Category: Noise

Brieviews 63

6/7/2019

Maximilian Latva - Nekyia

noise / dark ambient / experimental

After 'Hrön', released in 2017, Maximilian Latva returns with a new album. Six tracks long, 'Nekyia' is a harsh and often unsetling dark ambient trip with intense synth-scapes and wailing guitars. It's cool to hear how Latva adapts elements of noise into captivating electronic chamber music with a haunting atmosphere. The result is something that seasoned ambient-noise fans can fully appreciate. My favorite track here is 'Sanoista saastunut', a lingering set of distorted synths, perfectly suited for gritty jazz bars and eerie horror movies alike. My advice? Check it out, it'll be worth the sonic journey...

HIN - Warmer Weather

electronic

dSound In Silence

Two school friends, jamming with electronics and creating melancholic yet dance-able indie pop tunes, that's pretty much how this project can be described. This duo comes up with an intriguing EP where electronics meets post rock. Most of the songs on this EP remind me a bit of Worriedaboutsatan but with emotional indie-vocals. Opener 'The Lower Heat' is already a potential top hit and halfway through 'Blue In Alkali' I'm expecting HIN to one day support Depeche Mode. Don't ask me why. This is very interesting modern-day post-whatever with intense electronic percussion and an emotional impact, neat!

Winterblind - Effigy

progressive / metal / black metal

According to their facebook page, Belgian progressive metal band Winterblind is definitely not a pyramid scheme. That's good to know but I think it's more interesting to dive into their ruthless and complex music. 'Effigy' is their second EP, and it's loaded with warring riffs, meticulous drumming and harsh vocals. The result is a six-track EP which is just as baffling as it is confusing. If you're into the technically superior regions of black metal, Winterblind might be one of your new favorites. Speaking of favorites, 'Stride' is my aboslute favorite, although 'Black-Scholes' and the almost Tool-ish 'My Public Anatomy' also deliver the odd goods. Anyway, 'Effigy' is an EP to discover...

Plague 9 - Mr. Ass

heavy metal / thrash metal

Coined as "something for headbanging metal junkies", Australian four-piece Plague 9 delivers old school thrash metal in the vein of most of your favorites. Between the intense riffs and the grooving drums we can find influences from Pantera, Megadeth, Metallica and so on. Opener 'Stuck In Hell' might need a few seconds to get used to but halfway through this song I can see a crowd of metalheads fiercely banging their heads. 'Criminal Justice' might be a bit too chaotic for me but 'Flavour Of The Weak' is a smasher and a possible fan favorite. In all, this is definitely something for old school thrashers.

Things That Aren’t There - Vicious Cycles

downtempo / electronic / post rock / shoegaze

English electronic post rock duo Things That Aren't There return with another epic two-track EP. I reviewed their preview EP in Brieviews 38 (read) so I was curious about their evolution. Opener and title track 'Vicious Cycles' immediately delivers the goods. Driving on minimal beats and lingering electronics, this song is a modern day shoegaze epic, laced with elements from industrial and post rock. A bit like Worriedaboutsatan but darker and eerier. 'The West Was Won' nudges more towards the post rock spectrum with its dreamy guitars, making it another brilliant piece of music. Recommended? Absolutely!

Wykan - Brigid - Of The Night

psychedelic / doom

In Brieviews 39 I was raving about the psychedelic rock meets extreme metal sound of Montreal based act Wykan. Guess what, they did it again. What starts out as something Pink Floyd forgot to compose suddenly and brutally dives into the world of old school black metal. In fact, Wykan regularly drags you from a trip through space into the depths of hell and back again. This is such a bewildering experience. Not enough variation for you? Well, how about some stoner rock riffs, or grinding blastbeats, or ritual doom worship? All of that is in all three of these mindblowing tunes. Be sure to get your ears on this EP.

Radien - Aste

sludge / black metal

Beginning with one of the most haunting intros in blackened sludge history, this two-track by Finnish act Radien is one to cherish for a long time. Eerie vocals and throat-singing over slow, lingering riffs and forceful drums, creating an intense, murky atmosphere, right before all hell breaks loose in sheer Yob or Conan style. Yet, now that those comparisons have been made, it's safe to say that Radien somehow manages to lift the level of intensity even higher. Makes me wonder: why is this band not at the very top of the sludge-scene? And the second track simply repeats the whole demolition. Masterfully crafted blackened sludge, nothing more, nothing less...

Peter Jørgensen - Alt i Stykker

ambient / modern classical / experimental

With a range of acoustic instruments and classically schooled vocalists, Peter Jørgensen delivers an awe-inspiring two-track EP. 'Alt i Stykker' is no regular ambient album, although the overall sentiment is slow and narrative. I think this could better be described as two lengthy pieces of modern day classical music, or sound track compositions for a gloomy film. In all, 'Alt i Stykker' is a remarkable release, not easy to categorize but definitely easy to enjoy if you are into unusual, free form and improvised classical music. Check it out. it's certainly worth your time.

