Category: Crust

blackened crust

When listening to Serpent Eater the feeling of knowing which nightmares will follow might creep up on the listener. The band from Cologne, Germany, releases her second full-length album at the beginning of 2020 upon a world that might not be prepared for what their ears will be facing.

Not that the world has never heard this mixture of Black Metal, Sludge and Crust; or the swirling guitars and the blastbeats overwhelmed by infernal shrieking and gut-breaking growls at the same time. The guitars deliver more than solid riffing and shredding, play with brilliant scales to shoot through the noise in order to deliver more chaos in this storm of abysmal-ness. The rhythm section is a steady source of deep-toned slow-grooving black currents in a river flowing in a cave deep beneath the surface. It is hard to imagine any metal fan not being blown away by the moody intro to “Ten Floors Down” and impressed by the musical precision afterwards.

There is something about Serpent Eater’s hurricane of sound and chaos. It is the notion of being pulled up by the hair on you arms and simultaneously being drawn by the ankles. It is as if there were two melodies in some songs, one winding upward with the guitar lines, a totally different one going downward with the bass lines. This ambiguity is most on display when the band takes a deep breath and allows for one of the small spaces for the listener to gather his senses without getting his head beaten on the wall. Even if there is only a short change of the guitar lines, for example in “Dead Spiritualist Remains Silent”: when the guitar calms down and the stormy blastbeats step back after roughly 85 seconds in and the song has more air to breathe. From there on, the song loses speed but picks up atmosphere simultaneously. The same goes for the ending of the last song “Dunkelziffer” with its ascent upwards towards a tiny pinch of hopeful morning light shining through the keyhole in the door at the end of the stairs leading from the peaceful outside down into a thunderous darkness.

Serpent Eater is surely not the first blackened sludge or blackened crust band, but the ones that will follow after them surely better give this record a listen as it definitely is state of the art for a genre that embraces those tiny bits of light you see when looking up from right beneath the eye of the hurricane.

Thorsten

Brieviews 58

29/1/2019

Split/Cross - Rise Of Discontent

hardcore / grindcore / crust

Pennsylvania trio Split/Cross is seriously pissed off. Formed by members of The Human Race Is Filth and Bittered, Split/Cross delivers eight ferocious tracks, ranging from blackened crust punk over sludge doom to grindcore and even the harsh industrial sound of Nailbomb (in opener 'Blindspot'). That level of variation is not only very welcome but also gives the EP the feel of a concept album. The concept here being "fuck politics, fuck religion, fuck society, fuck humanity", something like that. Fact remains, this eight track is a tremendous kick in the nutsack, aggressive and raging, thus recommended!

Wan - Gammal är äldst

black metal

More fearsome aggression, this time from Swedish black metal quartet Wan. Formed in 2009, Wan have one mission: hail Satan in the most vile, raw and old school way possible. This five track EP is exactly that. Without any form of compromise, Wan unleash their grinding sound, bases on ear piercing riffs and murderous drums. If you are one of those people who wander through record stores, feeling nostalgic about the nineties and its harsh, gritty and chaotic sound, you definitely need to check out this EP. No doubt, Satan will be extremely pleased with this offering.

BufferState - Anthropy

grunge / alternative metal / progressive rock

Hailing from the city of Ghent BufferState delivers a very decent mix of stoner rock, alternative rock and metal. Although this is a mix that has been done before, BufferState does manage to create something rather exciting, something you need to listen more than once to fully appreciate. Inspired by bands like Tool, Deftones, Opeth and Alice In Chains, this is one of those Belgian bands to keep an eye on. Perhaps not on this EP but one day they will write and record and huge hit in the alternative scene, I'm certain of that. So, get your hands on this rocker so you can later tell your friends that you were a fan from the very beginning.

Doomcult - Life Must End

doom

Dutch one man act Doomcult returns with a good old fashioned doom metal album. Inspired by everything between Trouble and Mournful Congregation, this act delivers an interesting take on the age old genre. In a way, you might compare most of these tracks to funeral doom, slow, melodic and dark. Yet, the vocals are rough, without really grunting, something near sludge doom and those in Cathedral, for example. The result is a satisfying piece of doom metal, highlighting in songs like 'Sulphur' and the cool rocker 'Ashes'. Don't expect anything earth-shattering but an excellently executed set of slow heaviness, which is certainly good enough for me.

Hey Life - Masquerade

alternative rock

Ever wondered what a good version of the Spin Doctors would sound like? Well, here are French funk rockers Hey Life and their surprisingly infectious debut EP, 'Masquerade'. Opening with the butt-shaker 'Likeholic', this five track is pure pleasure. Although this delves deep into the funk and groove rock of the nineties, there is a high Michael Jackson level in this music, combined with heavy rocking guitars. 'One More Dollar' is one of those tunes that can every festival goer on his feet and shouting 'hey, hey, hey' along with the music. Yeah man, this is pretty darn cool.

Geostygma - The Die Is Cast

death metal

Here is a lesson in dealing with an album I do not like. French death metal combo Geostygma delivers furious modern day death metal with deathcore elements, tempo switches and pig squeals. Those things are not my favorites. I simply don't like it. However, I do recognize influences from bands like Aborted or Dying Fetus and I do hear that everything on this four track EP is executed to perfection. Within its scene, this definitely is a band to keep an eye on. They know what they're doing and how to maintain a certain quality. The fact that it's not my cup of tea is not Geostygma's fault. Recommended? Sure, if you're into this stuff.

Two Trains Left - Sorry & Pathetic

punk rock

We're still in France but with something more catchy and listener friendly. Two Trains Left is a relatively new band in the French punk scene, delivering the lighter side of the genre. Think Blink 182, Sum 41, Paramore or Green Day and you're pretty close to what Two Trains Left sound like. Rapid pop punk with melodic grooves and heaps of energy, plus the possibility of having a few fan favorites, that's what you can expect. Besides, while many punk rock bands drown in onesidedness, these dudes manage to be quite diverse and varied. So, punk rockers, put this in your ears and shake that booty.

Liya - Listen

electronic

Blind Mice Productions

Right, enough with the guitars for now. Let's check what the electronic scene has to offer. Hailing from Israel, singer songwriter Liya comes up with a four track EP, titled 'Listen'. While opener 'Holding On' is a radio friendly EDM track, Liya mostly loves to wander in the regions of synthpop and darkwave. 'No Meaning' showcases that brilliantly and the enigmatic 'Always About You' is a possibly fan favorite. Trip hop act Monophona comes to mind here, which surely is a huge compliment. In all, this is highly enjoyable synthpop, suitable for fans of everything between Depeche Mode and Eurythmics.

I Ya Toyah - Code Blue

electronic / darkwave / EBM / Industrial

Another interesting piece of electronic music comes from I Ya Toyah and her in-your-face album 'Code Blue'. With hypnotic beats, harsh synths and gritty electronics, I Ya Toyah brings a somewhat listener friendly version of acts like Atari Teenage Riot or Ambassador 21 and I think Lords Of Acid fans might also enjoy these tunes. Elements of electronic dance music meets with old school industrial and drum & bass, all accompanied by strong vocals. This album contains ten tracks, all coming with a familiar electronic sound but also with some unusual twists and sounds. So yeah, this might be an interesting album to check out if you're into pungent electronics.

Wozniak - The Space Between The Trees

shoegaze

Hailing from the beautiful city of Edinburgh, Wozniak comes up with a captivating six track EP, loaded with elements from dreampop, psychedelic rock, postpunk, post rock and shoegaze. Yet, for an EP, this thing is quite long, thanks to the massive and mesmerizing track 'Deceiver'. In all, there is forty minutes of pure shoegaze bliss to be found here, from the gloomy opener 'Slacker' onward. So I guess this thing could count as an album and in that case, 'The Space Between The Trees' is a highly promising dreampop album, somewhere between Slowdive and The Jesus And Mary Chain. Shoegazers: you know what do.

