electronic / dreampop / new wave

When Michelle shared the video of Strangers with me, I quickly got convinced that this album could get me out of this semi-permanent writer's block. As you can read here, I was a huge fan of her previous work with Batsheba.

After months and months of struggling with practical problems, she, her lover Olivier, Jonas and David got the physical album ready just in time for the release show in Tilburg, which was planned today. Then Covid19 came. "We try to make the best of the situation," Michelle tells me. "In one way or another, all of this bad luck perfectly fits with the album." 

Theme of 'Strangers' is feeling like a stranger in this world. Both Olivier and Michelle are strangers to the genres of this album too, both being deeply rooted in the extreme metal scene. In the intro you can hear that transformation, with dreamy post-rock-ish guitars blending into electronics, a blend that will remain throughout the album. Already at this point, we can hear the broad spectrum of Michelle's vocals. To quote myself (is that allowed?): "She's got it all in her Swiss army knife: haunting whispers, angry cries, howls of despair, imploring & demonic chants, but of course also that unmistakabl​y heart-piercing,​ versatile alto that we know from​ Bathsheba's​ earlier work." No grunts or screams on 'Strangers' though, but keep a look on your heart because it shall be pierced.

​Musically, it's quite hard for me to put 'Strangers' in a genre box. There's dreamy guitarscapes, sound effects, noises, drums and other percussion, but some of the songs are pure 80's new wave, very danceable. Shoegaze, dreampop perhaps? "Pleasing ghosts with music," the band calls it ghostpop. There's warmth and coldness, melancholy and hope, blood and mercury - "something from space and something from earth." Yes, I agree. It feels organic and spacey at the same time.

Let's try comparable bands. Dead Can Dance, Cocteau Twins. Dare I say Pink Floyd? Yes I dare. The sound quality is superb, the songwriting is ingenious, there's enough variation. With every listen I become more and more enthusiastic. I really can't believe this is a debut... I hope we can see Of Blood and Mercury live one day!

This album contains strange music for strange people in strange times.


Eline

wave / rock

The Riddle is an odd man out. At first we had doubts to review this release but as open minded as we are, we gave this one a shot.

Fans of The Cure could be astonished with the first guitar chords of this album. On the first track (Waving Leaves) of The Tree Deep In The Forest, you can hear immediately what this is all about. The Riddle (Kennet De Bondt) must be a die hard fan of The Cure.

This Belgian DIY artist created a weird combination of a melancholic guitar sound with an indie pop like voice. The vocals sound at first conflicting with the music. Dark and sad strings guiding sunshine vocals are producing a blasphemous wedding. If you ever wondered what would happen if you mix Charlotte Sometimes with The Boys Of Summer of Don Henley (The Eagles)? Well…

The Riddle sounds like music from a parallel world, everything on The Tree Deep In The Forest is recognizable but unearthly. This time machine to the eighties had some bugs and wrong calculations creating twelve songs filled with contradiction. Kennet De Bondt vocals are soft and contain a small amount of sad vibes. The tone of his voice is rather apathetic and flat. On the pop song Happy he sings with a very joyous voice showing what he really could do.

There is a lack of tension in song structure and the music on this release, sometimes we had the feeling that doubts of choice limited the exploration of more adventures musical directions. This nut was easily busted holding an original and daring content. Honestly, this is not our cup of tea. For those who favorite and ready for dreamy pop wave music inspired by the eighties, then this could be an interesting and outlandish journey. 
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Patsker

new wave / gothic / darkwave

Already ten years active and entertaining the Belgian Post-Punk and Gothic scene, Der Klinke releases a compilation of their work called Decade. This summary is a time line containing remixes, cleaned up versions and two new songs. The CD version includes the story of this interesting band.

The band name ‘De(r) Klinke’ (doorknob) has its own history. A small garden house without a doorbell of the parental home of Geert ‘Chesko’ Vandekerkhof was a gathering space where you could just step in by simply using the door handle. This man cave was soon called De Klinke.

The musical path of Der Klinke is one of progression. Der Klinke formed in Ostend Belgium started to play music inspired by cold wave and electronics but slowly created an own stubborn and modern twist in their darkly music. Curtains and Bridges are new songs and show the deep influences from the Sisters and Front 242. Both songs are strong and filled with dark atmospheres. 

Cult hit The Doll sounds still timeless. The compilation has no weak songs and the remixes sound remarkably good. Der Klinke celebrates with glory their musical career. Gothic and dark wave lovers just can’t walk around this album. The mood on Decade is filled with ten years of gloominess, dark dancing tunes (The Doll and The facts of Live remix) and post punk vibes.