Boobs Of Doom - Sorcerer

drone / doom / noise / experimental

Scottish doom outcasts Boobs Of Doom are regulars here on Merchants Of Air, and for a good reason too. This duo does things their way, resulting in weird and interesting albums which defy the rules of doom metal, so to speak. In fact, 'Sorcerer' nudges harshly towards the drone and noise scene with four unique tracks. Perhaps you can say that this is the musique concrète version of drone doom. Perhaps you could say that this is a bit too strange for your sensitive ears but fact remains, Boobs Of Doom is a unique entity, walking its own path through the world of sonic composition and quite often, it's worth following that path...

Temple Music - The Unquiet Mind

ambient / electronic

Alan Trench & Steve Robinson have been working under the moniker Temple Music for quite some time now and with 'The Unquiet Mind', they deliver a brooding album, inspired by Evia, an island at the crossroads of Greek, Byzantine, Ottoman, Venetian and Albanian cultures. Musically, this results in a frenzy of soundscapes, rhythms and melodies which remind me of a mix between Master Musicians Of Bukkake and Tangerine Dream. The five pieces on this album are lengthy electronic music compositions, perfectly capable of taking the listener on a trip. It'll be an unusual sonic adventure but one with many stories to tell, I promise.

Lunden - Lunden

noise rock

Danish duo Lunden sounds like two members of Melvins getting drunk and jamming on each other's instruments. I'm not sure if that's a compliment but still, this is mind bending noise rock, probably influenced by everything between Sonic Youth, post hardcore and ritual noise acts. 'Bestanden' is way over the top for me but most of the other tracks showcase an intense urge to experiment. 'Ultrapisme' is another weird noise act while 'Screen Walking' and 'Endlessity' scream garage noise rock. In all, this is something for the die-hard noise rock fans, who should already be drooling by now...

Jimbo - Where The Vultures Gather

stoner rock / grunge / alternative rock

Hailing from Kingston, Ontario, Canada, Jimbo throws three pieces of grooving rock music into this eclectic mix. Firmly rooted in the stoner rock scene ('Mama Wava'), this trio is not afraid to experiment with old school doom rock and grunge ('Pyrethrin') or heavy garage rock ('Where The Vultures Gather'). Perhaps not surprisingly for a band who seems to be influenced by acts like Led Zeppelin, Smashing Pumpkins and Alice In Chains. These three songs are quite interesting, especially if you love flashing guitar solos (yeah, let's also list heavy metal as an influence, just for these solos). Now shut up and rock!!!

Serge

Arcaïde - Solve & Coagula

28/4/2019

dark ambient / electronic / noise

Well, time to dive into darker territories and what better way to do that than with a haunting release by dark ambient label Sombre Soniks. For this one, we go to France, where we meet the Arcaïde project. According to the project the album "takes us on an inward journey contemplating the two inseparable and indispensable phases: fire and ice, yin and yang, Solve & Coagula".

Musically, that concept results in overwhelming pieces of music, where dark ambient soundscapes meet intense noise and industrial patterns, all coming with a fierce atmosphere and dressed in sheer darkness.

The album consists of two main parts, "Solve" and "Coagula". Each of them is a collection of four tracks, or parts if you will. The whole thing opens in an intense and crushing matter. This is dark ambient noise with the audacity and atmosphere of black metal. "Solve Part 2" brings me back to the glory days of Cold Meat Industry. "Part 3" is minimal and gloomy while "Part 4" drives on industrial electronics, pounding beats and rhythmic ritual noise, complete with the harsh, distorted vocals. Impressive.

The second half of the album, "Coagula" opens with a long dark ambient set, something impending and mystifying. But this act, too, quickly adapts elements from noise and industrial in order to evolve into a baffling whirlpool of sounds and noises before once again toning down towards calmer areas. No, it's not an easy album but I am quite sure that adepts of harsh ambient will adore this rough and gritty piece of work.

Serge

Dieter Müh ‎– Mutus Liber

15/4/2019

ambient / noise / experimental

Usually I'm not very wild on reissues but in some cases reissues are an excellent way to make sure the music does not get lost. That is almost what had happened to this one. Initially released as a handout promo tape in 1995 'Mutus Liber' is now finally available on CD, thanks to EE Tapes. According to sole member Steve Cammack, most of those tapes have been lost by now. It was a collection of live recordings, released two years before Dieter Mûh's first official album. But now, so many years later, the compilation receives a new life, and I think ambient noise fans will appreciate that.

Because yes, ambient noise, constantly balancing on the edge between both genres. With six lengthy tracks, Dieter Müh creates odd sonic trips with an industrial feel. Opener 'Empty Mirror' immediately delivers that immersive yet haunting set of drones and noises while 'Decoding The Ritual Of Frequency drives on deep droning bass lines, almost tangible. 'Ibruksin' is a minimal yet captivating piece, surprisingly somewhat of a breather after its intense predecessor.

