listener to comprehend the nature of its placid and provocative, but sincere motivations, the album certainly distinguishes itself by the simple, but profound elegance of its formidably dilapidated sonorous shape, that is abundantly charming, but without displaying any excesses, and gracefully sophisticated, but without renouncing the ventures of a refined simplicity, which makes this work a reasonable candidate for masterpiece of the year.  

Amazingly simple and pure, but creatively inspiring and fulfilling, Blues for a Dying Planet is a sagacious and vivacious work, that is ready to enchant absolutely all enthusiasts of the genre, whenever and wherever this formidably consecrated album is heard. 


Wagner

krautrock / psychedelic 

psychedelic rock / krautrock / neo folk

doom / blues

techno

electronic / darkwave

shoegaze

death metal

ambient / downtempo / post rock

death metal / power metal

americana / alternative rock / indie

bandcamp

stoner metal

thrash metal

stoner metal / sludge

psychedelic rock / stoner / blues

drone / ambient

death metal / symphonic metal

alternative rock

ambient

drone / noise / ambient

dark ambient

techno

symphonic metal / death metal

electronic / experimental / breakcore

Petrol 80

Serge

blues

Uranius Blues, a high energy band!!! It’s the least that can be said of this group, both in this first LP,  as in their "old" self-titled EP and especially in their live performances!!! This is a road band, a stage band, that does not get scared if the P.A. fails, if there is any problem on stage, if the amplifier stop to function... they just go there and destroy!!! Do you have any doubt about it? So just watch the video at the end of this review (taken from their live 2012 DVD) and see that they're explosive!!! (with the forgiveness of this infamous joke).

This blues band began in the southern Brazil, more precisely in a region called "Vale do Rio dos Sinos". Their line-up consists of Uraneo Laureano (vocals and tenor saxophone), Tiago D'Andrea (piano, Hammond and Rhodes), Rafael Salib (electric guitar, acoustic guitar and backing vocals), Samuel Moraes Bolacel (electric and fretless double bass) and Paulo Barros (drums and percussion). The album 'Maus Tempos, Bons Tempos' (Bad Times, Good Times, in english) was recorded and mixed in São Leopoldo City (BR-RS) by Roberto Coutinho & Chico Pereira, and mastered in Chicago (US-IL) by Blaise Barton. It’s worth to mention that this work was financed by the Cultural Fund of São Leopoldo's City Hall and counted with special guests: Gonzalo Araya (harmonica), Dejeane Arruée (trombone) and Bruno Nascimento (trumpet).

This album has several influences: boogie, country, funk, rockabilly, New Orleans jazz, Mississippi blues, Chicago blues, rock and even samba/rumba!!! And the lyrics... They are in portuguese!!! FINALMENTE TIVEMOS NOSSA VINGANÇA!!! Yes, you will have to put this in google translator to understand what i said, just as many brazilians do with songs in english... MUAHAHAHAHA!!! Furthermore, this album still has its own accent, both in its music and in its lyrics. Already in the first track the word "guria" is used, and this is a very regional term from the state of Rio Grande do Sul to denominate a woman. And then you are probably asking yourself: But this is blues, is funk, is rock, its blues rock sung in a strange language??? Ahhhhhhh... this question reminds me of a rather peculiar story!!!

One time, Rafael Salib (the guitarist) told me that when he lived in the United States, he was able to see a lot of blues shows and the bands played things that were not considered blues outside the US, such as Purple Rain - yes, that Prince music - and when he asked why they played it, they simply replied, "Oh, but there's a lot of blues in that song!". At these little seconds, we have some kind of enlightement, and we perceive that blues is like jazz and any other music style... There’s not a “right” accent, there’s not a “correct” way to play, because each musical style isn't just a "kind of language", it's a way of life, it's an Aura! And this guys have the Blues' Aura!!! They REALLY have it!!!


Oh, they are planning to release this album on 12' vinyl, so follow them on Facebook and stay tuned to not miss this first class train...


Glauber

grindcore / crust

psychedelic rock / blues / stoner

post rock

An effervescing idiosyncrasy of starving, but calm and levitating melodies swears to an infinite ocean of time a formidable conflagration of creative harmonious contingencies. The sound is beyond exceptional, and everything that revolves around your ears bears the scope of an infinite storm of peaceful eternity.

