sludge metal / stoner rock

The Mound Builders is an album to be released by the eponymous American band from Indiana, in January 18, 2019, by Failure Records and Tapes. With eight tracks – Torchbearer, Hair of the Dogma, Separated From Youth, Acid Slugs, Star City Massacre, Regolith, Broken Pillars and Vanished Frontier –, this veteran sludge metal group returns after seven years from their previous work, their debut album,  Strangers in a Strange Land. With enough voracity, strength and fury to reverberate for over a decade the dense restlessness of their aggressive and direct, but expressive and methodic sound, The Mound Builders seems eager to defeat all the grim shadows that may appear in their way. With savage, rude and pungent guitar lines, the sound of the band can be described as a hostile drive through the desert, with enough fuel to change the driveway in reverse. 

Although the beginning seems promising, and the interesting, precise incursions the band does in more stoner musical terrain is definitely refreshing, dynamic and musically stimulating, the group eventually falls in a series of serious, pervasive and mediocre clichés, that rapidly makes their music sound too inadvertently ordinary and predictable. As the album evolves, but the music sound all the same, you eventually give up, and loses the patience.   

The band has an artistic vitality, and solid musical principles, as they let this fact transpire, in their best moments. But unfortunately, this is not enough for the album to sustain itself throughout its entire run. On this work, The Mound Builders lose their track on originality, creativity and purpose too soon. As a matter of fact, after just a few minutes into the album, it’s difficult to find a musical passage that is decent or good enough to be memorable. 

For its entire run, the album seems a bad collage of stoner and sludge metal clichés. Not a single moment of original sonorous rapture can be heard. What can be written favorably about them is that the crossover in their genres of choice are definitely skilled. The “arid” feeling concerning their music seems genuine too. They have passion and a virulent, sincere aggressiveness, but sadly, this is lost in a vast amount of sonorous sameness and vagueness, that doesn’t have any moment capable of standing out. This album is very generic, and will hardly impress enthusiasts of the genre. 


Wagner

stoner rock

When a registered mail with something physical falls into your letter box there is always the curiosity how it will sound and how we can write about it. Dirty Habits -Rule Us All- is Dreckneck’s second release. The band was founded in 2015, in a Dutch town near the German border. Their goal was to play solid rock music. After adding  a drummer, they could finally play and record some butt kicking songs in their small barn.

The trio produces fuzzy stoner rock. They start their first full length album with an instrumental track Route 69. It’ s groovy tunes give you immediately that rock ‘n roll vibe of forgotten and steaming rock bars. The guitars sound heavy and omnifarious. Harm, the guitar player who takes care of the vocals too, brings a bluesy touch to the songs. His voice sounds deep, not too rough and fit’s perfect with the music.

Still, this Cd gives us a strange feeling. We heard this all before, but the enthusiastic playing works like a weep. The music needs to grow and isn’t that easy to swallow. We heard Kyuss, Queens Of The Stone Age and several traditional heavy rock bands as influences. Dreckneck are persistent and brave to follow a style that is already sucked out to the bottom.

Variety is their strength. The drummer (Tinus) works his heart out and gives the album an extra dimension. Dreckneck succeeds to create a sleazy and dirty stoner sound without being boring. Roaring guitar riffs guided by catchy bass lines and on top that peachy voice. So take your time and listen to Dirty Habits -Rule Us All-. Feel what is needed to be felt: fuzzy, groovy, bluesy stoner rock with a perspective attitude. The Cd is available at their Bandcamp page as a limited edition. Dreckneck kicks ass!!


​Patsker

alternative rock / stoner rock / grunge

One might wonder, "what's in the Belgian waters?" Bands and releases are popping up by the minute here. A rock band in that corner, a noise act over there and a trip-hop act in another place, it never seems to end in this little country. To answer that question: I don't think it's in the water. It's what Belgians do with that water. We turn it into beer, another thing we have been doing for ages, and pretty damn good too. It's a magical chemical process, turning ingredients into something almost otherworldly. The same goes for our music industry, people come together and create magical chemistry. 