If you want references, try acts like Zoviet France, Taphephobia, Predominance, Luasa Raelon and perhaps a milder version of Brighter Death Now. The great thing about this album is that it's actually well varied. I've heard many ambient noise albums over the years and most of them are quite similar. Here, it's different. Each track has its own set of soundscapes and drones, which clearly distinguishes them from the others. Of course, all still well within the range of the genres.

So there you have, a solid and nicely arranged ambient noise trip, almost twenty five years old but still massively relevant today. If I were you I wouldn't hesitate to get your hands on a copy of this gem.

Serge

Brieviews 60

11/4/2019

Sons of Morpheus - The Wooden House Session

psychedelic rock / garage rock / stoner rock

Swiss psychedelic blues rock trio Sons Of Morpheus deliver a scorching hot slab of desert rock with this six track EP. Opener 'Doomed Cowboy' is a gritty piece of music, heavy on the jams and gloomy in nature. From then on, the trio takes you on a jam fueled trip where CCR meets Karma To Burn. 'Loner' is a solid rocker and 'Nowhere To Go' is a smashing piece of modern day, old fashioned grunge music. By the end, the so-called "Never Ending Version'" of 'Slave' aims to get you into a blues loaded state of trance. So if you're into raunchy jam driven blues rock, this is a must-have.

The Wøøøh - Music For Weddings And Funerals

experimental / jazz / drone / ambient

I don't know what kind of weddings and funerals the members of free jazz quartet The Wøøøh usually go to, but I do know that my family would run and never return with this kind of stuff. Not that it's bad, on the contrary. My family just isn't into intense jazz music. I'd never invite them to a Yodok III gig, for example, which is probably the closest reference I can mention. The first of the two tracks on this album is a lengthy anthem, opening with drones and vague melodies before bursting out in a frenzy of free jazz fueled chaos. The second varies on a similar theme. Both are baffling, that's fore sure.

Clouds Taste Satanic - Evil Eye

doom / stoner rock

American instrumental stoner doom combo Clouds Taste Satanic have never disappointed and they seem loyal to that tradition. Their new album, 'Evil Eye' contains two twenty minutes lasting anthems, the title track and 'Pagan Worship'. With titles like that, I think it's obvious what to expect: occult driven doom metal, loaded with psychedelic solos and gut wrenching riffs. Fans of acts like Earth, Bongzilla and Pelican will certainly appreciate these lengthy narrative tunes. I know I do. Like I said, these guys never disappoint. 'Evil Eye' is simply the next step in the elaborate sonic world they create, and a brilliant one as well.

Experiment#508 - Light Is Lunacy

drone / ambient / experimental / noise

Attenuation Circuit

A strange and often uneasy album, 'Light Is Lunacy' balances on the edge between experimental ambient and industrial noise. The atmosphere is dark. The music is loaded with eerie soundscapes and impending drones. Yet, the tracks on this album are surprisingly varied. There is the occult driven opener 'Summoning The Madness' or the minimal 'Gnostic Prayer'. There is percussion and ear drum testing drones. 'Firestorm' is harsh and unforgiving while closer 'Obelisk' feels like being locked up in a nuclear facility, waiting for the inevitable. In all, this is a remarkable set of haunting noises.

Itai - Awake / Asleep

electronic / techno

Gary Numan meets Author & Punisher, that was my first thought when I listened to the six tracks on this abstract electronic techno album. Well, techno might not be the correct term. I think I prefer the phrase "harsh synth pop" for most of these tunes, including 'The Greatest' the impending 'Asleep'. Don't expect repetitive beats and lame vocals but instead prepare for mechanic soulsearching and a massively futuristic sound. My personal favorite here is the friendly 'Adream', a neat downtempo tune. But, as usual, I recommend checking out the entire EP. This is an interesting approach to modern day electronic music.

Folian - Ache Pillars

drone / doom / shoegaze

Apneic Void Sounds

Hailing from Portland and inspired by everything between Nine Inch Nails and Neurosis, one man project Folian comes up with a doom-loaded take on shoegaze. This four track EP can be seen as a successful crossover between Jesu and Slowdive with its sluggish tempos, its subdued but emotional vocals and its walls of guitars. 'Ghost In The Flesh' is a stunning piece of music. Closer 'Where All This Dust Comes From' is my favorite, a long and slowly developing drone-gazer, reminiscent of acts like Nadja. In all, this is an interesting EP, one which every droner out there should check out.

