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Mansur – Karma

13/2/2021

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dark jazz / electronic
Denovali
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Where were you when you first heard something unique? Something that you had never heard before. Sure, we can all accuse any band or artist of being derivative. There are only so many notes, so many combinations and so many instruments in the world… everything we hear is bound to have been done before, right? How about taking a mixture of darkjazz, then mixing in a pinch of metal vocals and finishing it off with a healthy handful of middle eastern spice?
Sounds pretty tasty, doesn’t it? Good news. It is.
Mansur is a project that takes full advantage of the talents contained within its confines; and believe me, there is a lot of talent at work here. 

Jason Köhnen, former supremo of the brilliant The Kilimanjaro Darkjazz Ensemble, has joined forces with metal vocalist Martina Horváth and acclaimed Oud player, Dimitry El-Demerdashi. Despite only three people being involved, the feeling conjured up is enveloping, entrancing and warm.

Each member of the trio brings with them elements of their past work, but then push themselves further to create something unique. Dutch musician, Köhnen’s work with TKDE trod a definite evolutionary path in the way each album was made and produced. Each release brought electronics more into the spotlight, but very consciously aimed to lower the artifice of the sound and make it more “organic” sounding. Dimitry El-Demerdashi is of Russian origin, but has lived all over the world – notably spending the 6 years post the Arab Spring in Egypt, learning to play the oud under master player Naseer Shamma. Martina Horváth’s vocals should be well-known to fans of Thy Catafalque, appearing as they do on the band‘s albums “Naiv” and “Geometria”.

From the opening seconds, the album wears its elements like a badge of honour. The atmospherics blend perfectly with Horváth’s ethereal vocal, while Dimitry’s middle eastern scales and runs can either burst into the room or blend in with the furniture – but they’re always perfectly-weighted.

When it comes to thematic interpretation of the track names, there seems to be a definite lean toward Stoic Philosophy – the school of personal ethics informed by its system of logic and the natural world. Stoicism teaches that the path to happiness is found in accepting the moment as it arrives, to not be swayed, or controlled, by thoughts of pleasure or pain - accepting fate, helping the plan of nature, and treating others fairly. 

This makes perfect sense when listening to the album. There’s a very definite sense that each individual contribution to the tracks winds around the others, supporting and strengthening them, and helping to push the music forward, stronger and brighter. There is a real sense of being present in the moment throughout the album. Each passage of each track, each flex of its musical bicep, each twitch of its rhythmic eye, each moment captures a feeling and then moves on to stoically face the next.
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With “Karma” being Mansur’s debut album, the band members have successfully evolved each of their individual talents and woven them into an aural blanket. There appears to be no ego at work here – each musician seems to bring their talent to the kitchen and they’re mixed to perfection.


Ben

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Enzo Kreft - Different World

13/2/2021

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synthwave
Wool-E Tapes
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Enzo Kreft (real name Eric Vandamme) is a devil do it all. This Belgian underground cult legend released some interesting minimal synth tapes in the dark eighties. In the year 2010 his music came to life again on the Underground Belgian Wave Vol.2 compilation from Walhalla Records. Since 2016, Kreft has released a number of new albums. His previous album Control showed that Enzo’s revival wasn’t just accidental. He received a lot of positive reactions to his work(we were also under the impression of Kreft’s kick in the butt album Control).       
On Different World Kreft carves deeper and more detailed into his dark realistic themes filled with dystopia. The inspiration for the album’s production was served on a golden plate with the global virus problem emerging from scratch. Anger and despair are fused in atmospheric waves of dark electro wave. Kreft translates his perceptions of a society losing control of everything, into cold but honest lyrics. The decay of our planet has, to his opinion, only one culprit and that's mankind led by the ostrich politics of its leaders and lobbyists.  

Different World has a wild variety with ripples of echoing cold wave synthesizers and EBM with dark beats. At first, the album had to sink a bit because of the awkward and intense subjects that thrive among the songs' catchy vibes. Enzo Kreft again produces professional work with an unseen dedication. He wrote all the lyrics, played all the instruments, took care of the artwork, mixed and mastered the album all by himself. Result: another bull's eye!     