Brieviews 51

27/8/2018

Normakk - Bǽl

black metal

With three songs – Bǽl, Opaque and Mǽdland – Bǽl is a strong, lugubrious and poignantly aggressive EP, released by British black metal act Normakk. With a very somber, evasive, discreet and effective atmosphere, the songs are beautifully composed, and from the very beginning, denotes a pungent and starkly spontaneous originality. With a graciously sensible competence, able to display in a positively sincere fashion the most pervasive aspects of the genre, Bǽl is raw black metal done in a proverbially sophisticated and elegant scale. With strident and expansive, but sensibly reliant, and, to a certain degree, darkly sentimental guitar lines, the general musical groundwork of the band is thoroughly exhilarating, consistent and dense, and obliterates on the vicinities of its melancholic melodies the most elusive aspects of black metal. Undoubtedly, a work of irreprehensible grandeur, Bǽl is a marvelously fantastic and unique work of art. Normakk closely follows the traditional old school, with a very peculiar, creative and dense style, with premises that outstands its genuine and salutary virtuosities, shining away any possibilities of being classified as just another generic act of the genre.

Throne - Altar Of The Dying

black metal / death metal

Altar Of The Dying is an EP released on July 30, by American blackened death metal group Throne, from Jackson, Michigan. Almost twenty-four minutes long, the work has seven relatively short and very concise tracks: Intro, Heresy Of The Highest Order, Not Of Shadow Nor Fog, Altar Of The Dying, Covenant Of Darkness, Where Angels Cower In Fear and Plagued Upon The Unholy. With an aggressive, dense and very rapid sound, their style can be described as methodical, rude and severely traditional, albeit a little predictable, although this does not affect their general performance. With a fiber and a level of brutality that makes their sound to be profoundly eviscerating, drastic and virulent – but also efficiently concentrated –, Altar Of The Dying is a very energetic, hostile and straightforward work. With highly consistent harmonies and incredibly lucid and somber guitar lines, the group certainly manages to deliver a powerful and pungent style of extreme metal, that is poignantly effusive and dark. Although there is nothing here that you haven’t heard several times before in similar albums of the genre, Throne is a competent, skilled and creative band, that proves their ardent and passionate compromise with extreme metal, on this exceedingly great and powerfully grotesque EP.

Doomcult - Ashes

doom

Ashes is an EP released on July 20, by Danish doom metal group Doomcult. Almost twenty three minutes long, the record has three tracks: Sulphur, Ashes and Black Fire. An excellent, pleasant, very delightful work, with way more poetic tendencies if compared to the traditional groups of the genre, Ashes has a melancholic and disturbing, but exceedingly ascendant, philosophic and serene atmosphere, that rises above the sensational and placid stability of its harmonious and dense sonorous configuration. While the first song, Sulphur, deserves to be highlighted, all three songs present an artistic level of security and a musical technique that stands as far superior to the average level. With a sensational style that makes them a powerfully potential reference for the genre in the underground scene, the consistency of the sound of Doomcult – as well as the audacious, but at the same discreet originality present in their music – showcases in the end an absolutely splendid final result. Certainly being one of the most genuine and spectacular releases that I’ve ever heard on the genre – being amazingly passionate and frivolous at the same time – Ashes, by Doomcult, is an exponentially marvelous experience on doom metal, highly recommended to everyone that is an enthusiast of the genre.

Sathanian - Drowning In Sorrow

black metal

A dark, rude, depressive and melancholic traditional black metal work, Drowning in Sorrow is an EP released in June by a Finnish musician, that presents himself by the alias of Sathanian. Almost twenty-four minutes long, the EP has five tracks: Depressing Dreams, Wanderer, Drowning In Sorrow, Despair and Kenkiintuijottaja. Despite being better described as traditional black metal, the EP has some discreet traits of DSBM, which is present in the predominantly slow, digressive and dispersive harmonies, that really stands for a surreal and profoundly melancholic mood. The cynic and sorrowful atmosphere of the work is genuinely beautiful, and has a formidable musical consistency, that is ostensibly framed by conspicuously sinister and funeral vocals, that sometimes emphasizes its presence more for its morbid, almost neutral sterile qualities, than for its grotesque nature. A promising, very interesting work, that is sidelined by its truly proverbial and eloquent understanding and execution of the genre, Drowning In Sorrow is an emotional, poetic and very somber work, that has everything to please enthusiasts of the genre.

Sabactâni - B.O.R.E.A.L

black metal / post black metal

An interesting EP with four tracks – Dramatic Truth, Winds Of The End Of Afternoon, Jonas and Alone – the music of Sabactâni can be described as a melancholic twilight forever lost in the everlasting vicinities of depressive and anxious thoughts. A marvelous post black metal group from Brazil, their originality is amazingly eviscerating, with a powerful and afflictive sonority, that energizes the genre at the core of its structure. With powerfully ascendant melodies, that revolves around aggrandizing, but at the same time dismissive and dispersive harmonies, the disillusion that is felt as the epicenter of their style is symbolic to the mood that better defines the genre, and takes a major layer of beauty and poetry in the virtually insane musical diagram of the band, that can be felt as simple and humane, at the same time. A wonderful EP that brilliantly aggregates major qualities to the genre, with a severely robust and consistent anatomy of abundant sonorous virtuosity, B.O.R.E.A.L, by Sabactâni, certainly can be classified as a vigorous and sensational state of the art work.

Nailwalker - Fallen From The Hull

black metal / crust punk

Fallen From The Hull is an Ep released by American black metal act Nailwalker, from Austin, Texas. Twenty-five minutes long, and with four sensationally fantastic tracks – Juvenile, Feeding The Devil, Without A Thread To Pull On and Meant For All Fours – Fallen From The Hull is a formidably majestic state of the art work, that brings on the crest of its tempestuous, direct and incinerating melodies all the aggressive devices truly inherent to the genre. With a sober, technically proficient and genuine veracity that is the main engine of their music, Nailwalker is a fantastic musical creation, that introduces into their music in a perfectly incisive and precise manner crust punk elements, as well as more melodic and melancholically somber sonorous tonalities. With beautifully poetic and thoroughly original guitar lines – that somewhere along the way, unveils an amazingly superb, lugubrious and dissonant solo – Fallen From The Hull is one of the most perfect, authentic and astoundingly beautiful experimental black metal pieces that I’ve ever heard. With furious, but lancinating and dramatic vocals as well, as soon as this EP is over, you want to hear it again!

Mandragora - Mandragora

black metal

S/T is a two track EP released on August 17, by Canadian black metal act Mandragora, from Victoria, British Columbia. With two amazingly sinister songs – In Scarlet Embrace and Beyond The Lacheist Prisons – Mandragora performs old school traditional black metal, on a virtuous and dissonant style. With somber and aggressive tunes, and pervasively grasping cutting edge vocals, the sound of the duo is thoroughly groundbreaking and energetic, doomed to fall beneath the imperial demise of its own projected desolation. With a responsive aggressiveness, that is more melancholic and lugubrious than hostile or belligerent, the overall sound of Mandragora is quite provocative and inventive. Very reminiscent of the early Norwegian black metal scene, the style of the duo is profoundly proverbial, obscure and essentially imaginative, although they do present a formidable degree of originality, that makes their sound quite distinctive, but without losing the quintessential trademarks of the genre. An excellent work – as a matter of fact, a gracefully fantastic two track EP – on the course of its seventeen minutes, Mandragora definitely gives a sonorous lesson about what true old school black metal really is.

