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Brieviews 76

24/11/2020

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Soul Grip – Celestial Teapot – Gaia Guarda
Ghost:Hello / Night Goat – T-Rex Marathon


Soul Grip – Sleep

post metal / black metal
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Soul Grip are dead. Not to keep beating around the bush any more than necessary, the band is dead. The quintet from Ghent in Belgium have just released their latest EP and at the same time called it quits. They made it very clear in their final statement, that these songs were written during the Covid19-lockdown when it became obvious that their plans for recording a new full-length would not be happening. Thus they decided to record these two ‘quarantine songs’ in their rehearsal space and to have these songs reflect upon the times we are living in and (indirectly) how we deal with these things. The songs are Soul Grip at their songwriting peak, all the elements one loved about their music are still there and so much more. There are strong emotional, melancholic, deeply sorrowful moments on the record accompanied by some heavy outbursts that made them famous. “Sleep” is more based on doom elements and midtempo-structures. “Release me” on the other side is “classic” Soul Grip with all the hardcore-influences the band has been hailed for which even can be more relatable when you listen to those minute changes in pace and guitar work where only small little tidbits change the song’s atmosphere noticeably. It is always difficult to write and record your final songs, but maybe this is the best way imaginable because Soul Grip show up all the despair, all the sadness, the rage and the wrath that mankind is going through in this year of the pandemic. We can deny all our fears and anger as much as we want to, but when we go to bed and put our head to sleep we wish to be released from all of it in order to flee from reality when dreaming. Soul Grip do not deny the world around them, the show up all its darkness and bleakness and give word and sound to a year and time that will remain with us even after its gone. Just like Soul Grip will remain with us now that they’re gone. Good music always does that. Awesome music makes us aware of these changes inside of us. 


Celestial Teapot – Perception

post rock / math rock
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India and general Asia is turning out as one of the best places to look for awesome post-rock right now. Yet another example for this is Celestial Teapot from Pune, who has just released a three-song EP that is clearly post-rock in its layout and its roots but that is simultaneously incorporating so many other bits and snippets that it transcends the usual crescendo-core or quiet-loud-structure change ideas. You will find near-AOR guitar licks, some really wonderfully incorporated synth-passages and even some close-to-hardcore drumming parts – on the first track alone! The quintet is able to follow up to its full-length predecessor “One Big Sky” with a short EP (three tracks in 18 minutes) that will probably hit a mark within the post-rock community. The reason is simple that the band is able to (seemingly) effortlessly incorporate so many other genres that one can only categorize it under “Mathy Post-Rock” because they show the same ability to switch paces, moods, styles within a matter of seconds. The conceptual layout of the record is also very interesting as it deals with hearing problems and what it means to one’s life having to face these problems; how hearing things differently (up to the point where it causes physical pain to hear a something that “is” wrong) or how people who cannot hear (or lose their hearing abilities) have a very different quality of life resulting in a real fear of being able to hear. These ideas are shared in songs like “Misophonia” or “Defgain” - and most of the time they are shared instrumentally, as only one track features spoken word samples. Celestial Teapot deliver a short but thoughtful, cleverly arranged and mighty ingenious work of post-rock that you should really give a listen!


Gaia Guarda – Anatomy of Fear 

gothic / trip hop
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TripHop is a genre that often plays with the future – Gaia Guarda uses it as a basis for her Gothic inspired music whose base features three very old instruments: The cello, the violin and the harp. Montreal-based Gaia plays the harp while Michelle and Jessica (who play with Gaia in the metal band Uriel) contribute the other two. Together with drummer Rocky Gray she wrote a record that is as much looking into the future, as it based in the past and reflecting the present. The combination of a classical string basis with triphop beats is not really new, strings have been used in the Bristol-sound for decades already. However, on Gaia’s debut album it is different, as the strings are not ornaments to an otherwise very beat-oriented music but as the centerpiece of it. Nevertheless, do not envision the music to be like Joanna Newsom only because of the harp – it is different and much closer to some synthpop acts like Wolfsheim or VNV Nation. Her music is at the same time classical and new – thus a good example of neo-classical music. The lyrics are often very introspective and reveal a person not rested but haunted. “I ran across the world / You won’t find me, I must survive / I can’t explain the force pushing me to never give up on you” – she is running away but at the same time doesn’t want to forget a certain person. At times, this sound like a masochistic perspective on one’s own pain and its roots. Gaia Guarda is surely a very well-trained artist to watch as she breaks down some boundaries and steps onto unknown territory, connecting the past, present and future of songwriting into a new approach to music. If she then gains a perspective (in her lyrics) outside of her own, not only “relying” on her own experience – then she can become the next big indie voice. 


Ghost:Hello / Night Goat – Split

psychedelic / sludge
Interstellar Smoke Records
bandcamp Ghost:Hello
bandcamp Night Goat
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This split by Ghost:Hello and Night Goat, both from Ohio, is like a trip back in time. The cover is a bit like those old 50s and 60s pulp fiction “books”. The sound is also like a voyage in the Delorian, back to two places – once the late 60s, early 70s when psychedelic was at its peak and once to the late 80s when noise rock was in its bloom. Interestingly, the two bands involved here each have a hold on one of these two epochs – where Ghost:Hello are a bit like the whirlwind from the Nixon-ear with a very nice fuzzy tone to their psychedelia. This trio from Akron (the town of the Black Keys) is definitely a good choice for all those whose understanding of music revolves around bands like 13th Floor Elevators, The Crazy World of Arthur Brown or Iron Butterfly but probably also on bands like Primal Scream or My Bloody Valentine. The latter two are probably like the most common denominator with fellow Ohioans Night Goat (from Canton) whose noise likely takes inspiration from those Brits too, but also of course from Jesus Lizard and Unsane. Their three songs on the flipside are much sludgier and much more aggressive but never running away without control. They attack you with their noisy riffs and thundering rhythm section, but they don’t go for the quick win, no they rather enjoy beating your ears to pieces by punching them song by song with their highly efficient noise rock. This split is one for the lovers of the sounds off the popular paths and into the underground where there is a lot of sweat from repairing the Delorian just to go back in time.