​
Patsker

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Spoiwo - Martial Hearts

22/1/2021

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post rock
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SPOIWO IS BACK. Isn't that all a post rock fan needs to know? Isn't that all I have to say to the people who attended their breathtaking gig at Dunk! festival? Those who were there will remember the magic that happened when Spoiwo occupied the stage. There were tears of pure happiness. 

Today, I received the new album by these sound-sculptors from Gdansk, Poland. I couldn't wait to feed it to my CD player and check out what these guys have been doing. However, the biggest question is: can they do better than their masterpiece 'Yos', from their previous album, 'Salute Solitude'? Let's dive into 'Martial Hearts'.

The album opens with 'Wild Eyes', which feels like an intro but also not. In a way it follows the atmospheric style of their previous album but you can sense that this is a huge step forward. The tune drives on gloomy soundscapes and electronic percussion. Spoiwo have been listening to Tiny Fingers and to Boards Of Canada and to Thisquietarmy, but more important, Spoiwo have been growing. Right after this magnificent opener comes the biggest surprise. 'Two Mountains' is a song, with vocals, somewhere between shoegaze and doom metal but without distortion. While still playing with their typical guitar drones, Spoiwo seems to have experimented in many different directions. More electronics, more atmosphere, more vocals, more sentiment. 

'Riot Sons' will easiliy please all fans of post rock plus everyone who's into the electronic sounds of Bonobo, Future Sound Of London, Worriedaboutsatan or Subheim. This one also answers the question about topping 'Yos'. The answer is "pretty much, yeah". Much like 'Yos', 'Riot Sons' is an immersive sonic journey, but that could be said about this whole album. Take the single 'Verge' for example, a mesmerizing piece of work which will even make Autechre-freaks drool. I think it's clear by now. This is not the same Spoiwo we met at Dunk! and in 'Salute Solitude'. This is an atmospheric vehicle on steroids.

'Taur' is perhaps the most post-rock related tune and also a nice breather after the weird tune 'Oyem'. While the latter is the most experimental track, 'Taur' is one of those amazing Spoiwo masterpieces with a steady rhythm, lengthy soundscapes and heaps of instrumental power. 'Wounds' takes things even further buy dragging in elements of experimental doom metal, martial industrial and, once again, vocals. Crazy stuff, but nonetheless fantastic. Closer 'Ghost Of Chance' mainly functions as an outro with intense electronic ambient and shedloads of atmosphere.

So, the verdict? I don't think it's a good idea to compare 'Martial Hearts' to 'Salute Solitude' since this is a whole new creative outing by Spoiwo. It's not better but also not worse, it's something different, a new episode in the ongoing story of Spoiwo. It's also an album-of-the-year candidate, already, one I will recommend to every fan of dark atmospheric music. And I'm damn sure that, when the stages reopen, Spoiwo will once again enchant audiences everywhere with this magnificent album. So yes, an absolute stunner and a sonic adventure of the highest order. SPOIWO IS BACK. Isn't that all we needed?


​Serge

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Philippe Petit - A Modern Atlantis Down Under A Wave Of Greed

5/1/2021

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electronic / experimental
Truthtable
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Since the early 2000s Philippe Petit has been performing and playing on festivals all over the world. We could see him in action at the electronic music festival AntennA in Belgium just before the outbreak of the Covid crisis in 2020. We know the Frenchman  best as a member of the crazy avant-garde ensemble Strings Of Consciousness and for his collaborations with Murcof, Lydia Lunch, Stephen O'Malley, Scanner, Machinefabriek  and many many more.

Petit specializes in multi-channel diffusion, also known as acousmatic spatialization and modular synthesis. A Modern Atlantis Down Under A Wave Of Greed is the French sound artist's sixth release this year and fully reflects a modern form of Music Concréte. Petit cuts deep sonic sound structures with eerie reflections using various music technologies, modular systems, digital signal processing tools and mythical electronic instruments (Buchla and Synthi). He constructs menacing vibrations that merge with deceptive sirens of synthetic mermaids and likes to mislead the listener with his crazy approach to modulism, which he created the very first platform to promote this genre.