Phillip Wilkerson – Sublime Silence

ambient

This American artist has already released an immense amount of work since he started composing ambient space music. Phillip Wilkerson had several collaborations with other ambient artists like Litmus0001, Silvie Walder, Mystified and the very underrated French ambient artist Lucette Bourdin (1954-2011). Phillip Wilkerson is together with Jourdan Laik the duo behind the deep listening project Time Being.
The spacey soundscapes of Sublime Silence make you feel like driftwood floating without any hesitation into an ocean of relaxation and peace. With soft guidance the music takes the listener towards the borders of immense

equanimity. Those twenty minutes of Sublime Silence contain healing and reposeful sounds which are welcome in this over-stressed society we live in. If you are into this kind of meditative sound creations, there is a lot to discover from this artist on his Bandcamp page.

Sílení – Long Forgotten Bowers

ambient / dark ambient

Eighth Tower Records

If you are curious and longing for a dark ambient trip like you never had before, Sílení could be the treasure you’ve been looking for. This release on Raffaele Pazzalla’s (a.k.a. SONOLOGYST) Eight Tower Records label contains nine outstanding pieces of ambient and dark ambient soundscapes. The project Sílení is in fact the alias of the Portuguese musician Valter Abreu, some may recognize his name from his progressive black metal project Necromanther.
The strange, capricious creations on this digital release are spellbinding soundscapes which evoke mysterious paths of unknown and hidden awareness.

Dark and melancholic moods change into spacey ambient tonalities, sometimes kittenish, other times filled with doom. The world of Sílení is covered with alienated sounds and moods. This is an excellent piece of work. Dark ambient lovers, if you listen to Sílení’s Long Forgotten Bowers, you will get hooked. We sure did!

Empty Chalice – Mother Destruction

dark ambient

Toten Schwan Records

‘The preparation of Mother Destruction was attended by a person who ‘no longer exists’and which is not mentioned in any passage…’ are very strange introducing words that accompany, this Italian dark ambient release in the press folder. The brain behind Empty Chalice is Antoninne A. The weird atmosphere of this recording spreads death, doom and melancholic darkness. The tracks are build up with grim soundscapes mixed with noisy samples, industrial vibrations and ritual ambiance.
Antoninne A. had some guests featuring on the album. Ashtoreth (Peter Verwimp), Rare Form and Kurgan Hors were able to lift

Mother Destruction above standards in this genre. The album is a varied piece of work caught in a deep haunting, emotional prison. Sacrifice and dedication are translated in penetrating sounds and choruses. The nightmare never seems over in this pungent journey of hellish fires.
Another quote from Empty Chalice: ‘… the lost ones are retracing the path of the oldest fairy tale: coming home’. Well, we did come home and we still feel home between the moods and vibes of this wonderful dark ambient recording.

NIMH – Beyond The Crying Era

dark ambient

The Winter-Light label has a special gift and sharp nose for talented electronic artists, devising unusual and out of the box sound architecture. Nimh is an avant-garde, deep ambient, industrial electronic project formed by the multi-instrumentalist and sound designer Giuseppe Verticchio. His distorted drones mixed with dark ambient blasted unexpectedly and without mercy through our headphones. The enormous sound waves made us gasp for air and left us speechless after the first track.
Beyond The Crying Era is a selection of dark ambient and experimental tracks recorded

over a ten year period. Nimh is active since 2001 and has already more than twenty physical albums released. Sound chasers will be pleased and excited with the multi-layering of soundscapes, field recordings, voices and the experimental manipulations of samples this album contains. The sustained drones create darkened and emotive moods. Beyond The Crying Era is an outstanding soundtrack for a SF/horror movie that does not exist. It’s time to dig deeper in Nimh’s music history. Speaking about a discharge!

Anantakara – Momentum Lapses

dark ambient

Anantakara, is a Belgium based project from Philippe Wauman. His meditative music is more than just ambient. He prefers to call himself a sound calligrapher who engenders a blend of ambient, electronica, neoclassical and ethnic jazz. Philippe Wauman is also member of the Belgian ambient trio Aerodyn.
The music has a calming effect without entering the path of flatness. The combinations of jazzy tunes and different approaches in adding diverse electronic sounds make this album an interesting piece of work. Slow repeating rhythms deliver a tension, high enough to grasp the listener into

the world of Anantakara. We’ve noticed psychedelic influences appearing in the mysterious structures of the tracks. The eight adventurous ambient pieces on Momentum Lapses are filled with a variety of lovely compositions and moods. Rumors told us that this album will be released on CD in the future. Anantakara stands for “ to make infinite” in Sanskrit. In some way this album does.