T-Rex Marathon – Days without Incident

post hardcore / emo
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Okay, Adam Sakauye has listened to some The Smiths and probably also some Placebo as he really sounds like a mix of Morrissey and Brian Molko (which is not the worst combination when it comes to vocals – and only vocals!) and that becomes quite obvious when listening to Ottawa’s T-Rex Marathon and their new record “Days without Incident” out since Mid-October. The band channels their post-hardcore motifs and song-structures into 10 very nicely done and well-balanced songs. Especially songs like “A Prison just for Us” are really nicely done because they show how non-aggressively gang shouts can be integrated into modern hardcore. It is a band whose musical references are bands like Alexisonfire or Silverstein and the band does not imitate those Canadian idols but rather channels their ideals and abilities when it comes to writing good midtempo hardcore songs with a message. “Faux News” for example is a good pun on Fox News and tries to show how we are manipulated by mass media whose purpose is not to deliver information but to deliver narratives. The band says the song is “punchy, energetic, focused, and provocative, the song is meant to be shouted out loud” - right they are, if you cannot shout along to this one, then you are already dead. And if there is one thing that T-Rex Marathon is not – then it’s dead. This band is very much alive and kicking. 


​Thorsten

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Asphodel Wine – Slowdance Macabre

24/11/2020

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doom / gothic metal
Consouling Sounds
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SubRosa and Minsk – two heavyweights in the world of Post-Metal with two very different approaches to the sound of said genre. While SubRosa was more on the elegant side, Minsk was wondering more on the earthy, gritty side of the spectre. Now we have Asphodel Wine a musical collaboration between the real-time couple of Zachary Livingston (Minsk) and Sarah Pendleton (SubRosa). Sarah is contributing with her vocals skills and her violin, while Zach is playing the drums, the guitars and the bass while also singing. 

A few years ago we had an unforgivable “rock-duet” of Ville Valo and Natalia Avelon covering the old classic “Summer Wine” (by Nancy Sinatra and Lee Hazlewood), and my, my, my how bad that turned out. Now we have a romantic, dark duet that is much closer to Nancy and Lee or Nick Cave and PJ Harvey – Zach and Sarah really hit so many right buttons and take the (positively) necessary turns every and their “wine” is much more seductive than the Ville’s and Natalia’s. 

Much of that attraction derives from Sarah’s and Zach’s skills on each of their instruments. Especially Sarah’s violin is rich in sound and her skills turn the remarkable tunes into sparkling diamonds in a sea of sound. That sea is laid out and based on Zachary’s guitars and rhythm instruments. Especially the drums which he lays out are woven into such a wonderful blanket that even when he goes a little against the rhythm with certain fills or kicks that it is a welcoming embrace. If we add the violin parts when Sarah accompanies the drums with a deep-tuned passage. Those passages then work like a second guitar which is highly welcome, as Zach mostly plays and acoustic on “Slowdance Macabre”. The acoustic guitar is also part of this welcome, homely feeling that their first record together emanates. 

Interestingly, the full-length also has a very nice build-up when thinking of the arrangement of the songs on the record because the first few songs are a bit more laid-back in the sense that they feature a more gothic pop oriented sound while some of the songs of the second half tend to be more post-metallic especially “The Worst Way” which could also be a SubRosa-track. 

Noteworthy is also the use of the echo effect on some of the instruments and on Zachary’s vocals which makes them sound even larger than life. That is one of the things that make this quite the standout-record: the vocals. Both have already shown how amazing their voices can sound but here in this combination it is like witnessing a happily married couple going strong onto its 20th wedding anniversary and singing their own stories together. In some songs the timing and intonation is so perfect that it is nearly non-intelligible that they are not a thing for more than a few years. Especially in the title track and its near 9.30 minutes it becomes obvious that there a two master musicians at work here with lots of experience and a perfect feeling for how to write songs, how to build moods and how to reach their audience. 

This is definitely a perfect blend of the two original bands with a vocal duo that is amongst the best when it comes to creating a candlelit doomy mood without sounding like Paradise Lost or Type o Negative as Asphodel Wine’s focus is on the sparkling of the lights and not the darkness of the shadows. 


Thorsten

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Exit To Eden - Love And Other Nightmares

9/2/2020

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gothic rock
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Let's pick another one of the pile of albums to be reviewed, shall we? From Vienna comes Exit To Eden, delivering a decent slab of gothic rock on their mini-album 'Love And Other Nightmares'. What they come up with is a groovy version of gothic rock, influenced by bands like Killing Joke, Christian Death and Lacrimosa, to name a few.

The only thing is, this mini-album comes with quite a weird into, a poem that somewhat sounds like Eminem being drunk on whiskey, something like that. The poem isn't that much of a shocker either, enter the gothic clichés, so to speak.

Luckily, the rest of this album rocks, bringing the guitars, the gritty vocals and the dark atmosphere of gothic rock. 'Goth 'n Roll Head' is an uptempo tune, with energetic vocals which often nudge towards the whole post-metal scene, screams and all. Once again, the listener will have to deal with nothing renewing or innovative. You might have heard all of this before but it'll be a decent dark rock party nonetheless.

I think 'Without That Pain' is my personal favorite here. This slow, sluggish tune somewhat reminds me of goth rock era Tiamat, which I think is a compliment. It's also the one where the distinct vocals seems to be suited best. Plus, from an overall music standpoint 'Without That Pain' is a most compelling tune on this mini-album. Here, the true quality of Exit To Eden shines true. One 'Bad Day' the band finally digs into the influences of Sisters Of Mercy and LOove Like Blood, which also is a compliment.

So what to remember from 'Love And Other Nightmares?' Putting together this version of gothic rock with lyrics about love gone bad makes comparisons to bands like Him plausible. Yet, unlike the overproduced music of Him, Exit To Eden comes up with a gritty, eerie and raw sound. My advice, check it out. It might be something up your alley or you might not like it at all. Fact remains, I don't hear a lot of death rock / gothic rock or whatever you call it these day, so this mini-album has been a lot of dark rocking fun...