The electronically generated waves are manipulated using various effect processors, as well as general sound effects. Petit likes to be an undertaker of sound by burying its resonances, letting them rot and digging them back to the surface. He reconstructs these remains into new acousmatic pulses, fragmented vibes and kazoe voices. A Modern Atlantis Down Under A Wave Of Greed is an avant-garde interpretation of how Western greed is causing its own decline and the deeper sinking of our modern society. This album cuts all traditional electronic standards to pieces with new insights, improvisations and the experimental use of technology.

This album may sound brutal and sharp without producing loud noise and will be left out by the conservative electronica fans. We can only support the attitude and the innovative results of the implementations of Philippe Petit’s latest work. This musical travel agent (as he likes to be addressed)is confrontational, freewheeling, viscous and provocative like Frank Zappa was with rock music. A Modern Atlantis Down Under A Wave Of Greed is the beginning of a new path in the experimental electronic music genre. We are completely ready for this!

​
Patsker

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Black to Comm - Oocyte Oil & Stolen Androgens

12/11/2020

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experimental
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The German Marc Richter has been enchanting us for years with his detailed ambient and drone fabrics under the name Black to Comm. Richter also works under other aliases such as Mouchoir Étanche and Jemh Circs. On his previous album Seven Horses for Seven Kings, Richter focused more on dark places where fragments of deafening noise and sinister drones squeeze between the soaring ambient. On Oocyte Oil & Stolen Androgens the demons seem to be dissolved. 

The title track, which lasts more than seventeen minutes, contains deep emotional fragments of melancholy that are amplified with acoustic-sounding effects and thin piano touches. The experimental interweaving of samples in the layered ambient structures is (back) performed with German thoroughness.

Richter uses vocal fragments, complex percussion, loops and rustles, resulting in mystical and challenging tunes. Every sound structure and added connotations have been put together with a high level of finesse on this edition. On his sound carpets, Richter does not just flirt with minimalism, he is always looking for innovation with experimental manipulations that blossom out of his transpiring creativity.

Oocyte Oil & Stolen Androgens produces a captivating and deep listening journey with dreamlike sound tissues that have a hypnotic effect. With this subtle release, Richter once again proves that he is a permanent fixture as a unique voice of innovative music with a relatively low accessibility limit.
​

Patsker

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Brieviews Special - Sound In Silence (chapter 2)

7/6/2020

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In June 2018 I wrote a series of Brieviews ("brief reviews") for Greek label Sound In Silence. This was one of the the first specials we did and several others have followed. Now, after a hiatus in  review writing, I noticed that the label has released six interesting releases available on their bandcamp page. So, this looks like the perfect opportunity to compose six new Brieviews to guide you through the magical world of Sound In Silence.

Memory Drawings - Phantom Lights

electronic / ambient / post rock
Sound In Silence
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Released in November 2019, 'Phantom Lights' is a gentle and playful six track EP by Anglo-American act Memory Drawings. The band is the brainchild of Joel Hanson and features guitarist/multi-instrumentalist Richard Adams, violinist Sarah Kemp, pianist Gareth S Brown  and multi-instrumentalist Chris Cole.
The music moves between ambient, folk, classical music and post rock. It never gets heavy, intense or dark but always remains on a blissful, shimmering level. That's what makes this album such a pleasure to listen to. Tunes like 'Two Rooms' and 'The Final Curtain' can easily bring a smile to your face, even in these weird times.

I don't really know if I can draw references to other bands. Perhaps fans of Tortoise, Dakota Suite or Do May Say Think or Bark Psychosis. Fact remains, this is a nice album, destined to light up the gloomy days in your life.