Serge (1-6)
Patsker (7-11)

Hans Castrup - Heterogeneous Cell Information

15/3/2019

dark ambient / electronic / experimental / noise

Heterogeneous Cell Information is another marvelous release by veteran experimental German sound artist Hans Castrup, that is always pushing up the boundaries in exceedingly original, gracious and unexpected creative horizons. Officially released on mid-March, the album has eight tracks: 1) Cell Information; 2) Beyond Quantization-Free Mirror Axes; 3) Plain Cutting Edges; 4) Re-Finition Of Formal Construction; 5) Opaque Water On Canvas; 6) Perfect Present; 7) Elongated Circulum; 8) Secret Of Fragmented Control; pervasively sinister and nefariously lugubrious – basically turning three hundred degrees to a dark ambient atmosphere – Heterogeneous Cell Information sounds meticulously elegant, as well as ambiguously afflictive. As your sensitivity decreases to a labyrinth of desperate and delusional perceptions, you feel yourself transported to a frivolous dark dimension, where everything is imperiously dense and tempestuous, and you feel yourself susceptible to a horrendous nervous breakdown. The first track, Cell Information, already sets a fearful tone for the album in a very effective spiral of mortuary anguish towards a despondent and aggressive emptiness.

Definitely, this is the most cohesive, dense and dreadful album on Hans Castrup discography. Within an intuitive layer of agony, anxiety and sometimes even explicit horror, the style of the artist seems more dispersed over the creation of a nefarious world of infinite darkness and abominable obliteration. With a diluted, but at the same time consistent cosmogony entirely made of morbid sonorous tonalities, Heterogeneous Cell Information reveals itself to be an unrestrained, oblique and sensible abstract universe, whose expansive agony slowly captures the quintessential elements of everything unexpected, with the most bestial elements of suggestive human behavior perfectly captured in the metamorphosis of an ocean of sound so flexible, yet so impenitent, that a universe of infinite shadows envisioned in the solitude of distant dreams becomes the excruciating reality inherent to your perceptions.

Getting close to perfection in the most sinister passages – and with an impressive sense of unity that ties one track to another – this is the best Hans Castrup album so far. With a marvelous degree of originality, yet respecting the boundaries of the genre, the artist’s style becomes somewhat recognizable, while at the same time he is perfectly capable of surprising the audience with an audacious and genuinely effective musical turnaround, but presumably always to a more sinister and deleterious abyss.

A splendid album – that it’s impactful as it is concise – Heterogeneous Cell Information delivers darkness as it should be: brutal, resonant, malignant, hostile and horrific, for you never to listen to this genre of music the same way you did before. In what concerns the development of dark ambient music, very soon there will be a before and after Hans Castrup.

Wagner

Brieviews 59

11/3/2019

Tim Linghaus - About B. (Memory Sketches B-Sides Recordings)

ambient / classical

Sound In Silence

A nice gem from the ever expanding Sound In Silence label, containing seventeen short yet playful ambient pieces. With the piano as central instrument and gently synths freely floating, Tim Linghaus delivers something I can only compare to the "nouvelle cuisine" of ambient. The tunes are delicious and highly enjoyable but oh so short. Fans of Olafur and Nils will definitely enjoy this and so will everyone who is need of a little breather once in a while. My advice? Purchase this album and let these tunes become your tiny moment of serenity during your busy day. You deserve it, and so does Tim Linghaus.

Antoine Panaché - Endling

experimental / noise

The bizarre world of Antoine Panaché is as enigmatic as it's uncomfortable. This project has often found a way to be featured on this pages and with its new output, 'Endling', Panaché once again deals in the opposite of normal. Basically driving on noise, the six tracks on this tape are audio experiments in old fashioned musique concrete style, here and there also influenced by everything Cold Meat Industry has ever barked out. My favorite is closer and title track 'Endling', a mysterious and angsty piece of music. On the other hand, if you like angst, you should certainly start with 'Zwarte Agnes'.

Misty Bliss - Misty Bliss

alternative rock / psychedelic rock

Right, time for some good old fashioned rock 'n roll, courtesy of Swiss duo Misty Bliss. Inspired by the extravagance of classic rock and the gloomy overtone of gothic rock, this duo throws four great songs in my speakers. Opener 'Misty Bliss' is a strong, anthemic piece of rock music, something fans of everything between Led Zeppelin and PJ Harvey can appreciate. Blues fans will drool over 'Love Confession', at least if they can also appreciate post punk and garage rock. Then there is the punky closer 'Take On The World', the fastest song on the EP but a trustworthy rock 'n tune. Heel yeah!

Thecodontion - Jurassic

death metal

Xenoglossy Productions

Hailing from Rome, Thecodontion comes up with something they call "prehistoric metal of death". This four track EP, 'Jurassic' contains four tracks, created by bass, drums and vocals only, with lyrics about fossils and prehistoric creatures. Yet, they do manage to create a rough, chaotic and primitive version of death and black metal, not so much old school as well, pre-school. Then again, back in the glorious days of Pangaea, there was no melody, no flashing guitar solos and no professional recording studios. So, if you like your metal obscure and chaotic, Thecodontion definitely deliver the good.