Moon Bog - Dark Lore

black metal

Dark Lore is an EP released on July 27 by American DSBM artist Moon Bog. Almost twenty three minutes long, the work has four tracks: Under Burning Leaves, Reawaken the Frost, Mount Sorrow and The Strain. A splendid, beautiful, philosophic and marvelously poetic musical work, with an abundant layer of sonorous melancholy, the general style of the artist is profound, graceful and exceedingly rough on the introspective universe of its expansive sensibilities. With genuinely patient and somber harmonies, that plays on the majesty of its precociously filtered and salutary guitar lines, the melodies are dramatically tense, but profoundly calm at the same time, as they extend to the transparent, but lugubrious oceans of its frivolous sensitivities the turbulent pandemonium of its restless state of mind. A passionate, cosmic, exhilarating work, whose pervasive sensibility plays a vital role at the cornerstone of its infuriating, but peaceful and placid sagacious artistry, the formidable level of creativity and excellence displayed by the artist on this work is simply extraordinary, and will certainly please all genuine DSBM enthusiasts that will be happy enough to listen and to enjoy this fantastic pearl of the genre.

Dystert Natt - Self-Destruction

black metal

Self-Destruction is a wonderful EP released on July 25, by Russian DSBM artist Dystert Natt. Very concise, only ten minutes long, the work has four tracks: Ashes And Snow, Insomnia, Scars'14 and Sing To Me An Alcoholic Lullaby. The general style of this musician is DSBM on its most typical and traditional layer. Nevertheless, it is abundant in beauty, and has several qualities that stands out on the course of its sonorous brevity. The melancholy, the mordacity, the overall serenity and the discreet sadness that is overexposed at the most frivolous panel of its virtuous musical context is excessively evasive and lugubrious, but has a poetic beauty that easily disperses and dilacerates the macabre rudeness of its shadows. The guitar lines are ostensibly impeccable and whimsically elaborated, although they are plain and simple. Unadorned, direct and full of lethargic grievances, Self-Destruction – as predictable as it is –, has a consistent, dramatic and sincere layer of sonorous beauty and stylish purity, that certainly makes this wonderful EP a very pleasant experience to hear.

Histamine Haven - Histamine Haven

black metal

With only two tracks – Vacuous and Obsequious Vermin –, Histamine Haven is the debut of an eponymous Canadian project, released on July 24. With a raw and traditional approach to the genre, the record is absolutely fascinating, has a consistent style and definitely has what it takes to please a large audience. With solid, but at the same time dissolute guitar lines, Histamine Haven has a ponderable and serene conjuncture of harmonies, that – despite brief passages of virulent aggressiveness – gracefully elevates the internal dynamic conflagrations of its expansive rhythms to a fateful standpoint, where the experimental colors of the sound extrapolate the venomous frontiers of its own unfathomable hostility. Unraveling a fantastic and versatile tone of primordial stature and creative audacities, the style of Histamine Haven has mordacious peculiarities, and a very original musical groundwork. The way the artist promotes the balance of the most violent and hazardous aspects of his music with the more serene and sensible components of his sonorous splendor denotes a vigorous and majestic ambivalence that is gracefully dilapidated almost to the level of perfection, and certainly will captivate the listeners, almost immediately.

Wagner

Brieviews 46

25/6/2018

Federico Dal Pozzo - Untitled_VNZ

ambient / experimental / noise

Krysalisound

Italian musique concrete composer Federico Dal Pozzo delivers a strange but enigmatic track, dedicated to the city of Venice and it's sound. The result is not so much a relaxing ambient album but an exploration of sounds from rocks, metal, water and so on. It resembles the beautiful city with its gondolas, romantic bridges and canals. In a way, Dal Pozzo takes you along a lesser known guided tour through the cities, blindfolded and only focusing on the aural aspects of the city. This tour is 49 minutes long, constantly moving and evolving. It carries a strange atmosphere but is definitely worth your attention.

Deadsmoke - Forest Of The Damned

doom / sludge metal

Let It Bleed Records

Receiving something from sludge doomers Deadsmoke is always fun and with this two-track 7" it is no different. Halfway through opener 'Forest of the Damned II: Enter the Forest' I'm already in awe. What a delightful krautdoom this track is, uptempo, melodic and showcasing ferocious butt shaking qualities. Side B, 'Forest of the Damned III: Gray Ashes of Hope' then grabs everything that survived the wild party and mangles it into fertilizer for the ever expanding and all devouring forest. With twisted doom riffs and the power of a heavy rainfall of steamrollers, Deadsmoke once again delivered sheer awesomeness.

Antoine Panaché - Pleasures

experimental / avant garde

Barreuh Records

Dutch avant garde sound art performer Antoine Panaché also returns with a two track EP. Released by Barreuh Records, this tape contains two covers, 'Forever Young' (Alphaville) and 'Nocturnal Me' (Echo & the Bunnymen). However, both tracks are performed in Panaché's strange, out of this world tradition which makes them barely recognizable. They're noisy, strange and unusual but they're both highly adventurous musical experiments. Fans of so-called "outsider music" definitely need to check out these tunes. It rarely gets any odder than this, I promise.

Misantronics - Zührpruym

drone / electronic / ambient

Belgian drone experimentalist Misantronics in his turn surprises with this one-track release which perfectly fits into his 'Contraformance' series. 'Zührpruym' is 23 minutes long and explores the regions of ambient, drone, noise, jazz, darkwave and electronic music. Although this is one track, you can distinguish different parts, ranging from ambient noise over downtempo electronics to glitchy jazz drums and pounding techno beats. All come together in a frenzy of soundscapes, flutes and dark electronic percussion. Of course, the overall atmosphere is rather gloomy and even somewhat dangerous sounding. Check it out!

Woes - The Coldest Place Is Within Myself

hardcore / crust / black metal

Danish noise makers Woes deliver a fierce and brutal eight track album, loaded with blackened hardcore, sludge metal and crust punk. Yet, the whole thing opens quite peaceful with a plunky intro before hell breaks loose. When the brutality finally occurs, it gnaws, claws, pierces and punishes with sheer ferocity, not always on hyperspeed but that isn't necessary. In fact, 'The Cold Wind Whispers Your Name' is quite slow for crust punk but it is one of my favorites here. In all, this is a great piece of aggressive no-nonsense extremism, well varied, massive intense and earth shattering...

Brass Owl - Brass Owl

psychedelic rock / stoner rock

For some good old fashioned rock 'n roll we turn to Ohio residents Brass Owl. Formed and fronted by shredmaster Brian Tarter, this trio brings the jam back into psychedelic rock with flashing solo work, immersive bass lines and drums directly from rock 'n roll paradise. This four track EP is a neat warming up for when the band comes to conquer the world with their blues inspired stoner rock. Fans of everything between Led Zeppelin, Cream and ZZ Top better start paying attention to Brass Owl because soon you'll be shaking your ass to 'State Of Mind' and 'Mushroom Sally', I promise you.

Dead Man's Eyes - Words of Prey

indie / alternative rock / psychedelic rock

Germany's Dead Man's Eyes do something highly enjoyable with rock music. On one hand they seem to be inspired by the English indie rock scene but on the other hand they apparently have a massive background in psychedelic rock. The result is a nine track album loaded with neat, immersive and hip shaking rock tunes that bring everything between The Beatles, Jefferson Airplane, White Stripes, Ween and Lemonheads to mind. Highlighting in opener 'Radiant Smiles', the gloomy blueser 'Be Good' and 'Two Dozen Eyes' this album is an absolute must-have for old school rockers and psych-fans.