​Serge



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The Arch – VIII /XII

29/12/2019

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darkwave / post punk / goth rock
Wool-E Tapes
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The Arch are without a doubt more popular outside their home country Belgium, some call them the best kept Belgian secret. VIII / XII is the third release since their comeback in 2011, containing a compilation of songs which were dropped monthly one by one during the year 2018. The four headed band  wrote, recorded and mixed  each song before starting on the next one. A diversity of music styles was folded together into twelve touching pieces of music.

We can’t deny that the sound of The Arch is recycled from the legendary new wave bands of the eighties and a lot of listeners will call this a copycat. Well, the music is far from original but the passion and ambition shows itself after a few attentive listening parts of this album. Fresh and merrily sounding guitar riffs with sensual synths convey a romantic pop sound without losing the gloomy atmosphere. The lyrics have a darker tenor than the music, which is very admissible.

The band is thirty years active, they started as friends, they disappeared, they came back and sound mature and better than ever. They flirt with gothic and indie rock that tinge their balanced (post) new wave style. On the folk inspired Cadaver synod, the band got the vocal cooperation of Blaine L. Reininger (Tuxedomoon). 

Hopefully this hard working band gets more attention from the Belgian music lovers. Their deep weaved reflections of this world deserves to be heard. We needed to put some more energy in this album to get deeper but it was worth. Good music doesn’t always trigger the mind immediately.  Depending on which medium you choose, the VIII stands for the number of tracks on the vinyl edition, the XII for the CD version.

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Patsker

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Der Klinke – Decade

5/6/2019

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new wave / gothic / darkwave
Wool-E Discs
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Already ten years active and entertaining the Belgian Post-Punk and Gothic scene, Der Klinke releases a compilation of their work called Decade. This summary is a time line containing remixes, cleaned up versions and two new songs. The CD version includes the story of this interesting band.

The band name ‘De(r) Klinke’ (doorknob) has its own history. A small garden house without a doorbell of the parental home of Geert ‘Chesko’ Vandekerkhof was a gathering space where you could just step in by simply using the door handle. This man cave was soon called De Klinke.

The musical path of Der Klinke is one of progression. Der Klinke formed in Ostend Belgium started to play music inspired by cold wave and electronics but slowly created an own stubborn and modern twist in their darkly music. Curtains and Bridges are new songs and show the deep influences from the Sisters and Front 242. Both songs are strong and filled with dark atmospheres. 

Cult hit The Doll sounds still timeless. The compilation has no weak songs and the remixes sound remarkably good. Der Klinke celebrates with glory their musical career. Gothic and dark wave lovers just can’t walk around this album. The mood on Decade is filled with ten years of gloominess, dark dancing tunes (The Doll and The facts of Live remix) and post punk vibes.

This selection of songs is dope. We can’t get enough of these wild and varied sounds of Der Klinke.  Decade is available on CD (limited edition 300 pieces) and vinyl (only 100 pieces). Do not hesitate to grab this Wool-E diamond. Instead of chasing shadows we are chasing the sounds of Der Klinke (again).

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Patsker

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This Can Hurt - Worlds Apart

18/5/2019

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industrial post wave
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Almost two years ago, I ended my review for the debut album by This Can Hurt with the words: "This is another example of Belgium's talent, unique but familiar and always intriguing. I'd like to see this live one day, preferably very soon..."

Unfortunately, I haven't had the chance to witness these guys yet but judging from this album, a tour is inevitable. Once again This Can Hurt has unleashed something intriguing. 'Worlds Apart' is another excellent statement about crossing genre restrictions, creating emotional alternative music and having great songwriting skills. 


Initially founded as an alternative rock outfit for Ray-M, This Can Hurt quickly developed into a unique entity in the darker regions of the rock industry. The band seemed to nudge towards gothic rock and post punk acts while also incorporating electronic elements from trip hop and industrial. At first glance, 'Worlds Apart' follows the path of its predecessor. The broody elements are still present, making most of these songs ideal for the darker dancefloor, where Sisters Of Mercy, Joy Division and Nine Inch Nails invite you to shake your hips.

But This Can Hurt has also grown over the past few years, and that results in a mature sound and several possible fan favorites. Title track 'Worlds Apart' is one of those and so is the infectious 'Rivers Run Deep'. The latter even brings Evergrey to mind, a melodic metal band. Thing is, with 'Worlds Apart' This Can Hurt tries to appeal to a broader audience. Yet, I didn't expect them to delve into the metal scene. But then again, dark rock and dark metal are very close together, just ask Trent Reznor.

My DJ-mind tells me that 'The Fall Of Mark E. Smith' will mix perfectly with 'Lucretia My Reflection' by Sisters Of Mercy. I'm going to try that out soon. Fact remains, this tune is massive, a certain dancefloor filler, even with the somewhat unusual vocals. And that goes for most of the tunes here. There is still something familiar, something from the dark eighties, but This Can Hurt adds a unique identity to their music which sets them apart from pretty much all other bands. This is the beauty of stubbornness, walking your own path and creating something brilliant.

'Some Days' is the track that mostly nudged towards trip hop, until the guitars come in. The focus here is mostly on straight forward rock music. Electronics seem to have a smaller role, which actually improves the whole thing. I think that's where the mature sound comes from. 'Diane' drives on a harsh electronic bassline but here too, the guitars eventually take the upperhand. The rest of the songs are up to you to discover. If you are a fan of dark rock music, this album definitely deserves a spot in your collection. I know, it's already a massive collection but still, I just know you will enjoy this.