Wang Wen - Endless （theme song for "Space Challenge"）

post rock

Chinese post rock juggernauts Wang Wen surprise their fans with a ten minutes lasting anthem, a genre defining theme song in two sections. Kristian Karlsson (PG Lost) produced the song and Magnus did the mastering. Along with Wang Wen's elaborate crew list, the addition of these seasoned craftsmen turns this music into a baffling group effort, one that every post rock fans will surely appreciate. Balancing on the edge between post rock and score music, 'Endless' is yet another one of those beauties by Wang Wen, a long, anthemic and immersive piece of music that can stand the test of time.

Blair Coron - On The Nature Of Things

ambient / classical

A beautiful and immersive album by Scottish pianist and sound sculptor Blair Coron, 'On The Nature Of Things' narrates the splendor of contemporary classical music. For the most part, this album brings a minimal but soothing listening experience. It's quiet and gentle but is also contains a few dreamy ambient anthems, like 'R/B/G/' or poetry like 'Ode To The Cimmerian' or the folkiish 'Olives and Marzipan'. In all, this is a surprisingly interesting album and quite varied for something that roams in the world of classical music. My advice? Check it out, you'll definitely found something you like here.

A Vintage Death - Acrid Death Fragrance

doom / black metal

Hailing from Italy, one man doom metal band A Vintage Death unleashes a first EP, titled 'Acrid Death Fragrance'. Founded by solo member Carmine, this project combines melodic doom with elements of black and death metal. The result is a rough, harsh version of bands like Saturnus, November's Doom and so on. The four song are decent, excellent at some points but the production value somewhat diminishes the experience, which is too bad. It's obvious that Carmine is a talented musician with good ideas and great songwriting abilities. All he needs now is a professional producer and, why not, a live band. But for now, this EP is an excellent debut.

Ûngrûn - Demo 2019

black metal

Tartarus Records

Dutch/Frisian black metal outfit Ûngrûn (featuring (ex-) members of Verwoed / Dool / Kjeld and Lugubre) comes up with two ferocious, skull battering pieces of black metal. Titled 'It Hiele Brânoffer' and 'De Oanstjit Ta Hjar Ûngerjuchtichheit' these tunes will pierce your eardrums and destroy the the final signs of sanity behind it. Mostly driven of hyperspeed drums and shrieking guitars, these tunes are instant favorites for fans of Dodecahedron and many other avant garde black metal acts. This is simply another one of those brutal forces from the Netherlands, which comes highly recommended.

Anna Havoc - Anna Havoc

hardcore

Don't let the band name and the lovely painting on the cover fool you, Russian combo Anna Havoc will rip your eardrums apart and you will love it too. That is, if you're into harsh, intense and chaotic hardcore. In five tracks, Anna Havoc bashes a tremendous amount of stinging riffs, battering drums and fierce vocals through your speakers. The tempos are suffocating and the abrasiveness is pulverizing. Their furious hardcore is infused with elements from sludge metal, noise rock and a hint of black metal or grindcore. The result is one baffling five piece EP with heaps of brutal energy.

Beyond Our Sight - The Void Within

metal / death metal / metalcore

New band from Ghent, Belgium, deals in thick as fuck riffing, serial killing drums and ferocious growls. Plus, here and they doomy clean vocals appear, along with a load of other influences, all brutal, obviously. If you're into bands like Lamb Of God, Gojira, As I Lay Dying and Machine Head, you might want to lend these guys an ear and get your hands on a copy of this seven track EP. Personally, I'm not a fan of this stuff, but I know the genre well enough to consider Beyond Our Sight a force to be reckoned with in the near future. Just listen to the pulverizing single 'Strenuous' and you'll know what I mean.

Thurston Moore and Tom Surgal - Klangfarbenmelodie... And The Colorist Strikes Primitiv

7/3/2019

free jazz / free improvisation / experimental

‘Klangfarbenmelodie.. And The Colorist Strikes Primitiv' is a very interesting title! If you've heard Arnold Schoemberg's Op. 16 you know what Klangfarbenmelodie is. Schoemberg wrote at the end of his book ‘Harmonielehre’ that the color of the sounds are a dimension itself which could be succeded like melodies. Boulez, at ‘Relevés d'apprenti’, wrote that at that time the timbre was used by itself, functionally. This technique opened several doors, from electroacoustic music to rock. Thurston Moore is a name known for using sounds as colors in “rock paintings” and on this album, with Tom Surgal, he used his instrument directly connected to his spinal cord and his cerebellum.

The original CD version contains just two tracks: ‘Klangfarbenmelodie.. And The Colorist Strikes Primitiv’ and ‘Phase II’. The first one has more than 30 minutes and the second one has more than 7 minutes. Because of that, the vinyl version has the first track splitted in two parts. All the three tracks of this edition are the recordings of a live set with many different colors created by Thurston and Surgal (plus the audience reactions). There isn’t a conscient way to describe this music because it’s primitive, it’s an experience, and because of that, you need to experience it with your mind and heart opened to any color that they used in this “music painting” with Jackson Pollock’s style!