​With precise and overly diluted, but poetic guitar lines, ​Three Horizons Away is an imaginative and surreal glorious panorama of exponential beauty. Despite its brevity, the sonorous sincerity expanded through the brave, but serene vastness of splendorous rhythms redirects the soul through a journey of ascendant and pure reality. The continual universe promulgated by its linear and constant propulsion of peripheral sounds exhibits the greatness of it’s fantastic, but discreet style, as a different pattern of sensibility.  

post rock

A full, energizing and pure post rock work, with profoundly melancholic, but genuinely organic sonorous vicissitudes, upon which formidable and lucid guitar lines comprehend the painful vicinities of incisive and latent harmonies, that revolves around a mysteriously ancient, but poetic silence. A monumental transformation of conscience reveals itself at the grandiloquent axis of serene melodies, that not only impress by the brutal honesty and sincerity of its audacious beauty, but also by the infallible ordination of its salutary sonorous manifestation, that opens an omniscient pattern of authentic intuitive creative algorithms over the impatience of its notes. With a striking, but overwhelming simplicity, the sensitive calmness of this work is a delightful experience, that makes this brief, but majestic masterpiece a glorious necessity for all enthusiasts of the genre. Leviathan is definitely a precious and marvelous state of the art work, highly recommended.  

post rock

A brief, but poetic immersion towards a recrudescing world of ethereal conflagration, Lift Off ably leads the listener towards a more introspective and interior version of himself. A calm, serene and minimalistic quasi-operatic work that derives the essence of its intrinsic value through the vastness of its sincere and genuine sonorous evaluation, this EP by Man Against Mankind is a rude, but decisive filtration of translucent harmonies eager to revolve around the undermining capacities of reality, determined to descend over a spirit of pure sensibility. With seriously experimental overtones, the audacity of the musician’s style is an experience that reflects the authentic rapture of his creative spirit. With plausible sonorous features that expand the antagonistic principles of its abundant qualities without renouncing the splendor of a glamorous simplicity, Man Against Mankind deserves to be comprehensively inserted in a more singular musical category, given the fact that its aura of original sensibility is  highlighted by the fantasy of harmonies impossible to forget. 

black metal

An interesting EP, with a full atmospheric layer of enormous grandiosity, the hazardous and afflictive anxiety that comes out from the imperial harmonies of this grotesquely delightful sound replicates with precision the endemic agony and the intense features that characterize the genre, and its sinister overtones. With a somber expectation that announces  an imminent conflagration of unraveling proportions, the melodies that strikes the tissue of infinite possibilities simply reaches a level of splendor that eagerly evolves to a planetary dissension. Perfect as the soundtrack of a really macabre movie, Ice-Cold Souls drives at the core of its majestic opportunities the real lancinating devices exceedingly genuine to the genre. Undoubtedly, it’s a marvelous example of how graceful, dense, subtle and evasive the tempestuous sonorous tissue of atmospheric black metal should be.       

black metal / death metal

A majestic and very powerful metal work, with traditional elements brilliantly inserted at the core of the songs, If it is True What the Prophets Write is an elemental journey through the most sincere qualities of an intriguing style, that seems somewhat crossover.

​Despite some moments of more generic harmonies, the group displays an intelligent and passionate singular style, that interestingly revives at the heart of its vibrant molecules an amalgamated version of metal. The human virulence of death metal intertwines the efficiency of its brutal coalescence with the furious fastness of black metal, in a sidereal conflagration of melodies, that exhibits fatally hostile harmonies, also abundant in sensible thrash metal intensities. Definitely a memorable work, If it is True What the Prophets Write is a curious and refreshing EP, that deserves to be highlighted at the center of the underground scene. 

indie / psychedelic / alternative

electronic / downtempo 

crust / grindcore

Fucking shitfuck, did I just become a crust/grindcore fan or what? I mean, I wanted to add this album to Brieviews because quite usually these albums are rather one-sided and there is just not much to write about them. I also wanted to promote these guys because they're from Antwerp. But when I started to play 'Barbarians', I was in shock. Here was a perfect industrial sounding crust punk tune blasting through my speakers. Fast, delirious, harsh and intense, just what we need. So I continued listening. 'The Violent Way' is another of my favorites. These guys have just turned crust and grindcore in one of the most immersive pieces of extreme music I've ever heard.