This selection of songs is dope. We can’t get enough of these wild and varied sounds of Der Klinke.  Decade is available on CD (limited edition 300 pieces) and vinyl (only 100 pieces). Do not hesitate to grab this Wool-E diamond. Instead of chasing shadows we are chasing the sounds of Der Klinke (again).

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Patsker

industrial post wave

Almost two years ago, I ended my review for the debut album by This Can Hurt with the words: "This is another example of Belgium's talent, unique but familiar and always intriguing. I'd like to see this live one day, preferably very soon..."

Unfortunately, I haven't had the chance to witness these guys yet but judging from this album, a tour is inevitable. Once again This Can Hurt has unleashed something intriguing. 'Worlds Apart' is another excellent statement about crossing genre restrictions, creating emotional alternative music and having great songwriting skills. 


Initially founded as an alternative rock outfit for Ray-M, This Can Hurt quickly developed into a unique entity in the darker regions of the rock industry. The band seemed to nudge towards gothic rock and post punk acts while also incorporating electronic elements from trip hop and industrial. At first glance, 'Worlds Apart' follows the path of its predecessor. The broody elements are still present, making most of these songs ideal for the darker dancefloor, where Sisters Of Mercy, Joy Division and Nine Inch Nails invite you to shake your hips.

But This Can Hurt has also grown over the past few years, and that results in a mature sound and several possible fan favorites. Title track 'Worlds Apart' is one of those and so is the infectious 'Rivers Run Deep'. The latter even brings Evergrey to mind, a melodic metal band. Thing is, with 'Worlds Apart' This Can Hurt tries to appeal to a broader audience. Yet, I didn't expect them to delve into the metal scene. But then again, dark rock and dark metal are very close together, just ask Trent Reznor.

My DJ-mind tells me that 'The Fall Of Mark E. Smith' will mix perfectly with 'Lucretia My Reflection' by Sisters Of Mercy. I'm going to try that out soon. Fact remains, this tune is massive, a certain dancefloor filler, even with the somewhat unusual vocals. And that goes for most of the tunes here. There is still something familiar, something from the dark eighties, but This Can Hurt adds a unique identity to their music which sets them apart from pretty much all other bands. This is the beauty of stubbornness, walking your own path and creating something brilliant.

'Some Days' is the track that mostly nudged towards trip hop, until the guitars come in. The focus here is mostly on straight forward rock music. Electronics seem to have a smaller role, which actually improves the whole thing. I think that's where the mature sound comes from. 'Diane' drives on a harsh electronic bassline but here too, the guitars eventually take the upperhand. The rest of the songs are up to you to discover. If you are a fan of dark rock music, this album definitely deserves a spot in your collection. I know, it's already a massive collection but still, I just know you will enjoy this.


​Serge

post-punk / dark wave

A release on Wool-E Discs gets always my attention because of the  quality of music on the label. A Slice Of Life is a Belgian Post-Punk/Darkwave band from Antwerp. Dirk Vreys (lead vocals) and Guy Wilssens  (Guitars) formed  the six member band in 2016. They play a kind of mix between The Cure and The Sisters Of Mercy  with a modern Rock twist. Restless is their debut full cd, although they already made a EP in 2016. All 5 songs of the EP are also on the full cd!

The cd starts with the catchy post New Wave song, ‘Restless Gods’ (also on the EP). Dirk Vreys vocals sound good and made us sometimes think of Andrew Eldritch. What a kick off! ‘Older’ shows us another side of Dirk’s voice, slower and full emotions, this song takes you back to the best Dark Wave of the eighties! ‘The Marionette’ and ‘Life As It Is’ sound very Cure, knowing  that Dirk Vreys is also lead singer of obsCURE, a pretty popular Cure cover band in Belgium. His voice on ‘Life As It Is’ has the same sad vibe as Robert Smith . The lead  guitar sounds  maybe a little too much Cure but it’s still a very nice song!

‘Feel Like Crazy’ and ‘We Fight’ are potential live hits on stage, and could make the crowd shout and dance. ‘Sweet Sin’, ‘Coraline’ and  ‘Panic Attack’ switch again to the darkest songs of the eighties when The Sisters Of Mercy had their best days! The cd has a bonus track but the song doesn’t reach the level of quality as the rest of the songs on the cd. A Slice Of Life gives you a blast in the past, ‘Restless ’ is a greatest hits album from the dark 80’s without hits!