​Serge

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Brieviews 54

25/11/2018

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Syrinx - There Is Distance Between Us

drone / ambient
Sombre Soniks
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It feels so good to see English trio Syrinx return. Sombre Soniks releases their first album since 2011 and it's a gem. 'There Is A Distance Between Us' is one long sonic meditation, fifty nine minutes long. It opens with slowly meandering drones and soundscapes, quiet, at times impending. Calmly, a whole story develops, carried by mysterious sounds and eerie atmospheres. I guess it's safe to compare this album to artists like Troum, Vidna Obmana or Rapoon: gloomy ambient soundscapes best to be enjoyed with eyes closed and mind open. This certainly is a nice comeback.

Mule Skinner – Airstrike 

death metal / grindcore
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Formed in 1990, Mule Skinner is a death/grindcore band from New Orleans USA.  Airstrike is their comeback album, twenty three years after their debut Abuse. Their heavy neck breaking underground grindcore works addictive. Time has passed but the sound of Mule Skinner is still crushing skulls and bones. Deep venomous vocals and high speed riffs blowing even your wall paper away. The bass tunes have a very important contribution in this recording. Airstrike is an album with evincive grindcore. Thirteen songs of blasting power. Highly recommended to fans of Terrorizer and the early Brutal Truth.

Stone Wired – Habitual Discomfort

death industrial / dark ambient
Exabyss Records
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Stone Wired is a project of Mortum (Gyorgy Turoczy), released on his own Underground Death Ambient Label From Hungary, but active in the USA. The sinister deep industrial sounds work like a suffocation machine. Stone Wired explores the boundaries of dark ritual music. Harsh electronics are used to make the listener aware of the habitual discomforts of life. The artist has already released dozens of tapes and cdr’s. He creates sounds and noise with other aliases like Human Vault and Odour Sonour too. If you like dark and obscure underground electronics, Stone Wired will be your perfect guide.

I Am Waiting For You Last Summer - Together

post rock / ambient / electronic
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Russian act I Am Waiting For You Last Summer is one of those bands who explore genre boundaries without limitations. Loved and respected by electronic, ambient, downtempo, post-rock and alternative pop communities, these Russians have played over 200 shows allover Europe, including Dunk! Now they come with a sweet and enjoyable three-track EP, 'Together'. The three songs are short but they will warm up your day and bring a smile to your face with their. It's Explosions meets Plaid or Mogwai meets Boards Of Canada but most of all it's gentle, soothing music that deserves a place in your collection.

Brad Couture - Strung - Vol. I

ambient / classical
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Brad Couture delivers another beautiful breather in a rough and busy world. For that, he only needs a piano and a tiny bit of electronics. The two songs on 'Strung Vol.1' are short minimalistic piano pieces, 'Pleiades' and 'Radial', coming with a strong feeling of melancholy. It's easy to imagine vast wintry landscapes or scenes with broken-heart people while listening to this music. If you are a fan of cinematic ambient and slow piano melodies, you don't want to miss out on this one. Put these two tunes in your winter-playlist and the darkest of seasons will shine a little brighter this year.

Comatose Vigil A.K. - Evangelium Nihil

funeral doom
Non Serviam Records
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Seven years after 'Fuimus, non Sumus...', funeral doom trio Comatose Vigil A.K. return with a new album. 'Evangelium Nihil' contains four tracks, four monolithic pieces of funeral doom metal, containing all the ingredients that make this genre so attractive. Slow, torpid music, driving on droning guitars, sluggish drums and deep growls. Fans of the band and fans of Esoteric, Evoken, Shape Of Despair and so on can easily trust Comatose Vigil A.K. to deliver the sonic burial they crave so much. This album is a walk in the darkest and deadliest labyrinths of the human soul, one which every funeral doomster will adore.

Dxvxdxd Sxlf - Of Wolves & Men

gothic rock / alternative / metal
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Dxvxdxd Sxlf (read, Divided Self) is a French band with a lot of symbolism and a lot of influences, from literature about madness and insanity to dark rock bands like Moonspell, IAMX and Deftones. Their first effort is a four track (+ four unplugged versions) EP which is quite hard to comprehend. Opener Under The Gaze Of Christ' seems influenced by gothic metal and melodic black metal but suffers from rather unfitting vocals. These vocals perform better, more powerful on the groovy doom/post track 'Dreamer On Ecstasy' and the gothrocker 'The Path'. In all, this is an interesting EP, not a smasher but a nice introduction to a band that is still finding a solid sound.

Shelther - When Comes The Flee

drone / ambient / folk
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Here we go again, a drone/ambient release by a member of one of Belgium's many (sludge) metal bands, something that almost always sounds interesting. Shelter is the solo project from Lethvm's drummer Antoine Matthys. With 'When Comes the Flee' he delivers a one-track EP, lasting over thirty minutes and bathing in atmosphere. Armed with a guitars and a bunch of effects, Shelher steps into the same forest where Ashtoreth, Stratosphere, Syndrome and CHVE wander. Opening with folkish guitar plucks, this track grows, evolves and narrates, beautifully honoring this tradition of Belgian drone ambient. Brilliant piece, highly recommended!

Temple Music - Εποχές Vol. II

dark ambient 
Sombre Soniks
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Alan Trench returns with two new pieces of sonic meditation, good for a total of over forty minutes of droning soundscapes and cosmic ambient. 'Summer Dominoes' is a lengthy sound exploration, evolving in an almost unstable manner. Minimalism certainly is the keyword here, even the term 'I-Dose' comes to mind. This is music to meditate to, thus perhaps my favorite of the two. Track two, 'Laughing In The Tower' is more complex, darker and also noisier. Here, haunting voices appear, along with vague melodies and eerie soundscapes. Yet, if you want your music to narrate strange adventures, you need this one.

Hey Life - Masquerade

alternative rock / funk rock
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What would happen if Jamiroquai and Queens Of The Stone Age crawl into a studio? Well, French rockers Hey Life might come close to that. One part of the band is hooked on alternative rock while the others have the funk floating through their veins. The result is this uplifting five-track EP, loaded with energetic rock songs for the whole family to enjoy. It's not every day that Red Hot Chili Peppers, Pulp, Rage Against The Machine ànd Michael Jackson come to mind when I listen to an album. For some reason, these songs are infectious and sheer fun. Dancing is recommended, smiling is obligatory. 