Another one in the never-ending tsunami of Belgian releases is 'Superglue For The Broken' by Antwerp residents Tangled Horns. Influenced by rock music of all ages, from the psychedelics of the sixties & seventies to the raunchy grunge scene of the nineties, Tangled Horns invite the listener to a wicked ride of their rock 'n roll rollercoaster. In short: 'Superglue For The Broken' is a groovy-ridden powerhouse that can get any rock 'n roll heart beat a little faster.

Of course, these days you can't write and record a decent rock album without adding a heap of influences. The most obvious reference on this album is Alice In Chains, whose sound shines through in opener 'Shadow (A Personal Piece Of Darkness)' and in 'The Timeline Is A Noose'. Loaded with groove and power, these two tunes can easily get any rock party started, and metalheads will join in on the fun.

Other bands that come to mind include Soundgarden, Kyuss, Queens Of The Stone Age and The Foo Fighters. That surely makes one interesting list. But, even if it's all in good fun, Tangled Horns also show a well-thought out, mature sound. It's not a bunch of youngsters messing around in a rehearsal studio. It's five bearded dudes paying tribute to the one thing that kept them living their lives the way they do: alternative rock.

'In The Now' clearly shows that. Along with the aforementioned songs, this is my favorite here, a strong rock song that aims for a spot in the grunge-classics lists. On the noisy, gritty 'Beautiful Flaw', Faith No More even comes to mind, combined with either Led Zeppelin or Brant Bjork. Yes, I can easily imagine these tunes rolling over big, crowded meadows next summer. I can see people dancing on 'Destination Tipping Point', go nuts on 'Magnificent Maniac' or make sweet love on 'Icebound'.

So if you're looking for a groovy, versatile and immersive rock album, you should really give this one a change. Once again, a local band proves my point about this country's musical underground (read 'Belgium Rock City' - Dutch only). Naturally I will recommend this to every fan of decent rock music. 


​Serge

alternative / metal / metalcore

heavy metal / power metal

hard rock / stoner rock / alternative rock / grunge

thrash / death metal

doom

doom / sludge / post hardcore

pop rock

pop rock / alternative rock

​Serge

stoner rock / psychedelic / blues

Well, this dreary day can use a dose of searing hot desert blues. The fuzz-scene is still going strong, so there is plenty of groovy music to choose from. Today, i picked this album by Swiss trio Mystic Sons from the pile of albums to be reviewed. Not without hesitation by the way.

Psychedelic stoner fuzz blues rock is awesome but vocals can quite often destroy everything. That was my main concern when opener 'Intro' first pierced my eardrums. The intro is a neat piece of instrumental stoner rock, Karma To Burn, Monkey 3 and Colour Haze, that kind of stuff. All good and well, but what about the songs with vocals?

Luckily for these guys, that seems to perfectly find here. First appearing in the heavy and intense 'Mephistopheles', Bochat's vocals perfectly fit the warm and jammy nature of the music. Still, the massively groovy 'Californian Desert' and closer 'Black Ritual', which are mostly instrumental, are my absolute favorite here. I simply love these lengthy psychedelic passages. There is also a small element of grunge rock in here, which is quite nice. On the other hand, the sluggish blues track Leather Apron is a pretty creepy tune, perfectly suited for your upcoming Halloween party.

If I have top compare Mystic Sons to other bands, I'll probably throw in some well known acts like the aforementioned Karma To Burn but also Kyuss, Black Sabbath, Sleep, Uncle Acid and Truckfighters. Their music is nothing new but it is executed perfectly and it comes with exactly the right dose of variation and every single anthem is well written. Plus, there are these sweet-ass guitar solos I'm sure every stoner/psychedelic rocker will appreciate. So don't hesitate, download or buy this album, roll yourself a fat one and play this thing loud. You'll love it.