Astatine - Global Exposure

ambient / electronic
Sound In Silence
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Hailing from Paris, France, Astatine is the solo project of Stéphane Recrosio, known from the post rock / slowcore band Acetate Zero. On his first album for Sound In Silence, Astatine delivers no less than twenty tracks, varying from gloomy ambient pieces to gritty minimal rock songs. 

I think it's safe to say that this is not the easiest S.I.S. album to digest. With fuzzed out guitars, mumbles, distorted vocals and processed sounds, Astatine creates the atmosphere of many bedroom acts. There is a sense of loneliness here, laced with fear, anger and a constant urge to experiment.

Some of the songs are downright ugly, like grunge tunes without drums or bass, while others reveal the ramblings of a mad mind. In all, it's clear that this is not for everyone but fans of the experimental and avant garde will definitely enjoy these odd tunes.


worriedaboutsatan - Crystalline

ambient / electronic / post rock / downtempo
Sound In Silence
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worriedaboutsatan is probably one of my favorite bands from the last decennium. I've seen them a few times at Dunk! festival where their magical sounds filled the forest and got hooked immediately. So, seeing this act appear on one of my favorite labels from the last decennium surely fills my ambient heart with joy.
Crystalline is worriedaboutsatan’s sixth full-length album and judging from the label's bandcamp page one of the most successful releases on Sound In Silence. To me this comes as no surprise. The act already has a loyal following, which is one reason. But, there is also the simple fact that 'Crystalline' is a brilliant album.

Once again combining elements from downtempo electronics, post rock and ambient, this album contains eight tracks. 'Open The Door' pretty much serves as an intro, luring the listener with sweet soundscapes. 'Steps Inside' places worriedaboutsatan right next to acts like Boards Of Canada, Plaid and Biosphere. This tune is a downtempo delight. 'Cali' is a beautiful guitar base ambient loop and 'Mirrors' perfectly combines these worlds. Oh well, let's just face it, this is a perfect worriedaboutsatan album, one I recommend to every self respecting slow music fan...


Test Card - Music For The Towers

ambient / electronic / shoegaze
Sound In Silence
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Vancouver based solo project Test Card is the brainchild of  Lee Nicholson. He returns for his third fill-length, his second on Sound In Silence. 'Music For The Towers' contains eight tracks and combines soothing ambient with gentle post rock. This is one of those albums to enjoy with your eyes closed. It's warm, calm and relaxing. What else could an ambient fan possibly desire?
Here the focus lies on hazy electronics, playful guitar loops and soft soundscapes, created with field recordings, synths and here and there some glitchy electronic noises. The result is something fans of Biosphere, Carbon Based Lifeforms and so on. Music for the soul...


Endless Melancholy - A Perception Of Everything

ambient / electronic
Sound In Silence
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This is already the seventh album by Ukrainian act Endless Melancholy, although it's his Sound In Silence debut. Fans of the project already know what to expect, namely exactly what the bandname promises. Soundscapes, synths and a gloomy atmosphere create an absolute beauty.
'A Perception Of Everything' contains nine tracks in which piano, field recordings and synths attempt to guide the listener on a journey through him/herself. Of these, 'Immersion' is probably my favorite but that's a tough decision to make. The whole album tells an interesting story, sometimes calm, sometimes experimental but always worth your attention.


Halftribe - Archipelago

ambient / electronic
Sound In Silence
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I'm afraid that this edition of Brieviews specials is becoming an endless repetition of words like "soundscapes", "beautiful", "atmosphere", "drones", and so on. Like most other releases on this edition, this album by Manchester residing act Halftribe is a sweet and soothing ambient album, containing everything fans like about this genre. 
The album, another S.I.S. debut but already Halftribe's fifth, contains eleven tracks. Some of them remind me of acts like Stars Of The Lid while in others the sounds of Tim Hecker and Fennesz seem to have been an inspiration. Perfect music for a lazy and hazy Sunday afternoon, or any moment of any day for that matter.