Jübl - Thinking Sweet

dream pop / trip hop

Jübl is the new band from Rudy (A.R. Kane), featuring Maggie Tambala and Andy Taylor. On this debut EP you can find two brand new tracks and one nine minutes lasting remix. What to expect exactly? Well, opener 'Thinking About You' does something Tricky meets Slowdive meets Sonic Youth and immerses you into a vast universe of electronically driven dream pop. 'Sweet Dreams' does something similar and in my opinion even better. On one hand this single could be a smash hit but on the other hand, today's smash hits don't have this kind of musical quality anymore. So yeah, check it!

Autger - Eucharistia, Praedestinatio Gemina

dark ambient / neoclassical / dark jazz

Russian act Autger seems incredibly busy, having appeared in our previous edition of Brieviews. Now, he delivers a three track EP, based on Christian aesthetics. The result is an impending, dark and eerie piece of music that ranges from neoclassical music to gothic electronic and even harbours elements from dark jazz. Opener 'Pater' is currently one of my favorite tracks from this project, one I suddenly compared to a very, very, very dark version of Enigma or a more experimental version of Diary Of Dreams perhaps. My advice, give it a shot, it's certainly a unique entity in the dark music world.

Dr Space - Dr Space's Alien Planet Trip Vol 1

krautrock / psychedelic rock

Right, time to close your eyes and embark on a journey through time and space with Oresund Space Collective's own Dr Space. On this record you can find five sonic adventures, ranging from bluesy guitar ambient to seemingly neverending krautrock grooves. Mostly live improvised these tracks definitely grab the listener's attention while showcasing an immersive set of jams, soundscapes and guitar solos. Yet, there is also something dark, lurking behind these musical alien planets. I like that and I surely like this album, it's as if Santana is chill-jamming with Ozric Tentacles.

A Scar For The Wicked - The Unholy

death metal / deathcore

This is weird. This EP was presented as something for fans of Aborted, Black Dahlia Murder and Whitechapel and yes, there is plenty of death metal and deathcore galore to be found here. Yet, somewhere in between the pummeling drums, the brutal growls and the fierce riffs I hear elements from Children Of Bodom and even Cradle Of Filth screams. I'm not really a fan of deathcore but this EP is a real stand-out, well-varied, aggressive as fuck and loaded with metallic brilliance. So either the deathcore scene has grown up or we're dealing with a band that's too talented to be put in a box. You decide...

Stelios Ventas - Faded Flower

rock

Greek solo artist Stelios Ventas treats his listener to some good old fashioned rock songs. Being a guitar player, Ventas focuses on rough, bluesy rock tunes with plenty of solos and a load of playing joy. The songs on this EP are basic and stripped down to the bare necessities, being guitars, bass, drums and vocals. I don't think that any of these five tracks will ever become huge hits but that doesn't mean that they aren't enjoyable. Besides, 'Faded Flower' and 'Alone In The Desert' are great tracks in vintage blues rock / hard rock tradition. They'll do good in your day-to-day playlist.

Feelament - Hate Delivery

groove metal

How is Moscow still standing with a band like this residing there? Feelament harbours tonnes of aggression, fronted by the undoubtedly dangerous Masha. While she spills her guts in a wide variety of vocal performances, the men behind her throw a neat mix of groove metal and metalcore under her feet. The result is something massively impressive, often melodic, often a sheer beatdown, often simply insane. I hear elements of Pantera, Arch Enemy and Lacuna Coil but most of all I hear a band that might as well become a force to be reckoned with. Fucking awesome!!!

Serge

Brieviews 41

15/4/2018

Ihä - Estructuras De Aire, Colonias De Soplo

ambient / drone

bandcamp

Chilean drone/ambient band Ihä return with a beautiful new four track album. Much like their previous release, 'Esperanza', this one focuses on minimal but atmospheric soundscapes. The result is a soothing yet immersive piece of work, something fans of everything between Brian Eno and Barn Owl can certainly appreciate. Furthermore, people with a hectic life, people who just want to ease down and relax for a moment, should also give this stuff a chance. Play it loud enough, not too loud, close your eyes and let this talented act guide you through the wonderful world of Ihä.

Spankraght - Spankraght EP

industrial / metal / drum & bass

Antwerp is a crowded city. One day a metalhead and a drum & bass producer slammed into each other in one of our many record stores. Their respective Channel Zero and Netsky vinyl albums smashed into pieces and fell to the floor. Instead of fighting each other, they bought some gear and locked themselves in a rehearsal studio. Now they released a nice piece of crossover with a pounding five track EP. Heavy guitars meet electronic beats and synths in a whirlpool of musical energy. It's Pendulum meets Combichrist meets ... let's say Rammstein, or Metallica. Most of all, it's bloody awesome, although I have no idea how to both dance and bang my head at the same time...

August Rosenbaum - Rasa

classical

Tambourhinoceros

Back in November 2017 August Rosenbaum released 'Vista'. Now, as a little extra, he offers a six track EP, containing the stripped down foundations of that album, plus one brand new track, 'Milo'. What can I say about this EP? It's a man playing a piano, nothing more, nothing less. That alone makes this one of the most beautiful things to listening to, especially if that man is a talented and experienced composer. So, if you're into calm, soothing and blissful smile evoking piano music, this EP is an absolutely must have, nothing more, nothing less.

Show Aniki - The Deep Blue Sessions

metal

The EP by French hard rockers Show Aniki compiles four singles. Throughout the years, the band has suffered several line-up changes but that didn't seem to harm the energy. Influenced by everything between Metallica, Anthrax, Disturbed and Alice In Chains these guys deliver four solid and groovy rock tracks. This is perfect stuff for a hot summer afternoon on some big ass rock festival where the older generation of headbangers will often point at the stage and tell the youngsters how metal should be done. So yeah, this is edgy metal with a heavy yet melodic approach. Great stuff.

The Human Race Is Filth - Liberate

grindcore / crust

Right, that was nice metal and all but for true mental torment you'd have to turn toward this cute and friendly American duo. Thrif delivers their second set of chaotic grindcore pummeling, once again with the intensity of an atomic blast. Fans of bands like Dismember and Napalm Death will undoubtedly get a hardon from this stuff (I don't need photographic proof of that!!!). In eight tracks, mostly short blast of ferocious crust/grind, Thrif effortlessly destroys everything in their path, including your sanity, but who needs sanity when you can have grindcore, right?

Misantronics vs Mint Narcosis - EPI

ambient / techno

Misantronics

Mint Narcosis

Ambient and dance beats mix quite well together. Just look at acts like early Biosphere or Psychic Warriors Of Gaia. In that aspect, it's almost weird that ambient act Misantronics and his EDM alter ego Mint Narcosis only now release a cooperative EP. On 'EPI' you can find four tracks, three of them delving deep into the world of ambient techno and one coming up with some breaks. 'Dragon' and 'Kepler' showcase the calm but danceable side of this EP while 'Kuba' is an hypnotic, trance inducing dance track. 'Unwasted Years' is the odd one here, a gloomy IDM track with haunting soundscapes. Certainly to be continued.

The Room in the Wood - Magical Thinking

new wave / alternative rock

Somewhere between the gloomy sound of new wave and the uplifting energy of alternative rock, we find Liverpool residents The Room In The Wood. Think acoustic music with a strong, distinct voice. In the title track the band shows an infectious blend between Leonard Cohen, Wall Of Voodoo and The Lemonheads. Yeps, that's possible. Johnny Cash fans will undoubtedly appreciate 'Baba Yaga' while The Doors lovers will pick out 'Dragonfly' as their favorite. My personal favorite is the opener. It's a track that makes me curious about their other work. I'll check that soon, but for now, this is good enough.