​Serge

post rock / stoner rock 

Afar is an album released by Meuban, a four-piece musical group from Israel, whose magnificent sound is an intelligent mixture of stoner and post rock.  Relatively concise – being a little over thirty six minutes in length –, the album has eight tracks: Youth, Material Love, The Future Is Behind You, Smash Things, Afar, Reprise, Hibernation and Nowhere. With a majestic, iridescent and calmer sound, that really understands the poetic perfection underneath its serene diagram of lovely surreal tranquility, Meuban is a group that definitely has a profound and peculiar style, characteristic of their own. With a graceful infinity invariably attached to the unorthodox nature of their harmonies, the songs are mutually sensible and expansively dense, and touches the soul of unexplored enigmas, unraveling the fragility of human nature as a creative device driven by a preciously diluted level of splendor, yet to be deciphered. 

The melodies can be described as unexperienced, wonderful and splendid pieces of sensorial comfort, from the beginning until the end. Despite their simplicity, and the linearity that strikes the most elemental consistency of its inflexible nature, the music of Meuban is a continuous, but resilient graceful symphony of striking sensibility, that drives deep the soul of the listener into the most sincere labyrinths of the collective human mind.

With its lucid impeccability showcasing the restlessness of its warm melodic sensitivity, the second song, Material Love, definitely became one of my favorites. In the vicinities of allegories projected to be felt as a sonorous narrative of profound immersion into one’s soul – marvelously designed by intricate intonations that smiles over the rainbow of its intuitive nature –, Meuban extrapolates the glorious density of its unapparent, but fabulous simplicity, in a salutary artistic ordeal that elaborates and consecrates the vitality of its own precious originality, in order to fully exist, and to be free from more restrictive patterns of artistry. So, the general layer of the songs is fully sidelined with the ardent rapture of its discreet cosmic vastness.    

In a marvelous universe made of colorful human thoughts, Afar is the unexpected treasure that seeks the ordinary perceptions of the human grace. With marvelous guitar lines, that seems oblique, intrusive and diffuse in certain specific passages, the brilliant technicality that drives the musical skills of the group has resulted in a decent parameter of resonant serenity, that ardently pursues the restless abilities of its own horizon of invisible musical melancholies. 


Wagner

doom / stoner rock

Eye The Tide is a formidable album, released by Polish stoner rock act Spaceslug. A cohesive, dense, anxious and exceedingly atmospheric work, it’s fascinating musicality is proverbially intense and ostensibly lugubrious. The sound floats easily throughout the intermittent zones of your fragile anger, while the sensible, but toxic nervous breakdown experienced by the melodies are beyond the irrelevant limits of reason. With slow, but proficient, tense and pungent guitar lines, and very somber, sacramental vocals, which are sparse and occasional, that anticipates the cruelty of an imminent melancholic doom, the style of the group is a monumental harmonious treasure – where proficient technicality and intuitive creativity are perfectly combined – that comprehends the lucidity of its own furious demise, in a consonantal veil of surreptitious and discreet agony, that embraces an ocean of dust filled with a surreal dilution of sincere, but dissolved sentiments.         

While – on an overall analysis –, the musical structure of Spaceslug is more or less generic, they have a crude and rude, but strong and very genuine style, ostensibly marked by sensational and preeminent guitar lines. All the other elements are there as well, and are preciously synchronized, but the frivolous passive-aggressive razorblade style displayed by the strings certainly outstands itself in a very sensible solution of lugubrious resignation.  

At fifty-three and a half minutes long, the record has seven generally extensive tracks: Obsolith, Spaced By One, Eternal Monuments, Words Like Stones, Vialys Part I, Vialys Part II and I, The Tide. While the album do have some vague and monotonous passages, these occurrences are sporadic, and doesn’t damage nor compromise its general qualities. Eye The Tide can be firmly appreciated as a groundbreaking record, that definitely establishes a new style of doom and stoner rock, whose singularities make it difficult to categorize in an ordinary or specific musical zone. 