Rosalyn - Single Mother

indie / dreampop
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Rosalyn was born right after the release of  'Heiligenstadt', The View Electrical’s sophomore album. Vocalist Frédéric Aellen wanted to create something more intimate and acoustic so he locked himself up with a guitar and a laptop. The result is a four-track EP, moving into the regions of dreampop, slow/sadcore and indie pop. In a way, the songs here are bittersweet pop songs, powerful enough to entertain people in front of a stage but intimate enough to guide emotions in a lonely bedroom. My favorite here is the piano version of 'Rusty' but I'm sure many people will adore these melodies.

I Hate Models - Spreading Plague 

industrial / electronic
Perc Trax
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Let's finish this set of Brieviews with something completely different. It might look like a death metal album but don't get I Hate Models wrong: this is nutkicking industrial hardcore techno, or something like that. I guess you can compare this to Horrorist meeting Combichrist making it perfect for acid rave-caves and gothic industrial parties alike. Hell, even rhythmic noise freaks can get their much needed shots of electronic aggression. The single comes with a remix and an extra track, 'Martial Order'. So put on your dancing boots and stomp the night away.



​Serge (2 & 3 by Patsker)
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Brieviews 52

6/9/2018

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Ashtoreth - Ciuthach

drone / ambient / folk
Sleep FUSE Subscription Series
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Ashtoreth joins the Sleep FUSE subscription series with an enigmatic one track EP, based on a Scottish folklore creature myth of the Ciuthach. This 23 minutes lasting track follows the same path as most of his releases, which is a good thing of course, especially if you love droning vocals, eerie soundscapes, field recordings and atmospheric ambient. As always, Ashtoreth invites the listener on a dark, somewhat haunting sonic journey, either through vast forests or you own imagination. That choice is yours. Recommended? Undoubtedly...

Zer0 れい - an overview

electronic / ambient/ synthwave

Afterglow 20XX

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More experimental sounds from Belgium, this time with ​Zer0 れい . This music delves right into the eighties, inspired by old movie and video games soundtracks. The result is an unusual and somewhat eerie approach to so-called vaporwave; It's synth music, but coming at you in a gritty,  raw and somewhat way. But what would you expect from a project from the same guy who gave us the harsh noise of Unholy Analog Noisemachine, Crucifix Eye and MxCx. This EP contains six songs, none of which being suited for radio stations. It's strange, but with minimalistic synth tunes like 'Pariah', this an become quite interesting.

Midihack

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Released in June, 'Midihack' can please me a lot more than 'Afterglow 20XX'. The EP opens with 'Mods', a track that takes me right into either Mr Robot scenes or apocalyptic fun fairs. The EP shows a bit more, or more distinct, rhythms, making it a tad more digestible. However, don't expect some easy listening new age, this stuff is still rather dark, reminiscent of the gloomy, experimental side of eighties synthpop. For me, this is one of the most surprising releases of the year, with excellent synth tunes like 'Komatsu Subzero' and 'rax2'. So if you're hungry for something different, you might want to check this out.

Slipstream 20XX

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The most recent effort by Zer0 れい begins with a sharp intro before the vaporwave kicks off again. Gradually, over the three releases i can hear this act evolving as the whole becomes more musical and varied. Here, some of the old noise exploits of the artist comes shining through, appearing in mostly harsh tracks like 'Anticipation' and 'Suspension'. But you can also fill the dark dancefloors with tracks from this album, including 'Broadcast' or 'Ossuary 20XX'. In all, this album is a lot tenser and heavier than 'Midihack' but still an excellent example of what musical experimentation can lead to.

Xasthur - Aestas Pretium MMXVIII

acoustic / folk
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Legendary black metal act Xasthur is now an acoustic three-piece and I guess the black metal scene just has to deal with that. 'Aestas Pretium MMXVIII' contains five songs, all fully acoustic but still containing some of the aesthetics and technicalities of extreme metal. My favorite remains the opener 'Against Your Will'. I think old fans might have a problem with Scott Conner's clean vocals but then again, this is not black metal, this is "doomgrass", something between American folk music and the dark abyss that is extreme metal. My suggestion? Try it out, it just might be your thing now.

Black Market Heart - Who Put A Knife Through Your Heart?

post punk
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Founded by Spencer Robinson (The Wolf Spiders, The Lords of Altamont), Black Market Heart delves deep into another dark side of the eighties, that of post punk and new wave. Their debut EP delivers three short tracks which might best be described as grinding version of Joy Division or a minimalstic version of Sisters Of Mercy. 'Can't Live On The Other Side' immediately got me hooked. 'Under the Ivy' brings Bain Wolfkind to mind, especially in the vocals. Finally, 'Silver' invites me to those dark dancefloors again. So, new wavers of all ages, there is still hope. Check out this gem!

The Lautreamonts - Who Are You Wearing

post punk
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A more melodic yet experimental version of post punk comes from Brazilian act The Lautreamonts, and what a version it is. In opener 'The Adequacy Waltz' alone acts like Cinema Strange, Dead Can Dance and Dresden Dolls came to mind. 'Who We Were' is a fantastic track, nudging towards shoegaze and dreampop. Yet, there is more than that, I ever hear a tad of grunge in 'The Ones He Wore' and closer 'Black Sabbath' is exactly what you'd expect, a surprisingly enigmatic cover. I often found myself thinking "damn, this is good", not only from a personal standpoint but also as far is overall quality is concerned. This is high quality postpunk, destined to reach high peaks in that scene.

Ennui - End Of The Circle

funeral doom
Non-Serviam Records
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Yes, a new funeral doom album. As a huge fan of everything slow and torpid, I can only be ecstatic about that. Hailing from Tbilisi, Georgia, Ennui keeps the funeral doom tradition in high regard, resulting in this crushing album. Three songs, seventy minutes of high quality music, quite similar to Esoteric, Shape Of Despair and Evoken. The atmospheric approach here is astounding, perhaps capable of gaining some fans in the post-post scene as well, if they appreciate growls and fierce black metal passages. But in the end, this is a perfect funeral doom album that will mostly and undoubtedly please the fans of the genre.