Serge
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Divus - 2

7/6/2020

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electronic / experimental / jazz
Boring Machines
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I guess I'm really into the somewhat stranger side of the musical spectrum today, which is a perfect opportunity to plug this odd little gem. As some of you will know, Boring Machines is known to release somewhat unusual records and this one is definitively no exception.
Divus is a duo from Rome, comprised of electronic musician and techno producer Luciano Lamanna and saxophone player Luca T. Mai, of world-renowned band ZU. In 2018 they released their debut, now followed by this vinyl in which they expand their experimental spectrum. The result is an awe-inspiring brood of electronics, free-jazz saxophones and grainy dance tunes.

It took me the whole four and a half minutes of opener 'C1' to get into the music Divus creates. There was ambient, but also saxophone sounds, so it had to be moving into the dark jazz direction, no? At one moment I thought, "Bohren und der Club of LSD". I'm still not sure if that is a compliment. 'C2' quickly made me forget about the confusion caused 'C1' and 'C3' completely blew my socks of. Remember Speedy J's 'A Shocking Hobby' album? Well, combine that with dark jazz saxophone sounds and you'll have Divus. Besides, 'C4' is a neat ambient jazz tune, much more minimal than its colleagues. 

Now, before you go thinking that this is another nice dark jazz album, remember the beats and breaks. From lazy dance inspired percussion to breakcore-vibes, Lamanna throws it all into the mix. It's not all easy digestible, or danceable, or understandable but it's unique and impressive. 'D2', for instance, is something from a dystopian movie soundtrack, driving on heavy beats and dreamy sax. This is my personal favorite. The trouble is, who to recommend this thing to? Jazz freaks? Not really. Dance fans? Oh no, certainly not. People who enjoy the weirder side of life and thus their music collection? Probably. Just check it out. You won't believe your ears...


Serge 

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Of Blood and Mercury - Strangers

17/4/2020

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electronic / dreampop / new wave
Consouling Sounds
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When Michelle shared the video of Strangers with me, I quickly got convinced that this album could get me out of this semi-permanent writer's block. As you can read here, I was a huge fan of her previous work with Batsheba.

After months and months of struggling with practical problems, she, her lover Olivier, Jonas and David got the physical album ready just in time for the release show in Tilburg, which was planned today. Then Covid19 came. "We try to make the best of the situation," Michelle tells me. "In one way or another, all of this bad luck perfectly fits with the album." 

Theme of 'Strangers' is feeling like a stranger in this world. Both Olivier and Michelle are strangers to the genres of this album too, both being deeply rooted in the extreme metal scene. In the intro you can hear that transformation, with dreamy post-rock-ish guitars blending into electronics, a blend that will remain throughout the album. Already at this point, we can hear the broad spectrum of Michelle's vocals. To quote myself (is that allowed?): "She's got it all in her Swiss army knife: haunting whispers, angry cries, howls of despair, imploring & demonic chants, but of course also that unmistakabl​y heart-piercing,​ versatile alto that we know from​ Bathsheba's​ earlier work." No grunts or screams on 'Strangers' though, but keep a look on your heart because it shall be pierced.

​Musically, it's quite hard for me to put 'Strangers' in a genre box. There's dreamy guitarscapes, sound effects, noises, drums and other percussion, but some of the songs are pure 80's new wave, very danceable. Shoegaze, dreampop perhaps? "Pleasing ghosts with music," the band calls it ghostpop. There's warmth and coldness, melancholy and hope, blood and mercury - "something from space and something from earth." Yes, I agree. It feels organic and spacey at the same time.

Let's try comparable bands. Dead Can Dance, Cocteau Twins. Dare I say Pink Floyd? Yes I dare. The sound quality is superb, the songwriting is ingenious, there's enough variation. With every listen I become more and more enthusiastic. I really can't believe this is a debut... I hope we can see Of Blood and Mercury live one day!

This album contains strange music for strange people in strange times.