Twilight - Trident Death Rattle

black metal

To be released on May 1st, this three track EP by legendary American black metal band Twilight, is perhaps one of the most epic blackened releases from that continent. These tracks, which feature Sonic Youth's Thurston Moore, are harsh, intense and chaotic songs. They showcase a massive sense of derangement and isolation. In fact, Opener 'This Road South' is currently one of my favorite black metal tracks. 'Weathered Flames' is a suffocating spiral of blackened nihilism and closer 'No Consequence' will haunt your dreams for decades to come. These are nightmares translated to music and I like that.

Corpsehammer - Perversión

black metal

Morbid Skull

Speaking about musical nightmares, allow me to plug this ugly little filth monger from Swedish extremists Corpsehammer. This EP is the third part in their EP trilogy, released by Morbid Skull. If you are a fan of old school black metal, and I mean old school in the form of ancient 'World Domination' compilations, this undoubtedly is your thing. In three tracks, plus an outro, Corpsehammer delivers a rancid, hardcore punk influenced approach to extreme metal, often at ferocious speeds. There's nothing pretty about this EP, on the exact contrary. This is the musical equivalent of crawling to mud and faeces, mixed with needles. Awesomeness...

Grim - Requiem

classical / post rock / jazz

Equally awesome but in a completely different way comes this new EP by Belgian trio Grim. This band from Leuven turns classical music into post rock anthems with a gloomy jazz feel. This release is based on Frédéric Chopin, more specifically his Préludes and Marche Funèbre. the result is a cinematic and somewhat intimate sounding blend of post rock and dark jazz, something I'm pleasantly surprised by. I can imagine enjoying this in a small and intimate live setting, like a living room or a salon. However, it would also fit perfectly on a festival like Dunk!. Anyhow, this is pretty cool and certainly recommended.

Mhönos - LXXXVII

drone doom

This album by French ritual drone doom act Mhönos is a massive and epic undertaking. In a way, this is pure catharsis, driving on monolithic riffs, deranged vocals and a crushing atmosphere. What I like most about this, is that the band allow the music to take all the time it needs to grow and evolve. Although slow, I can certainly sense a punk attitude here, mostly in the vocal performance. That reminds me of acts like Winter and coincidentally also Phantom Winter. Yet, the music also reminds me of noise acts like MZ412 and Brighter Death Now. So yeah, this is a brilliant piece of work and it comes highly recommended.

Zero Theorem - Ataraxis

hard rock / metal

Some people are waiting for the new Tool album, others hope Disturbed will release their new record soon and still others are still going heavy on the latest Five Finger Death Punch or Papa Roach. All those people should turn their ears towards Los Angeles based metal band Zero Theorem. This six track EP easily draws comparisons with the aforementioned bands. All these songs are infectious modern day metal songs, with exactly the right doses of aggression, melody, riffing and electronics. It's been a while since I have been excited about anything nu-metal related but this EP definitely does the trick.

Vampillia - Happiness Brought By Endless Sorrow

black metal / noise

Temple Of Torturous

Legendary Japanese "brutal orchestra" Vampilia returns with a four track ep that will undoubtedly blast you into mental oblivion. With a furiously raging blend of black metal, grindcore, drone, post rock and noise, this ten piece smashes all competition. Obviously, that shouldn't be a surprise since this act has been on every extreme experimentalists favorites list for years. Although short, these tracks represent massive anthems and come laced with guitars, drums, violins, piano, screams, grunts and whatnot. This is absolute madness, in the best sense of the word.

The Orchestra Of Mirrored Reflections - Narrow Escape

dark jazz

And to conclude, let me introduce you to one of my favorite dark jazz bands and their latest single. I have been following this orchestra for quite some time now and I'm always pleasantly surprised by their output. This time they deliver a long track that might as well become one of my favorites in the while genre. It's an eight minutes lasting and lingering piece of dark jazz with delayed bass, lazy drums and a free floating saxophone solo. In other words, this is perfect for a Sunday evening with wine and cigarettes, courtesy of The Orchestra Of Mirrored Reflections.

Serge

Brieviews 35

20/1/2018

The Vale - Autumn in the Valley

doom / rock

In the early days of Merchants Of Air I reviewed an album by Finnish band Ovenizer. Now they return with a new name and a new EP but the recipe seems to remain rather similar. Once again, this trio comes up with melodic yet heavy rock music, blending influences from doom, psychedelic rock, stoner rock, alternative rock and post-metal. The result is an EP with five highly enjoyable rock songs, highlighting in 'Dead Features', a fast punky rock tune that Lemmy would have liked. 'Ghost Ship' is another favorite of mine, a pummeling heavy rock tune. In all, this is an excellent EP which makes me curious for more.

Empress - Reminiscence

sludge / doom

This Canadian sludge metal monster was born after two of its members attended an Elder show. Inspired by the massive wall of sound and the psychedelic madness the two enlisted a third member and crawled into the rehearsal studio. Now, they are almost ready to unleash their firstborn, named 'Reminiscence'. What to expect? Well, five brutal and intense pieces of sludge doom in the vein of bands like Dopethrone, Yob, Elder and so on. In 'Immer', my personal favorite here, you can also find some blackened influences. Great EP, definitely a must have for sludge doomers.

Heligoland - Coriallo

shoegaze / dreampop

Produced and mixed by Cocteau Twins' Robin Guthrie, this EP by Heligoland promises over twenty minutes of pure dreampop bliss. These five songs are beautiful, inspired by acts like Slowdive, Cocteau Twins and Portishead. Ambient soundscapes and post rock guitars deliver an emotional sound on which the fragile voice of Karen Vogt thrives. It's hard to pick out a favorite here but the uptempo 'Orion' and the breathtaking 'Three' will undoubtedly appear in my day-to-day playlist regularly from now on. If you're a fan of dreampop, this EP is an absolute must-have, no doubt about that.

Duran Duran - Girls on Film - 1979 Demo

new wave

Here is a surprise, four previously unreleased demo tracks by legendary band Duran Duran. These songs were recorded in UB40's studio back in 1979. That's right, before Simon Le Bon joined the band. On vocals you will hear Andy Wickett. The sound is very reminiscent of that early eighties UK new wave sound. Of course, the demo version of the smash hit 'Girls On Film' really stands out on this EP but I suggest you take a good listen to tracks like opener 'See Me, Repeat Me' (which later became 'Rio') and 'Reincarnation'. You have never heard these tunes like this before. I urge all Duran Duran fans to check this out.

Luke Fox - Sugarloaf

pop / rock

Australian singer-songwriter Luke Fox delivers five sweet, warm and enjoyable pop rock tracks, seemingly inspired by indie rock and country. Yet, this is not a one-man act armed with guitar and voice. For this EP Sox got a little help from his friends. Together, they turned these tunes into full blown soft pop ballads. Perhaps for most Merchants Of Air readers, this EP is a bit too nice and gentle but I would recommend checking it out anyway. This is warm music, perfectly suited for starlit nights on warm beaches. Favorite tune: 'Fly In The Champagne', a joyful tune that somehow reminds me of Ween. Not bad!

My Deathbed - My Deathbed

black metal

Another one-man project but residing on a completely different edge of the musical spectrum, My Deathbed comes up with a primitive, intense and haunting depressive black metal album. In four tracks My Deathbed guides the listener along feelings of solitude, abandonment and fear. Opener and title track 'My Deathbed' is a 25 minutes lasting anthem of despair, coming with howling vocals and a cold, bleak but rather slow black metal sound. 'Nails Deep In Wounds' is my favorite here. A harsh, relentless and chaotic piece of black metal. My advice? It might definitely be worth to check this out.