A Shoreline Dream - Waitout 

shoegaze / dreampop
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Shoegaze combi A Shoreline Dream continue their series of single with a new five-track, titled 'Waitout'. With a vast wall of jangling guitars and subdued vocals, this trio sets another step into their remarkable journey. If you are a fan of acts like Cocteau Twins, Slowdive and Ride, you might want to check out these dream-like anthems. The ballad 'Barnum' is probably my favorite track here while 'New York' will undoubtedly appeal to fans of danceable anthems. But eventually, I guess all of these tracks are certain highlights in the career of a band that honors that beautiful sound of shoegaze.

Rude Audio - Rude Redux

electronic / house / synth
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Hailing from London, UK, Rude Audio delivers some neat dance tunes for late night clubbing and chilling. The tags on bandcamp mention the term "Balearic" but I'm not very familiar with that so I'll have to go with how this music makes me feel. Well, opener 'To The Sun' is a minimal house track which brings me to imaginary beach clubs. 'To The Half Moon' rings out the dub. 'Rumble On Arab St.' does something intriguing with eighties synths and sequences and 'Pipeline Dreaming' gently wobbles on. Eventually, the Rich Lane remix of 'To The Half Moon' reminds me of lengthy car drives in Grand Theft Auto or Miami Vice. Nice? You betcha!!!

Idle Hands - Don't Waste Your Time

hard rock
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Well, since we're diving into eighties revivals, why not check out the heavy metal corners? Hailing from Portland, Oregon, Idle Hands honors the early sounds of bands like Iron Maiden and Judas Priest. Yet, there is also a sense of goth rock present. 'By The Way Of Kingdom' brings bands like Killing Joke or Sisters Of Mercy to mind while ancient rockers like Boston or Toto aren't that far away either. That combination is interesting, to say the least. My personal favorite is 'Can You Hear The Rain', yet all track here are good old fashioned dark hard rock songs which all rockers should give a chance.

Lower Automation - Shoebox Companion

math rock / alternative rock / experimental / noise rock / punk
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It's been a while since a band reminded me of Belgian's finest, Evil Superstars. Chicago based trio Lower Automation does something frenetic and deranged with punk, math rock and noise rock. Parts Dillinger Escape Plan, parts Sonic Youth and parts Jesus Lizard come at you with high velocity and with the sonic insanity of Melt Banana. This six track EP is as dynamic as a rhino stampede, even without twisting the distortion button on their amps. 'Tethered' might be the most radio friendly songs here but it's not radio friendly at all. So I guess you have been warned. If you like punky musical chaos, you need this.




​Serge
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Brieviews 50

23/8/2018

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Boobs Of Doom - Thor's Womb

doom / sludge metal / drone / dark ambient
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Scottish misanthropic noisemakers Boobs Of Doom do have a good heart. In aid of Carrie's Fund the duo recorded two lengthy tracks. Carrie, a former musician who has a a rare condition causing her spine to collapse crushing her brainstem, needs to raise £100K for life-saving surgery. Title track 'Thor's Womb' is a forty minutes long epos of drones, noise and gloomy soundscapes, a gritty version of Sunn O))) or a sonic dark ambient ritual, that choice is yours. There's also a radio friendly version on the EP. I'm just not sure which radio stations will play it. 'Loki' gift bridges the two in a seemingly everlasting array of drones. 
This EP, or single, is long, seventy minutes but in that timespan Boobs Of Doom takes you on a trip through your own darkest imagination. Just download the album, because this is a full length, turn the volume knob to neighbour levels and drift away. Carrie will appreciate it, Boobs Of Doom will appreciate it.

Bara Bandai - Une Nuit Sans Sommeil

drone / ambient
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The solo project of Clément Jeunet Fougerat, a member of several French rock bands, comes up with an interesting first EP. Armed only with a guitar and a limited pedal board, Bara Bandai delivers one track, lasting fifteen minutes. The music here reminds me of acts like Syndrome, Ashtoreth and perhaps the more minimal efforts of Barn Owl. Although mostly rooted in drone and ambient sounds, 'Une Nuit Sans Sommeil' (a night without sleep) often comes up with gloomy, emotional riffs and strums. Not easy digestible but definitely worth your attention if you're into music that breathes solitude. 

Macabre Demise - 11

death metal
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German extremist Macabre Demise have been blasting sickening death grind since 2007. Their latest output is a three track EP, titled '11' and it's one of those things that brutally invites the listener to twist the volume knob to intense levels. On the title track and 'Rot' a sick and twisted lovechild of Carcass and Dismember comes to mind while 'Death And Forget', a Bloodshot Eyes cover, tears and reaps and claws. For fans of mindboggling death metal, this is a neat addition to their homicidal record collection. For nu-death fans, this is how death metal should sound...

The Guests - Highlands

gothic rock
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Russian gothic rock ensemble The Guests seems highly inspired by the gloomy side of the eighties. On this EP, they come up with  a neat the Cure meets Fields Of The Nephilim track ('Highlands') and four remixes of 'Autumn Walk'. Where the opener is gothic rock pur sang, the Bruno Kramm (Das Ich) remix of 'Autumn Walk' reminds me a lot of acts like Diary Of Dreams or Wolfsheim. There is also a synth-pop remix ('Asper X') and two by Arkhangelsky, where first Depeche Mode comes to mind and then turns back to goth rock. Not bad, I'm curious for more.

Grist - Monads

drone / dark ambient
Sombre Soniks
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Australian black ambient project Grist returns to Sombre Soniks with a new six track album. The keyword here seems to be "minimalism", judging by the repetitive and hypnotic opener 'See These Signs (1 8 18)'. Noise, drones and soundscapes once again form eerie tunes, slowly lingering but still powerful enough to guide the listener into a state of trance. With 'The Dark Song (1 8 18)', this album contains one of the strangest tunes I've ever encountered on Sombre Soniks, adding a decent dose of experimentalism to the often ritualistic drones. My favorite? 'We Do Not Seek Progress, Just Respite (25 8 17)', an impending piece of dark ambient.