I mean. I know some of these guys. I often see them at gigs but I have never talked to anyone of them and now they present me with one of the most impressive albums in Antwerp (and the world, or as we say "the parking lot") today.  Fuck yeah this comes highly recommended. 

grindcore

Whooaaarg

post metal / drone

rock / blues

I have to admit, this album has been sitting on top of my pile of albums to review for quite some time now. I guess I just didn't know what to make of it or what to expect from the music. Judging from the cover, I think I was expecting something in the line of Misfits or psychobilly music, something for gothic bikers.

Today, I finally decided to throw the album into my CD player. Meanwhile, I committed to the usual background checks and research, which made the confusion only bigger. Now I was expecting a lo-fi dark folk rock act or something. It was about time to play the damn thing.

Stone Of A Bitch is Ludwig and Alice. According to the biography they met at a festival in France where she was performing and he was a crewmember. Armed with guitars, bass and vocals, they started they own project, aided by electronic percussion and drums. What they do with that equipment pleasantly surprised me. This album is loaded with alternative rock and blues songs, here and there nudging towards post punk or grunge.

I found it hard to compare Stone Of A Bitch to other bands. On 'It's A War', I'd mention alternative rock bands but 'Carribean Drive' then suddenly drags itself into the world of gloomy blues. 'Wolves' opens as a trip hop tune but gradually turns into something Radiohead would be jealous of. 'Cold Blood Tear' brings Weezer to mind. Even Vive La Fete came to mind, even though Stone Of A Bitch rocks more than they dance, which is a good thing I think.

Yet, what strikes me the most about this album is the sheer quality of the whole thing. This is definitely not a lo-fi duo throwing some jams on a disc and hoping to become famous. No, this is a massive talented band with two members who know a great deal about songwriting. Furthermore, the album is executed to perfection with great songs. Songs that will make you want to shake your hips. I'd say do it. Check it out. This is absolutely recommend music for all rockers out there.


​Serge

hard rock

Back to France and back to guitars. In fact, "back" seems to be an excellent word to start this review. This is a neat throwback into some of the golden eras of rock 'n roll music. It blends the heavy blues of the seventies with the glam of the eighties and the roughness of the nineties. 

The band was formed in Montpellier, apparently inspired by everything between Whitesnake, ZZ Top, Motley Crue, Guns 'n Roses, The Scorpions, Deep Purple and Kiss. With all those names, obviously one question remains: how does HighWay cope with all these influences?

Well, from the very first tones of opener 'Brotherhood', the answer to that question is "excellent". What a stomper this song is. It immediately sets the tone for the entire album. With heavy rock, catchy chorus and flashing guitar solos, HighWay embody the definition of "good old fashioned rock music". The other songs follow that example. "Pole Dancing Song" breathes a southern atmosphere, Coyote Ugly kind of stuff, but with better music. "Wake Up" is somewhat slower but still a more than decent blues rock tune. Guest vocalist here is Jeff Scott Soto (ex-Yngwie Malmsteen, Talisman, Journey ...). 

From then on, the band constantly balances on the edges between blues and vintage hard rock. Besides, they perform it with great precision. These guys can handle their instruments, that's for sure. Furthermore, Benjamin Folch is an excellent vocalist. He can carry the blues just as easily as the rough edge of rock music. In 'Boogie Wave' he suddenly reminded me of Midnight Oil and shortly after I heard a James Hetfield comparison. But before you think HighWay is just another hard rock clone, these French dudes certainly mastered their trade.

I also like the backing vocals. Very often, the bassist and guitarist take their place behind a microphone. The result is great and adds a lot to the power and epic atmosphere of the whole thing. Yes, epic, this music sounds like it belongs on massive stages and in huge arenas. Songs like 'Psycho Lover' and 'Say Your Prayers' can easily set festivals on fire. The album closes with two nice surprises, the very odd sounding 'Chemical Trip' and the blues rocker 'Separate Ways'. So yes, great album but now I'm hungry to see this live...