Patsker

post punk / new wave / goth rock

Heading from Bristol, Naut decided to ignore all current trends and to look back to the dark eighties. Now, this five-piece comes with a baffling debut EP, containing five pitch black goth rock tunes. Influences from bands like Sisters Of Mercy and Killing Joke run rampant and come with the overwhelming energy of post punk acts like The Jesus and Mary Chain. Song like opener 'Disintegration' and 'I'm Here' are destined to fill dark dancefloors everywhere. My personal favorite here is closer 'XVI'. It makes me curious and hungry for more, but for now I'm sure that this EP will be an excellent addition to every post punk / goth rock collection. 

doom / sludge

Sheffield doom mongers Kurokuma return with a two track EP, based on the Dope Rider strip from High Times in the 70s. The artwork comes from Paul Kirchner, the creator of the strip. The music is another slab of severe psychotic sludge doom, five and eight minutes long. Part 1 also showcases something industrial, reflected by repetitive, almost methodical drums. Part 2 simply continues to slow but brutal pummeling. Fans of bands like Conan, Dopethrone and Yob can easily trust Kurokuma to deliver the monolithic riffs and fierce vocals they crave so much. So if you want your sludge metal as destructive as a wrecking ball, this EP should do.

post-metal / doom / alternative rock

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Several months after the release of 'Serrated', Dutch heavy rockers An Evening With Knives unleash three songs that did not make the album because of the limited space on the vinyl. Yet, these songs were to important for the band to be ignored. Opener and title track 'Fade Out' deals with the death of Marco’s father due to Alzheimer disease. It's a long, heavy and cathartic lamentation, showcasing the darkest side of this band. The other two songs follow that example, be it a bit shorter. They all walk a similar path as the songs on 'Serrated', and thus would also fit perfectly into every sludge, doom and grunge collection. These guys are growing steadily, that's for sure.

electronic / ambient / experimental

An alienating two track EP that will leave you confused and entangled, that is what Soho Rezanejad delivers. Subtle electronics, minimalist drones, gloomy soundscapes and her vocals come together in two lengthy modern day folk songs. I can't help but think about a mix between Zola Jesus and Diamanda Galas, be it a bit less creepy than the latter. Yet, there is emotion, there is fear, mourning, wonder and hope in these two tracks. There is a mystifying atmosphere, one that borrows elements from dark ambient. Yet, above all perhaps, this is a unique piece of work, reminding me of an act like Dark Ensemble. Recommended only for eternally wandering souls.

post rock / post metal / stoner / sludge

In today's post rock scene, new bands pop up like mushrooms. Würzburg residents The Man Within are one of those newcomers. Mostly, that first effort comes with a low production and a careful introduction in what the band really is capable of. Yet, here that results in a full-blown post metal album with seven outstanding tracks. Most of them, including 'Mount Santo', my favorite 'Institution' (that rolling bass is hot!!!) and the massive 'Limitless' can easily entertain audiences far and wide. Although firmly rooted in the post-scene, elements from sludge metal, psychedelic rock and stoner rock are never far away. A great introduction, now let's hope they can confirm this in the near future.

dark ambient

The new brainchild of Nachtzeit, the man behind ambient dark metal project Lustre, comes up with an interesting dark ambient album. Although playful at time, this album takes us back to the mysterious  and dark age of the Norse gods. Early in 'Drömmarna' acts like Mortiis (on Cold Meat Industry) and Wongraven come to mind. Synths, soundscapes and dreamy melodies guide the listening on a musical tour of medieval Europe, so it seems, highlighting in 'Löftet' and 'Tårarn'. Strangely, the title track 'Hädanfärden' has an X-Files OST feeling about it, which isn't bad, on the contrary. Fans of old school medieval dark ambient can easily appreciate this album.

alternative rock / hard rock / grunge

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Belgian hard rock duo Breakfast At Midnight proves that two is enough to create heaps of noise. On this debut EP they blast seven tracks through our speakers, beginning with the heavy rocking 'Kidi Coke'. From then on, the rock doesn't seem to stop. Inspired by anything between Tool, Queens Of The Stone Age and Stone Temple Pilots, these two feed an everlasting fire. Most tracks drive on sheer energy but in 'What I'm To Say' and in '1813', the band delves deeply into the Pearl Jam version of grunge rock. Here, the vocals are excellent and clean while the other tunes contain heaps of aggressive screams. Not that I mind, this is pure rock 'n roll: raw, rough and heavy.

black metal / death metal

Grab onto something now because Ukrainian trio Goatsperm is about to unload a hellish, chaotic and vulgar EP, loaded with orthodox black/death metal. 'Voice In The Womb' contains three tracks, each one being a pummeling piece of extreme metal, as dark as Satan's butthole but with an ambient breather here and there. Somehow, this trio manages to combine atmospheric passages with sheer metallic terror, something that might indeed make a lot of banging heads turn their way in the near future.  Besides, 'Into The Deep Waters Of Catacombs' is one of the fiercest black metal tunes I've heard this year. If you're a self-respecting extremist, you need this.