Jinthra - Psychopath

drone / dark ambient
Sombre Soniks
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Another new release by a constant in the Sombre Soniks label is 'Psychopath' by Druhá Smrt member Jinthra. Here, the focus is set on darkness, mental instability and nightmaric sounds, coming at you in four soul crushing piece of dark ambient. This album sucks you in from the very first second with its harsh and immersive drones. The next 35 minutes are the perfect soundtrack for a meditative inner search and an attempt to exorcise your inner demons. The intensity of the tracks is impressive, ranking 'Psychopath' among acts like Lustmord, Predominance and Nordvargr, to name a few. This four track is a must-have! 

Akoustik Timbre Frekuency - Banishing Thee Dark Night Of Thee Soul

dark ambient / ritual / drone
Sombre Soniks
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And Sombre Soniks throws even more soul searching drones into our ever expanding collection. This time the boss himself delivers two monolithic sets of drones, soundscapes, singing bowls and whatnot, resulting in some highly narrative ambient compositions. As a shaman Akoustic Timbre Frekuency reaches deep into the listener's soul, something haunting, something soothing but always immersive. I really like the way Sombre Soniks and its roster of artists is evolving. Within the new dark ambient scene, Akoustik Timbre Frekuency definitely is an act to keep an eye, two ears and an open mind on...

Loputon Suo - Portti Uuteen

death metal / black metal
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If all that darkness is your thing but you prefer your music a bit more extreme, then I can recommend this four track EP by Finnish combo Loputon Suo. Formed in 2014, this band delivers a punishing, chaotic and obtrusive blend of black and death metal, here and there also showcasing elements of doom, sludge, post-metal and blackened grindcore. This EP contains three tracks and a fearsome intro. The overall atmosphere is crushing, the riffs are relentless and the vocals will haunt your dreams for many years to come. Extremists will undoubtedly love this EP, which is best to be played at neighbours punishing levels...

Mount Shrine - Winter Restlessness

drone / dark ambient
Cryo Chamber
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Hailing from Brazil, Mount Shrine comes up with a gloomy yet alleviating album. Mildly repetitive drones and soundscapes build murky compositions which invite the listener to loosen up, sit down and enjoy the splendor of ambient music. With six tracks, each of them a highlight in its own right, 'Winter Restlessness' is near perfect ambient album, one which requests multiple listens. This is one of those albums that can end up in people's "favorites" shelves, right next to masterpieces from Atrium Carceri, Desiderii Marginis or Kammarheit, to name a few. Recommended? Hell yeah!

Glass Locus - Escapism

ambient / experimental / downtempo
Audiobulb
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In ambient too there is often a nudge towards radio friendly behaviour, quite often by bringing in electronic percussion. By that, many artists wander into the world of trip-hop and downtempo electronic music. So does Matt from Glass Locus, but in the same effort Matt oversteps the boundaries of radio-friendliness and plunges into the experimental nature of acts like Autechre, Boards Of Canada or Plaid. 'Escapism' is an eight track exploration of soundscapes, electronics and jazzy basslines. The result is an interesting audio adventure that easily manages to keep the listener in its grasp. Splendid work, on that keep me hungry for more...

The Dark Third - Even As the Light Grows

dark rock / art rock / blackgaze
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For those who are looking for something utterly unique I can recommend this EP by New Zealand's The Dark Third, an album that begins with a flash of free jazz, bursts out in post-blackened shoegaze and adds epic classical arrangements to progressive rock. Is that confusing? Well, you should hear this. Not only is this a one of a kind band that manages to find their way through tonnes of influences, they also write emotional and immersive songs. Then again, what would you expect from a band that claims to be influenced by Steven Wilson, Kayo Dot, Peter Gabriel, Swans and Anathema? Done right, that can result in pure brilliance, and this album is done absolutely right...

Skáld - ​Skáld 

traditional / folk 
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Hailing from the French underground, Skáld delivers an astonishing view on ancient Nordic music. With intense percussion, traditional instruments and a multitude of epic vocals, this act walks in the footsteps of projects like Wardruna, Nytt Land, Tenhi and Faun, only more impressive, to be honest. This EP contains three tracks, the brilliant and heroic 'Gleipnir', the strong and potent 'Ódinn' and the melodic and dreamy 'Rún'. 
Here come the vikings, from France but that doesn't matter. If there is one act to keep an eye on in the world of neofolk, Skáld will be your new pagan heroes.

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Brieviews 49

31/7/2018

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Naut - Raise The Lights​

post punk / new wave / goth rock
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Heading from Bristol, Naut decided to ignore all current trends and to look back to the dark eighties. Now, this five-piece comes with a baffling debut EP, containing five pitch black goth rock tunes. Influences from bands like Sisters Of Mercy and Killing Joke run rampant and come with the overwhelming energy of post punk acts like The Jesus and Mary Chain. Song like opener 'Disintegration' and 'I'm Here' are destined to fill dark dancefloors everywhere. My personal favorite here is closer 'XVI'. It makes me curious and hungry for more, but for now I'm sure that this EP will be an excellent addition to every post punk / goth rock collection. 


Kurokuma - Dope Rider

doom / sludge
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Sheffield doom mongers Kurokuma return with a two track EP, based on the Dope Rider strip from High Times in the 70s. The artwork comes from Paul Kirchner, the creator of the strip. The music is another slab of severe psychotic sludge doom, five and eight minutes long. Part 1 also showcases something industrial, reflected by repetitive, almost methodical drums. Part 2 simply continues to slow but brutal pummeling. Fans of bands like Conan, Dopethrone and Yob can easily trust Kurokuma to deliver the monolithic riffs and fierce vocals they crave so much. So if you want your sludge metal as destructive as a wrecking ball, this EP should do.