With melodies that are carefully elaborated – and, indeed, are amazingly beautiful – and a thoroughly original style that departs from a very authentic creative axis of nefarious desolation, Spaceslug does not fear nor recognize any limits to their creative horizon. Certainly they aren’t only a promising band, but an amazingly peculiar musical act, whose instrumentality works in such a pretentiously colorful density, that you can certainly say that they have masterly articulated their own particular universe of melodies, one that you can feel only if you are inspired enough to completely dilute yourself in it. 


Wagner

stoner rock / psychedelic rock / hard rock

Rift is an album released on August 17, by American stoner rock group Forming the Void. Forty-four minutes long, the record has seven tracks: Extinction Event, On We Sail, Arcane Mystic, Transient, Arrival, Ark Debris and Shrine. Rift – analyzed on a purely technical basis –, is a decent and competent work, without a doubt, but the style of the group unfortunately departs from a more common ground musical axis, whose elements doesn’t differ them too much from other bands of the genre. They certainly know how to accommodate and incorporate different components into their music, although they definitely fall almost entirely on a stoner rock ground. Their rhythms and melodies can be easily assimilated, and are definitely interesting. But, unfortunately, this album, on an overall evaluation, doesn’t manage to impress at all. 

Don’t get me wrong: Rift is a good album, and certainly has potential to please enthusiasts of the genre. The guitar lines are slow and dense, and displays quite a gracious and discreet aggressiveness, with walls of sound that cohesively builds around its own calm highlight an atmosphere of tense, but lucid expansion. On the other hand, their music is so saturated with generic elements that you never feel too thrilled while listening to it. Certainly, the album can be appreciated with modesty – without any expectations –, but you also wish after some time for the end to come as soon as possible.

Forming the Void is a band that has potential, but they certainly have to be more audacious, and leave their comfort zone. They do what they do with amazingly competent technical skills, but they lack a more effervescent degree of passion and enthusiasm. A little monotony – or too much calmness, if you prefer – is inherent to this genre of music, but you have to push up the boundaries, at least to a certain level, to avoid being just another generic act. 

If you want to listen to Rift, you can definitely do it, without any fear. This is a decent album. But like I wrote some lines above, there’s nothing extraordinary about this work. They follow their genre of choice with a certain amount of competence; but, in the end, Rift is just an ordinary stoner rock album, that ends up being too similar to many other albums of the genre.  



Wagner

post punk / new wave / goth rock

Heading from Bristol, Naut decided to ignore all current trends and to look back to the dark eighties. Now, this five-piece comes with a baffling debut EP, containing five pitch black goth rock tunes. Influences from bands like Sisters Of Mercy and Killing Joke run rampant and come with the overwhelming energy of post punk acts like The Jesus and Mary Chain. Song like opener 'Disintegration' and 'I'm Here' are destined to fill dark dancefloors everywhere. My personal favorite here is closer 'XVI'. It makes me curious and hungry for more, but for now I'm sure that this EP will be an excellent addition to every post punk / goth rock collection. 

doom / sludge

Sheffield doom mongers Kurokuma return with a two track EP, based on the Dope Rider strip from High Times in the 70s. The artwork comes from Paul Kirchner, the creator of the strip. The music is another slab of severe psychotic sludge doom, five and eight minutes long. Part 1 also showcases something industrial, reflected by repetitive, almost methodical drums. Part 2 simply continues to slow but brutal pummeling. Fans of bands like Conan, Dopethrone and Yob can easily trust Kurokuma to deliver the monolithic riffs and fierce vocals they crave so much. So if you want your sludge metal as destructive as a wrecking ball, this EP should do.

post-metal / doom / alternative rock

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Several months after the release of 'Serrated', Dutch heavy rockers An Evening With Knives unleash three songs that did not make the album because of the limited space on the vinyl. Yet, these songs were to important for the band to be ignored. Opener and title track 'Fade Out' deals with the death of Marco’s father due to Alzheimer disease. It's a long, heavy and cathartic lamentation, showcasing the darkest side of this band. The other two songs follow that example, be it a bit shorter. They all walk a similar path as the songs on 'Serrated', and thus would also fit perfectly into every sludge, doom and grunge collection. These guys are growing steadily, that's for sure.