Eline

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Onsturicheit – Neurotisch Verslapte Aandacht

16/4/2020

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electronic / experimental
Belgian Neu Musik
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At the end of 2018, the five CD box of Onsturicheit entitled Wanneer De Herder Doolt, Zo Dolen De Schapen was released on the Wool-E label. Since that release, Peter Moorkens has been a regularly requested artist at electronic music festivals in Belgium. This also gave him the opportunity to provide the old (Post X) post building with a dashing set of electronic excesses. This captivating performance is the second official live release from the Littl 'Antenna Records label.

Neurotisch Verslapte Aandacht slowly starts with an experimental ambient piece made up of samples and modular synth structures. Moorkens likes to mislead his audience by incorporating all kinds of crazy improvisation pieces into his compositions. A bouquet of undulating soundscapes is squeezed out of the modular modules with guitar and voice, before being kneaded into new sonic confirmation with otherworldly sound transitions. Psychedelics and mysticism are electronically amplified with floating waves that bubble up transcendental feelings. 

Hearing and seeing Onsturicheit  is like entering a sonic spaceship that converts unknown signals into our Earth's sound dimensions. With elaborate electronics, once hovering than pulsating, Moorkens' hallucinatory sound world is presented layer by layer to unexpectedly take new electronically controlled roads. Humour is also injected into the sound waves with funny samples and field recordings that linger paradoxically as recognizable islands in the Onsturicheit dimension.

Neurotisch Verslapte Aandacht  is a neurotic electronic masterpiece in which the attention never weakens. The Adventure Paths of Onsturicheit have addictive and hallucinatory side effects which we welcome of course. We are devoted to this stunning (live) release. 

This Littl 'Antenna Records release is distributed under the wings of Wool-E Discs.

​
Patsker
 

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Jacaszek - Music For Film

31/3/2020

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ambient / soundtrack
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Perhaps some artists don't like to read this, but over the years I found some of my favorite albums in the sales-bin at record shops. Quite often, those albums are slightly different than most releases, a bit off-beat and experimental. That is also where I discovered Polish composer Jacaszek. His 2012 album 'Glimmer' was on sale, along with several other ambient and downtempo electronic releases. I spent quite some money that day and I went home with a backpack filled with CDs. From that batch, 'Glimmer' has become one of my favorites and  since then several other Jacaszek releases have been added to my collection. Now, 'Music For Film' will join them.

So, Michal Jacaszek is no stranger in this household. His approach here, a mix of gloomy electronics, ambient, classical music and often glitchy soundscapes feels otherworldly yet soothing. On 'Music For Film', a collection of soundtrack compositions, that trademark is still present, although sometimes it does feel like Jacaszek had a slightly different audience in mind while working on these pieces of music: the movie critics. Most tracks on 'Music For Film' are listener friendly, pushing the strangeness of some earlier releases somewhat to the back.

​Which does not mean that this is a sweet, easy listening album. Opener '49' explores the piano in a melancholic and nostalgic way, aided by mild strings. 'The Iron Bridge', second in line, is one of the weirder tunes. Although it contains a certain rhythm it might be best to categorize these sounds as "musique concrete". 'November Early' feels like a piece of classical music written for dark jazz fans. That being said, I'm one of those dark jazz fans and I absolutely adore this track. 'Twelve Years' is a slow and gloomy piece of work, driving on a sluggish beat and lingering strings.

'Dance' combines mild noise with a chamber orchestra, so it seems, and 'Christ Blood Theme' takes us to dark monasteries. 'Liina' excels in minimalism while, another one of my favorites here, 'Encounter Me in The Orchard' visits mystical lands and biospheres. For the last two tracks, I'll have to repeat the words dark jazz and classical music. Yet, don't worry, they're equally enchanting and interesting as the rest if this album.

So, this is 'Music For Film', not only an excellent album but also a great argument when stating that Michal Jacaszek can easily compete with the Zimmers and Elfmans of this world. He can, believe me. 'Music For Film' contains pieces from Rainer Sarnet’s 2017 black-and-white fantasy drama November and the 2019 documentary He Dreams of Giants, among others. If you're a fan of either ambient, dark jazz, gloomy electronics or classical music, you need to check this out.


​Serge

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