History needs to be recorded, no matter in which way. A good example is the compilation of the very important Brazilian punk rock festival named ‘O começo do fim do mundo’ (The beginning of the end of the world), which has an infinitely more lo-fi audio and was released on vinyl at 1982. For me, the most important fact in 'Klangfarbenmelodie.. And The Colorist Strikes Primitiv' is that this mind-blowing free improvisation live set was recorded, and even today we can hear one of the most influential names of the electric guitar playing in total contrast to what people expected based on his most famous releases with Sonic Youth. Originally released on CD, this album is available for the first time on vinyl by 'Glass Modern' label. This is a must-have for any lover of Thurston Moore’s free jazz/noise works!

Glauber

Various Artists - Anthology of contemporary music from Africa continent

25/2/2019

ambient / electronic / experimental / noise

Unexplained Sounds Group

Here in Belgium, as in most parts of Europe, the Americas and Australia, we know many different musical styles. From autotuned R&B to blackened doom metal and everything in between. If it's possible, it exists, that's the basic idea here. Yet, in all our musical indulgence we often seem to forget that there are other areas with a surprisingly varied musical scene. In the past, we have seen bands from unexpected places, like tiny villages in Siberia or crushing death metal from Iraq. Yet, the public opinion about Africa, music wise, is this: rhythmic, repetitive drums and weird chants, which pretty much explains why the sound of Die Antwoord is far from original.

Anyway, who else than Raffaele Pezzella to dive into that vast continent and come back with some amazing tunes. Pezzella can be seen as the Steve Irwin of underground music: searching for the rarest gems and showing them to the world with the upmost respect and admiration. This continent is another baffling example of Pezzella's perseverance and passion. The compilation contains fourteen tracks, each one a unique piece of music. I'm not going to describe all of them. I'll leave the joy of discovering to you. But there are some jewels I'd like to pick out.

FRKTL delivered the opening track, one which immediately puts you in your place as far as your knowledge about African music goes. The opener, titled 'Hverfa af himni heiðar stjörnur' apparently puts everything back to Germany, more specifically the Berlin School. Klaus Schülze and Tangerine Dream clearly come to mind here. I wasn't expecting that so I was pleasantly surprised. A few interesting acts follow, combining ambient with traditional instruments and melodies. Fans of acts like Zoviet France might be interested. Flashes of dark ambient, drones, jazz and noise give the respective tracks their own identity. Some are beautiful, others plain weird.

Healer Oran is one of those act that deals in strangeness. Traditional chants and drums seem to have been processed through an array of effects which gives the track 'TaP{-' a somewhat unsettling atmosphere.Abdellah M. Hassak comes up with immersive drones and ritual vocals. His cooperative track 'Yearnings Complacency (feat Aziz Nadif)' brings some works of Nusrat Fateh Ali Khan to mind. I think that's a pretty neat compliment. In_o 's track '(J. Krishnamurti)' is a glitchy piece of electronics, excelling in minimalism and a pitch black atmosphere.

Then there is the bewildering closer of AMET and the confusing track 'Imposer Le Savoir'. This is definitely one for fans of musique concrete and everything avant garde. It's an adventurous finale for an adventurous compilation, one I will recommend to every fan of unusual, abstract and enigmatic music. Pezzella has done his ultimate best again, resulting in a mesmerizing set of odd tunes to enjoy.

Serge

Juhani Silvola - Post-biological Wildlife

19/2/2019

electronic / experimental / noise

Here is another one of those albums that not only defy the laws of music but also smash all genre boundaries to pieces in order to create something utterly unique. In fact, this thing often crosses those boundaries so blatantly that even the term "music" is no longer in order. Welcome to the strange but wonderful word of Juhani Silvola, composer, musician and producer working across multiple genres and disciplines. Juhani has a master’s degree from the Norwegian Academy of Music, where he studied electroacoustic composition with the world-renowned composer Natasha Barrett. He also worked with Sara-Jane Summers and several others.

And then there is this album, a confusing and often suffocating mishmash of electronic ambient, freaky synths and harsh noise, coming at you in six unique and bizarre pieces of music. The whole things opens with 'Ritualrytmikk', something that brings back memories of the old electronic noise and musique concrete pioneers like Pierre Henri or Karlheinz Stockhousen. 'Machines Of Loving Grace' adds some Merzbowian noise, or any other crazy Japanese harsh noise act you can image. Another artist that comes to mind is Machinefabriek. So yes, noise, mostly noise.

'Vaster Then Empires' feels like the soundtrack for an avant garde sci-fi movie while '20th Century Meditation' delivers at least a hint of calm, soothing ambient. Title track 'Post-biological Wildlife' sounds exactly as you would expect: electronic animal noises, a bit like a haunted house. Closer 'Speculative Phonography Pt.1' feels like some sort of megamix from the previous tracks. I know that sounds dry and unimaginable but this album is simply weird.