​Serge

psychedelic / blues / rock

Released on August 25, Renegades is the most recent album by American blues rock group Porno Wolves, from Minneapolis, Minnesota. Almost forty seven minutes long, the album has ten tracks: In the Garden, Winter's Night, Riddles in the Dark, Bad Man, Renegades, Young Moon Rising, Swamp Stomp, Sierra Negra, The Road Goes Ever On and Gasoline. A very traditional blues rock album, certainly Renegades can be qualified as a very interesting work. With strong melodies, a relatively original approach to the genre and a peculiar sonorous style that draws an expressive and cohesive thin line between antagonistically rude, but seemingly precious rock’n’roll, and a more pop flavored, distinct and graceful rhythmic outlook – that reminded me acts as disparate as The Strokes, and Crosby, Stills, Nash & Young – Porno Wolves has a consistent, but versatile organic flow, emotional and sincere on the surface, but artistically dilapidated and profusely elemental, in the shapeless bottom of its deep vastness. 

With arranged and beautiful harmonies, that give rise to wonderfully captivating saxophone introspections, as well as splendorous and insurgent guitar solos, Porno Wolves really has made a curious, elegant and sophisticated album. With soul and meaning, their art is full of abrasive and delicate nuances, that exhibit passionate melodies, able to achieve the high standards they obviously imposed over them. With an obvious attention to technical detail, they also excel in the aspect of a clean and distinct sound, that masterfully perfected the marvelous definition of their music.    

Despite a great collection of overwhelming qualities, the album gets far from being qualified as a masterpiece. With a sound that sometimes sounds vague, with excessively similar and uniform passages, their creative capacities sometimes appears to be stagnant in a formulaic zone of musical process. 

Nevertheless, Renegades is definitely a good album, and Porno Wolves is a group that has originality. With potential, formidable writing skills, and a pungent musical style, they remember a little wild, decadent, melancholic, but brave midnight pubs and nightclub bands, that you don’t expect too much when you see them onstage, until they started to play. Then, you see things differently. 


Wagner

psychedelic blues

Maro is an album by Hungarian psychedelic blues group Lemurian Folk Songs, released in June 14. Almost thirty six minutes long, the record has only six tracks: La Caleta, Temple of the Moon, Grand Sanctuary, Messianic Atrium, Melusina and Magister Blues. A very interesting album, that has on the verge of its dynamic, yet elusive rhythmic dissonances vibrating tonalities of discreet visibility, Maro departs from the traditional devices of the genre, to engrave its melodies with the refined, but silent versatility that gives to the work the typical psychedelic shape of melancholic sonorous grievances, that repels with the mordacious outline of its slow harmonies the softness of a style that never becomes pale on the surface of its own qualities. 

With intriguing – and especially pleasant – female vocals, despite the fact that Maro is a reasonable album, there is not too much of a novelty here. They display their music with a somewhat decent degree of creativity, as well as sufficient skills of technical competence. Nonetheless, this album closely follows the ordinary standards of the genre, presenting to their audience a refined, but otherwise predictable work, that doesn’t differ too much from other similar acts. 

Don’t get me wrong. In my evaluation, Maro is a good album, and everyone who is pleased with the genre – which is too slow, for the most part – would agree with me. If you are not into this type of music, which is primarily tranquil, peaceful, experimental, transcendental and minimalist, you will become exceptionally bored. As for the band, Lemurian Folk Songs is a very competent, skilled and decent group, that execute their songs wisely and precisely, and known how to be faithful to their genre of choice.  

Unfortunately, like I’ve pointed out above, there is not too much of an innovative sonorous texture here. Of course, maybe they aren’t into innovation at all, they just want to create songs in their genre of choice, and then play. But, regardless of their objectives, I think that each and every band in virtually all musical genres should – and want – to give their signature into the musical scene, doesn’t matter if they are inserted in a mainstream or underground scenario.

Nevertheless, despite their qualities, there is not too much to say about Maro, or Lemurian Folk Songs, except for the fact that here you have, indeed, a good album, created by a very good band. But there isn’t anything beyond that, although I sincerely think they have potential to achieve more significant results in future albums.    


Wagner