Versus The Ghost - We Don't Belong Here

post rock

In May of last year, Wagner reviewed the debut album by English post rock band Versus The Ghost (read). Now they return with a brand new single, a sixteen minutes lasting post rock anthem named 'We Don't Belong Here'. Well, I just want to say that Versus The Ghost definitely belong here, here in the ever expanding and mesmerizing world of post rock. This track is a beauty, one that certainly promises great things for the future of this young band. In sixteen minutes, these guys manage to showcase the full spectrum of their view on post rock, from ambient passages to immersive instrumentalism. Must-have!!!

(D)juret - Sök Din Sekt

punk / crust

Cramada

What would happen if bands like Tyr or Heidevolk jump on the punk train? Well, the answer might be something like this Swedish quartet. Somehow (D)juret have managed to combine punk rock with folk metal while still showcasing some crust punk and blackened hardcore. On this three-track EP they blast some weird but brutal, some unusual but fierce punk into your eardrums and you will have absolutely no other option than to love the shit out of it. Just when I thought punk music lost all its originality, this band comes into my life. Oh well, buy this and shut up.

Concrete Eden - Left

nu metal

NRT Records

Hailing from Graz, Austria, Concrete Eden aims to be a big part of the nu metal revival and I must say, they do a pretty good job at it too. With a blend of metal, hardcore and rap they manage to come up with a convincing sound. Bands that come to mind include Limp Bizkit, Clawfinger, Korn and at times even Fear Factory. Plus, there are some pounding anthems to be found here, including the brilliant 'Communication Fails'. Nu metal fans will definitely love this stuff. Some of the riffs might sound familiar but I guess that is just a genre-thing. In all, I think this is a splendid release and a welcome addition to your nu-collection.

Aidan Baker & Gareth Davis - Invisible Cities

drone / jazz

Time to calm down after all that heavy stuff and what better way to do that than with the minimal guitar drones of mister Aidan Baker. For this release he collaborated with Gareth Davis who plays the bass clarinet. The result is an awe-inspiring marriage between drone ambient and dark jazz, thus probably one of my favorite releases in 2018. The album contains four long tracks, each one a gloomy and immersive piece of "jazz noir". Think Dale Cooper, think Bohren, think Radare, but most of all, know that this is a brilliant collaboration between two immensely skilled and experienced artists.

Serge

Brieviews 33

4/1/2018

Happy new year, dear reader, and welcome (back) to Merchants Of Air. To kick off the year in style, we prepared another heap of Brieviews and once again we're exploring many corners of the musical universe, from the heavy jazz of Dead Neanderthals over the fun folk metal of Nordheim to the soothing downtempo electronics of Build Buildings. Enjoy the read and let us know in the comments if you found something interesting.

Planetariet - Planetariet

post rock

An infatuated, but deeply calm and resourceful cosmogony amazingly inserted in an overwhelming ocean of clarifying thoughts, S/T by Planetariet, is an amalgamation of underlying vicissitudes brilliantly crafted at the harmonious line of a delicate and sensible planet of sonorous isolation. With a gentle touch of eternity, this interesting and refreshing EP is an intensely reverberating enigma of homogeneous synchronicity, that seems to revolve around the soul of its own reflexive and protuberating sincerity. With a calmer sound that apprehensively feels the underlying eccentricity of its profound and

densely acquiescent serenity, majorly entangled in a human emotional diagram of omnipotent infinity, S/T is a simple, yet complete sonorous conflagration of a melodic universe, whose imponderability is virtually attached to the most restless deliberation of a wonderful and honest expressive moment in time.

Wagner

Dead Neanderthals - Organ Donor

heavy jazz / grindcore

Dutch heavy jazz duo Dead Neanderthals come up with a late Christmas present: a fifteen minutes long improvisation with sax, synths and drums, accompagnied by some delicious looking artwork (unless you're vegan, obviously). Expect brutal sax drones, gloomy soundscapes and René's repetitive, almost ritual drums. I know, those are Dead Neanderthals' usual ingredients but like many bands they're getting better and better at this. So if you're a fan of these two deviant jazzists, you have absolutely no excuse not to download this track. Tip; serve loud !!!

Brosandi - Music For An Unknown Galaxy

ambient / post rock

Canadian one-man project Brosandi comes up with a sweet EP, containing three gentle post-rock tunes (and an intro). The music here is not overly complex. Instead it feels like watching and listening to a guitarist on stage, armed with only a few effects and loop pedals. The result is something gentle, something perfectly suited for these cold winter evenings. The artist claims to be inspired by Sigur Ros, Explosions In The Sky and so on, and yes, those references certainly apply, be it in a minimal, introvert and intimate way. I wonder how this would sound with a full band but this already comes highly recommended.

Boltzmann Brain - Sentences

jazz / noise rock / experimental

This German band has so much fun recording and release their debut in October 2017 ('Sind Die Echt') that they immediately decided to record another EP. What to expect? Well, something between Red Snapper and Add N To (X) or Black Dice getting a go at jazz and rock music. Jazz, noise, rock, soundscapes and psychedelic music come together in a weird but exhilarating orgy of indefinable music, perhaps that is the best way to describe this thing. The second track 'Come Join My Religion' is simply awesome, reminds me of Haus Arafna a bit. Not many jazz rock bands can do that, you know?.

Knight ‎– High on Voodoo

heavy metal

Heavy metal is far from dead and this band from India once again proves that. With flashing guitars, methodical drums and potent vocals, these guys deliver a solid EP. Think Iron Maiden, think Manowar, think Judas Priest think Helloween and you come quite close to what Knight sounds like. Everything about this album sounds and feels vintage, as it if comes directly from the eighties. For old school metalheads, this certainly is a band to keep an eye on, especially since there is still room for improvement, room to grow as musicians and as a band. I curious to where this leads to.

False Flag - EP

crust / hardcore

Here is a pulverizing three-track EP from Indian extreme music horde False Flag. Although the lyrics seem to be philosophical in nature, the music here is a scathing blend of crust punk, hardcore and black metal. Yet, in all their ferocity, they also leave some place for melody and variation, which is a huge plus in this genre. Now, don't get me wrong, this music will still torment you to the point where you can't take it anymore but I'm 100% sure that every fan of extreme punk will adore this. I mean, if both Oathbreaker and Exploited come to mind in only three songs, we're dealing with something promising!

Scarlet Phantom - Singleness

progressive metal

Haiming from Saint Petersburg, Russia, Scarlet Phantom delivers some interesting metal instrumentals. Although the music is based on black and death metal, you can easily classify this as progressive metal. Personally, I'm quite fond of this, partially because of its instrumental approach. It's as if Meshuggah, Opeth and Dream Theater gather in a recording studio and everybody keeping their mouths shut. I like that and I will definitely recommend this album to all you metalheads out there. If you want something refreshing, varied and impressive, you'd want to check this out.

Akadama Bros - Sunshine

hip hop / j-rap

Adaadat

And now for something completely different. We don't often review hip hop albums here but this one is neat. Akadama Bros deliver some decent and well varied J-rap. "J" stands for Japanese, should you not know that. On this 12", you get some well varied tunes, each obviously driving on hip hop beats and raps. Yet, they also seem to throw in some different influences, ranging from classical music over dubstep to indie, dub, noise and post-rock. The result is something intriguing and quite often surprising, reminding me of anything between Manu Chao, Cypress Hill and Xzibit. Hip hop yes, but rather enjoyable.