Fans of noise and avant garde electronics will undoubtedly love this. For them, this is another unpredictable sonic adventure. Other people might frown upon these eerie sounds. Strange, weird and odd, those are the keywords here, but the second half of the closing track is simply brilliant.

Serge

Brieviews 57 - Patsker's Partyhits

29/12/2018

Various Artists - Earthen, A Cold Spring Sampler

dark ambient / noise / drone / experimental

The Cold Spring label celebrates their 250th release with a 29 track double CD. This UK label is specialized in all kinds of extreme music. This compilation contains a broad view of artists who create uncompromising underground music. All the tracks were already previously released. The only exclusive and unheard song is from Coil with Spastiche (Trumpo).

The songs are drowned in the darkest and coldest atmospheres you can imagine. From the harsh noise of Merzbow to the addictive dark ambient sounds of Sonologyst, or from the doom punk escapades of Zeni Geva & Steve Albini to the creepy sounds of MZ.412. There is enough to discover on this sampler.

The most curious artist on this release is Barry Adamson, former bass player of The Bad Seeds (Nick Cave). In collaboration with Pan Sonic, Barry Adamson composed this ice cold vocal song, The Hymn Of The Seventh Illusion, that ends this compilation in beautiful darkness. The sampler is a true guide in dark music for beginners and for experienced listeners. This double CD, limited to 4000 copies in a gate fold Eco-pack is more than worth its money!

Various Artists - Servants Of Chaos II

black metal / industrial metal

Debemur Morti Productions

During the darkest days of the year a flock of blood sucking bats were released with the compilation of Servants Of Chaos II. The French label Debemur Morti Productions indicates fifteen years of dedication to dark metal music. In fact, this is a very original release that contains fifteen exclusive tracks of fourteen bands. Au Champ Des Mort has the honor of having two hunting and atmospheric black metal tracks on the album. The variety of this extreme metal compilation is high. The psychoactive guitar riffs of Blut Aus Nord and Throane next to the more experimental and industrial approach of Terra Tennebrosa and Manes and the old school attitude of Behexen and Wallachia, show us the broad spectrum of the label in extreme metal. With no doubt Servants Of Chaos II leads the black metal fans to a dark and scorched heaven.

Sarah-Jane Summers - Solo

folk / celtic

With a fiddle and Hardanger fiddle as the only instruments used on Solo, Sara-Jane Summers shows her diverse talents on these folk instruments. She has already made several live performances at rock, jazz, folk, country, and noise festivals worldwide. Sarah-Jane Summers is releasing music as a duo with her husband Juhani Silvola and solo since 2008. She has made already many recording contributions in the folk-scene. Her playing embraces the historical Celtic melancholic mood. This release of old folk covers received an intelligent input. From happy dancing tunes to the sad sounding fiddle vibes, Solo, has the wisdom not to be boring or sleepy. Sarah-Jane Summers managed to revive Celtic music from a different perspective.

Stvannyr - Secrets Of Black Ruins

folk / acoustic

Stvannyr is a project of the Hungarian guitar player István ‘Musicformessier’ Csarnogursky. This artist from the Carpathian basin is a multi active guitar player involved in several projects. From guitar ambient (Musicformessier) to black metal (Realm Of Wolves) and much more (Silent Island, Black Hill). István Csarnogursky has the talent to create special floating guitar sounds that make you drift away. With Secrets Of Black Ruins he brings a more folk touch to the ambient guitar licks known from his other project Musicformessier. Six beautiful atmospheric folk instrumentals overwhelmed us with day-dreaming peace. Only available as digital download. Do not hesitate to have a listen to this artist’s other projects.

Bluetech - Liquid Geometries

ambient / electronic

Evan Bartholomew has been performing electronic music for nearly 20 years as Bluetech. He has also credits in composing music for video games and TV/movie scores. With Liquid Geometries this American electronica artist from Portland joined the DiN label of Ian Boddy. Evan Bartholomew explores the electronic sounds like the old masters of the Berlin School did. A lot of sequenced vibes are put together into an interesting trip of soundscapes. Nothing new on the horizon but the recording has a high quality production and sounds refreshing. Bluetech provided nicely constructed and moody tracks on this release. This is a grower.

Athrox - Through the Mirror

heavy metal

Revalve Records

Athrox plays a groovy kind of old school metal, a mixture between Armored Saint and Anthrax. This hardworking band from Italy released with Through the Mirror their second album. The songs have lots of variety in style and tempo. When they speed up you can feel and hear fragments of Metal Church. Athrox perform their music with finesse and deliver good melodic tracks. The down tempo songs don’t lose strength and have no disturbing effect on the album. Some compositions contain a welcome input of thrash metal. Athrox released with Through the Mirror an old school metal album carrying a wide range how heavy metal should sound. Nice work.

Patsker