electronic / ambient / experimental

An alienating two track EP that will leave you confused and entangled, that is what Soho Rezanejad delivers. Subtle electronics, minimalist drones, gloomy soundscapes and her vocals come together in two lengthy modern day folk songs. I can't help but think about a mix between Zola Jesus and Diamanda Galas, be it a bit less creepy than the latter. Yet, there is emotion, there is fear, mourning, wonder and hope in these two tracks. There is a mystifying atmosphere, one that borrows elements from dark ambient. Yet, above all perhaps, this is a unique piece of work, reminding me of an act like Dark Ensemble. Recommended only for eternally wandering souls.

post rock / post metal / stoner / sludge

In today's post rock scene, new bands pop up like mushrooms. Würzburg residents The Man Within are one of those newcomers. Mostly, that first effort comes with a low production and a careful introduction in what the band really is capable of. Yet, here that results in a full-blown post metal album with seven outstanding tracks. Most of them, including 'Mount Santo', my favorite 'Institution' (that rolling bass is hot!!!) and the massive 'Limitless' can easily entertain audiences far and wide. Although firmly rooted in the post-scene, elements from sludge metal, psychedelic rock and stoner rock are never far away. A great introduction, now let's hope they can confirm this in the near future.

dark ambient

The new brainchild of Nachtzeit, the man behind ambient dark metal project Lustre, comes up with an interesting dark ambient album. Although playful at time, this album takes us back to the mysterious  and dark age of the Norse gods. Early in 'Drömmarna' acts like Mortiis (on Cold Meat Industry) and Wongraven come to mind. Synths, soundscapes and dreamy melodies guide the listening on a musical tour of medieval Europe, so it seems, highlighting in 'Löftet' and 'Tårarn'. Strangely, the title track 'Hädanfärden' has an X-Files OST feeling about it, which isn't bad, on the contrary. Fans of old school medieval dark ambient can easily appreciate this album.

alternative rock / hard rock / grunge

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Belgian hard rock duo Breakfast At Midnight proves that two is enough to create heaps of noise. On this debut EP they blast seven tracks through our speakers, beginning with the heavy rocking 'Kidi Coke'. From then on, the rock doesn't seem to stop. Inspired by anything between Tool, Queens Of The Stone Age and Stone Temple Pilots, these two feed an everlasting fire. Most tracks drive on sheer energy but in 'What I'm To Say' and in '1813', the band delves deeply into the Pearl Jam version of grunge rock. Here, the vocals are excellent and clean while the other tunes contain heaps of aggressive screams. Not that I mind, this is pure rock 'n roll: raw, rough and heavy.

black metal / death metal

Grab onto something now because Ukrainian trio Goatsperm is about to unload a hellish, chaotic and vulgar EP, loaded with orthodox black/death metal. 'Voice In The Womb' contains three tracks, each one being a pummeling piece of extreme metal, as dark as Satan's butthole but with an ambient breather here and there. Somehow, this trio manages to combine atmospheric passages with sheer metallic terror, something that might indeed make a lot of banging heads turn their way in the near future.  Besides, 'Into The Deep Waters Of Catacombs' is one of the fiercest black metal tunes I've heard this year. If you're a self-respecting extremist, you need this.

krautrock / shoegaze / punk

What would have happened if Ramones used My Bloody Valentine's guitar effects? What would a punk rock cover album of Neu! songs sound like? Well, Finnish six piece Teksti-TV 666 might have a decent answer for you. 'Aidattu Tulevaisuus' delivers six high-octane krautrock tunes with the raw energy of punk and the immersive nature of shoegaze. I admit, it is something different from the usual slabs of rock 'n roll that appear here but 'Turbo-Mondeo' and 'Aidattu tulevaisuus' can easily get your behind shaking. My favorite here is the somewhat slower 'Rauhankone', which might be described as a down-to-earth space rock track. Recommended? Hell yeah!