An Evening With Knives - Fade Out

post-metal / doom / alternative rock
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Several months after the release of 'Serrated', Dutch heavy rockers An Evening With Knives unleash three songs that did not make the album because of the limited space on the vinyl. Yet, these songs were to important for the band to be ignored. Opener and title track 'Fade Out' deals with the death of Marco’s father due to Alzheimer disease. It's a long, heavy and cathartic lamentation, showcasing the darkest side of this band. The other two songs follow that example, be it a bit shorter. They all walk a similar path as the songs on 'Serrated', and thus would also fit perfectly into every sludge, doom and grunge collection. These guys are growing steadily, that's for sure.


Soho Rezanejad - World Breathes People

electronic / ambient / experimental
Silicone Records
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An alienating two track EP that will leave you confused and entangled, that is what Soho Rezanejad delivers. Subtle electronics, minimalist drones, gloomy soundscapes and her vocals come together in two lengthy modern day folk songs. I can't help but think about a mix between Zola Jesus and Diamanda Galas, be it a bit less creepy than the latter. Yet, there is emotion, there is fear, mourning, wonder and hope in these two tracks. There is a mystifying atmosphere, one that borrows elements from dark ambient. Yet, above all perhaps, this is a unique piece of work, reminding me of an act like Dark Ensemble. Recommended only for eternally wandering souls.


The Man Within - The Man Within

post rock / post metal / stoner / sludge
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In today's post rock scene, new bands pop up like mushrooms. Würzburg residents The Man Within are one of those newcomers. Mostly, that first effort comes with a low production and a careful introduction in what the band really is capable of. Yet, here that results in a full-blown post metal album with seven outstanding tracks. Most of them, including 'Mount Santo', my favorite 'Institution' (that rolling bass is hot!!!) and the massive 'Limitless' can easily entertain audiences far and wide. Although firmly rooted in the post-scene, elements from sludge metal, psychedelic rock and stoner rock are never far away. A great introduction, now let's hope they can confirm this in the near future.


EITR - Hädanfärden

dark ambient
Nordvis
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The new brainchild of Nachtzeit, the man behind ambient dark metal project Lustre, comes up with an interesting dark ambient album. Although playful at time, this album takes us back to the mysterious  and dark age of the Norse gods. Early in 'Drömmarna' acts like Mortiis (on Cold Meat Industry) and Wongraven come to mind. Synths, soundscapes and dreamy melodies guide the listening on a musical tour of medieval Europe, so it seems, highlighting in 'Löftet' and 'Tårarn'. Strangely, the title track 'Hädanfärden' has an X-Files OST feeling about it, which isn't bad, on the contrary. Fans of old school medieval dark ambient can easily appreciate this album.


Breakfast At Midnight - Breakfast At Midnight

alternative rock / hard rock / grunge
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Belgian hard rock duo Breakfast At Midnight proves that two is enough to create heaps of noise. On this debut EP they blast seven tracks through our speakers, beginning with the heavy rocking 'Kidi Coke'. From then on, the rock doesn't seem to stop. Inspired by anything between Tool, Queens Of The Stone Age and Stone Temple Pilots, these two feed an everlasting fire. Most tracks drive on sheer energy but in 'What I'm To Say' and in '1813', the band delves deeply into the Pearl Jam version of grunge rock. Here, the vocals are excellent and clean while the other tunes contain heaps of aggressive screams. Not that I mind, this is pure rock 'n roll: raw, rough and heavy.


Goat Sperm - Voice in the Womb

black metal / death metal
Inferna Profundus
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Grab onto something now because Ukrainian trio Goatsperm is about to unload a hellish, chaotic and vulgar EP, loaded with orthodox black/death metal. 'Voice In The Womb' contains three tracks, each one being a pummeling piece of extreme metal, as dark as Satan's butthole but with an ambient breather here and there. Somehow, this trio manages to combine atmospheric passages with sheer metallic terror, something that might indeed make a lot of banging heads turn their way in the near future.  Besides, 'Into The Deep Waters Of Catacombs' is one of the fiercest black metal tunes I've heard this year. If you're a self-respecting extremist, you need this.


Teksti-TV 666 - Aidattu Tulevaisuus 

krautrock / shoegaze / punk
Svart Records
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What would have happened if Ramones used My Bloody Valentine's guitar effects? What would a punk rock cover album of Neu! songs sound like? Well, Finnish six piece Teksti-TV 666 might have a decent answer for you. 'Aidattu Tulevaisuus' delivers six high-octane krautrock tunes with the raw energy of punk and the immersive nature of shoegaze. I admit, it is something different from the usual slabs of rock 'n roll that appear here but 'Turbo-Mondeo' and 'Aidattu tulevaisuus' can easily get your behind shaking. My favorite here is the somewhat slower 'Rauhankone', which might be described as a down-to-earth space rock track. Recommended? Hell yeah!


Vitor Joaquim - Impermanence

ambient / electronic / experimental
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Hailing from Porto, Vitor Joaquim is a sound sculptor and visual artist, active around the strange borders between soothing ambient and otherworldly noise. This new album, 'Impermanence' contains seven tracks, revolving around repetitive soundscapes, almost subconscious loops and immersive musical textures. Here and there vocals samples have been added to increase the narrative nature of the music. That, along with the minimal soundscapes, makes the title track my favorite here but I'm sure that every fan of decent ambient music can appreciate these sounds. Obviously, this comes highly recommended.


Han - Tuning the Invisible

ambient / drone / experimental / noise
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An even more noisy and experimental variation on ambient sounds comes from Han, a project by Vitor Joaquim and Emidio Buchinho. This album revolves around live improvisation and real time processing, which results in something severely unusual and highly experimental. Yet, behind the gritty freestyle on the guitar, beautiful ambient loops lurk. These seven tracks are weird, immersive in one way, yet restrained and peculiar. Somehow this album feels like the early days of drone experimentation, when artists were exploring the other possibilities of their instruments. In all, this is an interesting release to dive into, but only for experienced avant gardists...

Serge
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