Build Buildings - Glass EP

electronic

Audiobulb

New York electronic music producer Build Buildings returns with a massively enjoyable EP, containing four new and well varied tracks. Opener 'Hebei Victory' is a brilliant blend of Autechre and Miwon while follower 'Honey Locust' brings Plaid to mind. So yes, downtempo electronics with heaps of microsounds, clicks, soundscapes and poly-rhythms, exactly the way I like my electronic music. 'Glass' is an odd ambient tune which could have been on Aphex Twin's ambient collection. Finally, there's a song called 'Cecilia' which is my favorite here, a slow but immersive piece of old school electronic music. Awesome EP.

Vantablack Warship - Abrasive Pulmonic Speak

black metal / metal / death metal

Back to the extremes where we find a pulverising hybrid between black, thrash, death and hardcore. Vantablack Warship hails from Canada and deliver some in-your-face riffs, some methodically tormenting drums and a bunch of fierce screams. The endresult is an intense and overwhelming album. Fans of bands like Gallows and Everytime I Die can surely find some fingerlicking good tunes on this one, like the brutal headbanger 'Blood On The Mat' for example. With short but abrasive songs, Vantablack Warship are certainly making a name for themselves and soon metalheads from around the globe will be onboard.

Mist of Misery - Fields of Isolation

black metal

Black Lion Productions

Swedish atmospheric black metal act Mist Of Misery has been around for a while and have always delivered high quality music. On this EP that is no different. In fact, with eight songs and over half an hour long, this EP is a sonic blackened adventure on its own. Unfortunately, I don't think I have a lot to say about this EP. It's top level extreme, depressive, atmospheric and somewhat progressive black metal and it would fit perfectly between your Dimmu Borgir, ColdWorld, Summoning and so on. If you're a fan of Mist Of Misery, you should already have gotten this EP. If not, check it out.

Hundred Year Old Man - Rei

doom / post metal

A harsh and somewhat chaotic blend of doom, sludge and post-metal, coming at you with severe intensity, that is what English sextet Hundred Year Old Man delivers. If you are into bands like Isis, AmenRa, Cult Of Luna and so on, this EP would definitely not misstand in your ever growing collection. 'A Year In The North Sea' is probably my favorite here, a dark and noisy piece of music that serves as a breather between the two massive slabs of slow musical aggression. For the record, closer 'Rei' is a brilliant piece of sludge doom, and I don't say that very often. So yeah, this comes highly recommended.

Obscene - Sermon to the Snake

death metal / thrash metal

Indianapolis based quartet Obscene claims to have been influenced by all the greats in the metal scene, including Death, Morbid Angel, Edge Of Sanity and Asphyx and yes, I have to admit, I hear all of them in these four tracks. Not that Obscene does not have their own sound. With thick riffs and deranged vocals, these guys deliver some good old fashioned death metal, something I can only applaud. Songs like 'Shadow Burial' and 'Blood Moon Rats' can easily make you bang your head and scream along. So yeah, this is some sick and twisted stuff, suited only for the seasoned death metal fans and thus recommended.

Nordheim - RapThor

folk metal

Hailing from some ancient forest in Canada, Nordheim simply wants to play folk metal and have fun with it. And there is no better description for this EP. This is a fun folk metal album with titles like 'Boobs And Bacon' or 'I Wish You Were Beer'. I guess all you can do is join the party, grab a beer and scream along with these tunes, just like you do when you listen to bands like Ensiferum, Finntroll or Korpiklaani. Although, I have to say, Nordheim take their black metal influences quite far and quite ferocious too, raging at high speed. So yeah, perhaps you should drink a bit more while listening to this awesomeness.

Project Renegade - Cerebra

alternative metal

Female fronted alternative metal from Greece, and I must admit that the first band that came to mind was Lacuna Coil, even before I actually listened to the songs on this EP. Although that reference still stands, I'm very glad I discovered this band. The music is interesting, laced with some mild electronics and it comes with excellent vocals by frontwoman Marianna. Opener 'Pressure' surely has hit potential, especially in the alternative charts. 'Natural Born Killer' grooves and crawls and 'One Of The Crowd', my personal favorite, is an irresistible headshaker. Buy this, it's awesome.

Brieviews 32

7/12/2017

Usually, the Brieviews are Serge's work. Since the beginning of the series, Serge has been writing all these little reviews alone (except for one by Eline and a 'Paul Grindings'). Yet, things change and we're happy to announce a cooperative edition of Brieviews. Wagner sent in five and the other ones are written by Serge. I'll leave it up to you to guess who wrote which review. I hope we can see many more of these coming up soon. I guess I will since I only recently told the other writers that they could write brieviews as well.

The Human Race Is Filth - Human Exposed

grindcore / crust

York, Pennsylvania duo The Human Race Is Filth debut with a butchering blend of grindcore and crust punk. Although THRIF is new, bandmembers Paul & Kasey have been playing together in Bittered, Mans Plague and Police State. Now, as a duo the seem more relentless and destructive than ever. With thick, doomed-out riffs and pummeling drums, the duo brutally assaults the establishment, our current "leaders" and the state of our world as it is. So no, this is not a jolly, goody-goody album, this is a severe kick in your nutsack and a bloody intense debut. Recommended? Obvious-fucking-ly!

Professor Electric - Gleam of Murder

psychedelic rock / blues / stoner

On to Las Vegas, Nevada, where we find Professor Electric and his one-man fuzz rock machine. Blues, psychedelic rock, stoner rock are being blended with a gloomy eighties industrial feel. Acts like Om, The Residents and Bain Wolfkind come to mind, along with today's heavy psych rock scene and even Rob Zombie. And this is just one man, imagine Professor Electric forming a band and hitting the road. With groovy blues rockers like 'The Evil Poon Saloon' and 'Gleam Of Murder', psychedelic jams like 'Sexual Tyrannosaurus' or doomed out stoner tunes like 'Melting From The Morphine', this album is simply awesome.

Seas of Years - Three Horizons Away

post rock

An effervescing idiosyncrasy of starving, but calm and levitating melodies swears to an infinite ocean of time a formidable conflagration of creative harmonious contingencies. The sound is beyond exceptional, and everything that revolves around your ears bears the scope of an infinite storm of peaceful eternity.

With precise and overly diluted, but poetic guitar lines, Three Horizons Away is an imaginative and surreal glorious panorama of exponential beauty. Despite its brevity, the sonorous sincerity expanded through the brave, but serene vastness of splendorous rhythms redirects the soul through a journey of ascendant and pure reality. The continual universe promulgated by its linear and constant propulsion of peripheral sounds exhibits the greatness of it’s fantastic, but discreet style, as a different pattern of sensibility.

Diary Of My Misanthropy - Leviathan

post rock

A full, energizing and pure post rock work, with profoundly melancholic, but genuinely organic sonorous vicissitudes, upon which formidable and lucid guitar lines comprehend the painful vicinities of incisive and latent harmonies, that revolves around a mysteriously ancient, but poetic silence. A monumental transformation of conscience reveals itself at the grandiloquent axis of serene melodies, that not only impress by the brutal honesty and sincerity of its audacious beauty, but also by the infallible ordination of its salutary sonorous manifestation, that opens an omniscient pattern of authentic intuitive creative algorithms over the impatience of its notes. With a striking, but overwhelming simplicity, the sensitive calmness of this work is a delightful experience, that makes this brief, but majestic masterpiece a glorious necessity for all enthusiasts of the genre. Leviathan is definitely a precious and marvelous state of the art work, highly recommended.