ambient / electronic / experimental

Hailing from Porto, Vitor Joaquim is a sound sculptor and visual artist, active around the strange borders between soothing ambient and otherworldly noise. This new album, 'Impermanence' contains seven tracks, revolving around repetitive soundscapes, almost subconscious loops and immersive musical textures. Here and there vocals samples have been added to increase the narrative nature of the music. That, along with the minimal soundscapes, makes the title track my favorite here but I'm sure that every fan of decent ambient music can appreciate these sounds. Obviously, this comes highly recommended.

ambient / drone / experimental / noise

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An even more noisy and experimental variation on ambient sounds comes from Han, a project by Vitor Joaquim and Emidio Buchinho. This album revolves around live improvisation and real time processing, which results in something severely unusual and highly experimental. Yet, behind the gritty freestyle on the guitar, beautiful ambient loops lurk. These seven tracks are weird, immersive in one way, yet restrained and peculiar. Somehow this album feels like the early days of drone experimentation, when artists were exploring the other possibilities of their instruments. In all, this is an interesting release to dive into, but only for experienced avant gardists...

Serge

dark ambient

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A fifteen minutes EP with four tracks, Dark Hymns lives to the glory of its simple, but energetic and suggestive title. With a very dark, subtle and obscure sound, the sensitive premises of the style are afflictive to the fullest – despite being paradoxically peaceful and serene –, and seems to anticipate the imminence of a profoundly terrible doom. While the work presents to the audience a very simple and surreal sound, its nuances are dense, and the excellence of its atmosphere dissipates a graceful and somber fear over the boundaries of the melodies. There is nothing too exceptional or extraordinary about this work, but for dark ambient genre enthusiasts, the vivid, morbid intensity displayed by the artist behind the project is certainly vast, very meaningful, and spiritually consistent. 

electronic / darksynth / dark electro / synthwave

Crossing Lights is an album released on June 22, by German electronica/ synthwave act Collapse Project. A wonderfully splendid album, with eleven tracks – Where everything began, Crossing Lights, Arise from the darkness, M.e.n.s.c.h., Pursuit,
Bloody Dancefloor, Cemetery Walk, Starfighter, Nightshift, Test Drive and Rewind – this marvelous and majestic state of the art work has colorful harmonies, a vibrant, lucid and energetic pace, an intense and cohesive style and a superb sense of rhythmic rapture. With softly pungent, dense and dynamic mordacious melodies that engraves its formidable intrinsic strength at the voracious pace of the music, the album is fulfilled with a tremendously aggrandizing and creative originality, displaying a talent that has everything to stand out as uniquely authentic in the contemporary underground scene. Showcasing a sensational musical grandeur whose artistry is effectively sidelined with the most vivid and hallucinating melodies, the genuine musical abilities of Collapse Project is a gigantic cosmic evolutionary step in what concerns the general development of the genre. With some of the most beautiful songs that I’ve ever heard, Crossing Lights is an unprecedented milestone in the history of electronica. Certainly, deserves not only to be fully appreciated, but highly highlighted as one of the most beautiful, sensational and singular albums ever conceived. 

death metal 

Coffin Birth is an album released on July 20, by Californian death metal group Extremity. With eight songs – Coffin Birth / A Million Witches, Where Evil Dwells, Grave Mistake, Umbilicus, For Want Of A Nail, Occision, Like Father Like Son and Misbegotten / Coffin Death – the record is a satisfactory, lucid and efficient, but hallucinatory and hazardous death metal album, that works decently the most traditional elements of the genre. With heavy, fast rhythms that exposes the voracity of their style, Extremity showcases a peculiar, brutal, direct style, atrocious to the core of its corrosive nature. Despite the fact that the album at some rare passages becomes a little predictable and monotonous, this does not affect the general layout of the sound, nor does any damage to the competent and precise style of the band. Their aggressive strength is somewhat inherent to the most brutal and extreme ramification of the genre, and the name of the band certainly stands for it. While you can’t expect too much of innovative features on this record, Coffin Birth displays a decent amount of virtuosity, talent and definition, and certainly honors the genre with a virulent and passionate degree of astounding sonorous hostility, that will entertain avidly the most dedicated enthusiasts of extreme death metal.    