krautrock / shoegaze / punk

What would have happened if Ramones used My Bloody Valentine's guitar effects? What would a punk rock cover album of Neu! songs sound like? Well, Finnish six piece Teksti-TV 666 might have a decent answer for you. 'Aidattu Tulevaisuus' delivers six high-octane krautrock tunes with the raw energy of punk and the immersive nature of shoegaze. I admit, it is something different from the usual slabs of rock 'n roll that appear here but 'Turbo-Mondeo' and 'Aidattu tulevaisuus' can easily get your behind shaking. My favorite here is the somewhat slower 'Rauhankone', which might be described as a down-to-earth space rock track. Recommended? Hell yeah!

ambient / electronic / experimental

Hailing from Porto, Vitor Joaquim is a sound sculptor and visual artist, active around the strange borders between soothing ambient and otherworldly noise. This new album, 'Impermanence' contains seven tracks, revolving around repetitive soundscapes, almost subconscious loops and immersive musical textures. Here and there vocals samples have been added to increase the narrative nature of the music. That, along with the minimal soundscapes, makes the title track my favorite here but I'm sure that every fan of decent ambient music can appreciate these sounds. Obviously, this comes highly recommended.

ambient / drone / experimental / noise

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An even more noisy and experimental variation on ambient sounds comes from Han, a project by Vitor Joaquim and Emidio Buchinho. This album revolves around live improvisation and real time processing, which results in something severely unusual and highly experimental. Yet, behind the gritty freestyle on the guitar, beautiful ambient loops lurk. These seven tracks are weird, immersive in one way, yet restrained and peculiar. Somehow this album feels like the early days of drone experimentation, when artists were exploring the other possibilities of their instruments. In all, this is an interesting release to dive into, but only for experienced avant gardists...

Serge

electronic / darkwave / alternative rock

Some of the albums we receive are a real challenge. For me, many releases are rather easy to write about but once in a while something comes along that seems to challenge and question my musical reference pool. In those cases, I listen closely, try to find something to start with, a certain sound, a similarity with another band, a connection to real life events, anything. Then I look into my ever growing English vocabulary and try to bark out some words that might get people interested in that particular release. If all goes well, several minutes later my opening paragraph is written and I can finally describe the actual music.

Writing about this album by Swedish duo Råhypnos proved to be a challenging task. For the record, that doesn't mean this is a bad album. I tend to simply ignore albums I don't like so if it appears on this website, you can bet your ass that I see potential in it. And yes, I see potential in here, a lot of gloomy, darkwaving, new waver's flavour of the year potential. The only thing is, who exactly to recommend it to? Well, I think I just wrote my own answer: new wavers, dark wavers, old school goths looking for their shot of new audible darkness.

As I mentioned before, Råhypnos is a duo, formed in Gothenburg in 2015 by Pablo Rautenberg and Nadja Virgé. Soon into their career, it became clear that one style was not enough. Initially an alternative rock act, Råhypnos added elements from darkwave, gothic rock, trip hop, intelligent dance music and even (dark) jazz. The result feels like a mix between Nick Cave and the Bad Seeds and Chelsea Wolfe, recorded, mixed and mastered by Portishead. 

Now, I have to say that I wasn't immediately blown away by this stuff. Opener 'Pain Shrinks The Heart' is a great song, pretty much comparable to the aforementioned acts. It's downtempo and raw. Interesting yes, but perhaps a bit too much on the experimental side of things. Yet, gradually, the record started growing on me, mainly because of the level of variation. There's electronics but also rough rock music. There's male and female vocals and even those come in a wide array, perfectly fitting in with the music.

Besides, 'Damaged' and 'Insufficient Love' are awesome. 'The Land Of Nowhere' is a brilliant new wave song that will get even Simple Minds fans excited. 'Blood' is a tearjerker and closer 'End Of The Beginning' brings that other amazing darkwave act to mind, namely The KVB. So in all, this is a surprisingly interesting album, one that will definitely end up in my day-to-day playlist. So check it out. I mean, I eventually managed to write a five paragraph review about it so it's definitely worth it.


​Serge

ambient / drone

industrial / metal / drum & bass

classical

metal

grindcore / crust

ambient / techno

new wave / alternative rock

black metal

bandcamp

black metal

classical / post rock / jazz

facebook

drone doom

hard rock / metal

black metal / noise

dark jazz

Serge

doom / rock

sludge / doom 

shoegaze / dreampop

new wave

pop / rock

black metal

bandcamp

post rock

punk / crust

nu metal

drone / jazz

Serge