Man Against Mankind - Lift Off

post rock

A brief, but poetic immersion towards a recrudescing world of ethereal conflagration, Lift Off ably leads the listener towards a more introspective and interior version of himself. A calm, serene and minimalistic quasi-operatic work that derives the essence of its intrinsic value through the vastness of its sincere and genuine sonorous evaluation, this EP by Man Against Mankind is a rude, but decisive filtration of translucent harmonies eager to revolve around the undermining capacities of reality, determined to descend over a spirit of pure sensibility. With seriously experimental overtones, the audacity of the musician’s style is an experience that reflects the authentic rapture of his creative spirit. With plausible sonorous features that expand the antagonistic principles of its abundant qualities without renouncing the splendor of a glamorous simplicity, Man Against Mankind deserves to be comprehensively inserted in a more singular musical category, given the fact that its aura of original sensibility is highlighted by the fantasy of harmonies impossible to forget.

Infernus Presence - Ice-Cold Souls

black metal

An interesting EP, with a full atmospheric layer of enormous grandiosity, the hazardous and afflictive anxiety that comes out from the imperial harmonies of this grotesquely delightful sound replicates with precision the endemic agony and the intense features that characterize the genre, and its sinister overtones. With a somber expectation that announces an imminent conflagration of unraveling proportions, the melodies that strikes the tissue of infinite possibilities simply reaches a level of splendor that eagerly evolves to a planetary dissension. Perfect as the soundtrack of a really macabre movie, Ice-Cold Souls drives at the core of its majestic opportunities the real lancinating devices exceedingly genuine to the genre. Undoubtedly, it’s a marvelous example of how graceful, dense, subtle and evasive the tempestuous sonorous tissue of atmospheric black metal should be.

Cisza - If it is True What the Prophets Write

black metal / death metal

A majestic and very powerful metal work, with traditional elements brilliantly inserted at the core of the songs, If it is True What the Prophets Write is an elemental journey through the most sincere qualities of an intriguing style, that seems somewhat crossover.

Despite some moments of more generic harmonies, the group displays an intelligent and passionate singular style, that interestingly revives at the heart of its vibrant molecules an amalgamated version of metal. The human virulence of death metal intertwines the efficiency of its brutal coalescence with the furious fastness of black metal, in a sidereal conflagration of melodies, that exhibits fatally hostile harmonies, also abundant in sensible thrash metal intensities. Definitely a memorable work, If it is True What the Prophets Write is a curious and refreshing EP, that deserves to be highlighted at the center of the underground scene.

Yin Waster - Staying Awake, Out On The Rocks

indie / psychedelic / alternative

Somehow I always enjoy these lo-fi bedroom recordings. They showcase a sense of melancholy and solitude and, especially in this case, they showcase the joy of playing music on your own. Yin Waster is Griffin Mang who plays and records sweet, introvert and somewhat psychedelic pop, folk and rock tunes in his bedroom. I think bands like Radiohead have been influencing most of these songs and 'Open 24 Hours' somehow reminds me of Coldplay but in a more honest, introvert way. My favorite is the untitled closer, a song that harbors both joy and melancholy but in a very minimal way. This is nice...

Aleksi Susi - 83 EP

electronic / downtempo

Speaking about something being introvert and nice, here is the new EP by Finnish synth-composer/singer-songwriter Aleksi Susi (Alexanred, A:S:Örchestra, 2 Wolves, Scent of Flesh...). The songs on this EP are electronic downtempo folk songs, a bit gloomy but not completely covered in darkness. Yet, I found it hard to compare this music to other artists. I still do. I mean, Diary Of Dreams comes to mind, but without the gothic overtone. There also seem to be references from the electronic scene of the eighties. My favorites are the two first tracks, especially 'The World Has Changed'. Unusual but nice.

Marginal - Total Destruction

crust / grindcore

Transcending Obscurity

Fucking shitfuck, did I just become a crust/grindcore fan or what? I mean, I wanted to add this album to Brieviews because quite usually these albums are rather one-sided and there is just not much to write about them. I also wanted to promote these guys because they're from Antwerp. But when I started to play 'Barbarians', I was in shock. Here was a perfect industrial sounding crust punk tune blasting through my speakers. Fast, delirious, harsh and intense, just what we need. So I continued listening. 'The Violent Way' is another of my favorites. These guys have just turned crust and grindcore in one of the most immersive pieces of extreme music I've ever heard.

I mean. I know some of these guys. I often see them at gigs but I have never talked to anyone of them and now they present me with one of the most impressive albums in Antwerp (and the world, or as we say "the parking lot") today. Fuck yeah this comes highly recommended.

Fuck On The Beach / Terlarang - Split

grindcore

Whooaaarg

While Marginal came up with impressive and immersive grindcore, this split is definitely something else. Fuck On The Beach from Japan and their colleagues Terlarang from Malaysia deliver a bunch of ill-natured, incomprehensible and deranged grindcore and powerviolence songs to make your eardrums implode. This is utter chaos, raging tempos, collapsed lungs, unintelligible screams and sheer noise. It seems to go on forever, which for a grindcore fan is absolute heaven. So yeah, I would recommend this split album to fans of the extreme but don't come complaining to me if you go insane, ok?

Dirge - Alma | Baltica

post metal / drone

Division Records

French veterans Dirge come up with a massively atmospheric album, based mostly on soundscapes and haunting instrumental passages. Furthermore, I can clearly hear a bunch of industrial influences, especially in the slow but repetitive rhythms. While this one will undoubtedly please fans of drone doom and post metal, I also urge fans of old school "Cold Meat" dark ambient to check this out. This album builds a perfect bridge between these genres. For drone aficionados like me, this is a late but certain end-year list candidate, dark, intense and atmospheric. In other words: perfect.

Pink Mass - Necrosexual

2/10/2017

punk / grindcore / crust

First, a little background on the band name. A "Pink Mass" is a Satanic ritual performed after death that turns the deceased's heterosexual spirit into a homosexual one. It's an actual thing and has been performed, for example, on the grave of Westboro Baptist church (of the anti-gay picketings at funerals and tragedies in the US) founder Fred Phelps' mother. Who, according to the ritual is now lesbian in the afterlife. Now, as a devout atheist, I have no beliefs in the supernatural or spiritual or religious but as a firm believer in blasphemy I think this is hysterically funny. Especially because I am 666% pro-LGBTQ rights.

It's pretty safe to assume then that in a genre filled with über-manly theatrics, interests and poses, Pink Mass is one of the, if not THE most forward thinking bands with their brand of pro-gay crust grind. Needless to say, I love this to bits. They released an album last year called 'Slvt Kvlt' which I am definitely going to check out, but first this one: the wonderfully named 'Necrosexual'. With an album title like that it's pretty obvious that this is pure sexual debauchery transformed into sound. Blasphemy, sodomy, necrophilia, BDSM, you name it, it's all fair game (or should I say 'bear' game *badum tss*) for Pink Mass.

What all this aural debauchery amounts to is dirty, disgusting crusty grindcore. Filthy, raw, full of dirty riffs, d-beats, guttural growls, high pitched screams, blast beats, some old-school deathmetal, some hardcore punk, some blackmetal. It's a wonderful mix for everybody who likes their metal disgusting, decidedly unsophisticated and naaaaaasty. That's not to say there isn't some really great musicianship behind it, because there is, especially in the sparse guitarsolos and the basslines. And for something this dirty, the production sounds unexpectedly clear. Nasty it may be, but all the individual parts of nastiness can be heard clearly. It's not just a muddled mess. Bonuspoints all around!

A wonderful release for everyone who craves for something nasty. Just not with all the clichéd nasty grindcore tropes. Even more bonuspoints for the final track 'FOAD NSBM' because, you know, fuck national socialism! Do yourself a favor and check them out. And if you're up to it, look them up on YouTube as well..

Bjorn