grunge / stoner rock/ power metal / black metal / alternative rock

Released on June 22, Desolation is an album by alternative post grunge/ power metal rock group Khemmis. With six tracks – Bloodletting, Isolation, Flesh To Nothing, The Seer, Maw Of Time and From Ruin – this gracefully peculiar, audacious and cohesive record showcases the splendid abilities of a band that does an amazingly superb and exceedingly sophisticated work in their amalgamation of several different genres and styles of music. With a power metal core heavily infused by a post grunge alternative rock density, the music of Khemmis has its own singular and energetic creative groundwork, fuelled by an outstandingly voracious and rude nitroglycerine spontaneous synergy, that explodes directly in the brain of the listener. A little reminiscent of more classic and mainstream acts like Manowar, Creed and Blind Guardian – although exposing a formidable degree of uniqueness – the band does a surprisingly splendorous and excellent work on Desolation, that reveals itself as a marvelous, profoundly genuine and sensational album, all the way through. Undoubtedly, Desolation deserves to be classified as one of the greatest masterpieces of the year.  

electronic

A beautiful, outstanding, lancinating and colorful EP, Gated Soul has four tracks: Blues For Jekyll, Last Raver, Hocus Pocus and To The Woods. With beautiful melodies, and very sensible, delightfully plausible harmonies, there is a genius spontaneity coming out from these songs that actually make you feel quite enthusiastic about it. With an exceedingly serene, but at the same time ostensibly sensational and mandatory vibe, the artist reveals a subtle, but formidable sense of originality on the framework of the sound that is the embodiment of this work. From within, the melodies gradually expand from a synergy that relocates the rhythm directly to the point of its graciously moving syncope. Exposing lucidity and showcasing an extraordinary degree of creativity, this electronic music artist from Great Britain has no fear in demonstrating his superb, masterful and singular talent, that easily reinvigorates in a more sophisticated sonorous artistry the greatest elements of electronica. Here you have four amazingly wonderful songs, that you will be pleased to hear over and over again. 

black metal / death metal

A very impressive, hostile and energetic album – although widely using exceedingly crude and conventional elements by some standards – Krwawy Sztorm, by Polish extreme metal group Moloch Letalis, is an aggressive, furious and bloodthirsty album. Only thirty minutes long, the record has nine tracks: Wielka Egzekucja, Sztorm, Krwawa Ziemia, Zatańczysz Ze Mną Kurwa W Piekle ?, Przysięga, Zdychaj Psie, Palownik, Gotowy Na Piekło and Żar. With ostensive and abrupt rhythmic grievances, the style of the group is simple and direct, a little reminiscent of punk rock, given the atrocious voracity, objectivity and rudeness of its style. With a solid fidelity to the most brutal aspects of the genre, the work is amazingly competent and full of acid rage. Although there is nothing too aggrandizing nor original about the work, certainly this album is a pearl for avid enthusiasts of the genre, since Moloch Letalis literally practices closely the most ardent, extreme, raw and violent aspects of death and black metal, executing a refined breed of these marvelous genres. If you like astoundingly heavy material, Krwawy Sztorm is something you would like to hear. 

electronic / techno / industrial 

With six tracks – Entrance of Gargoyles, Dance or Die, The Order, Mechanical Vampire, The Cavern of Noise and Theunderdogme 2018hardrem1x – The Cavern of Noise, by techno industrial French artist McClane is a formidable, very intuitive and lancinating work. With abrasive and disruptive rhythms, increasingly grotesque and infuriating harmonies, cohesive dilapidation of sound and very unpredictable, dense musical compasses, The Cavern of Noise is an interesting work of art, astoundingly engraved at forefront of the best tradition of techno music. With elements that plays on the fundamental axis of the noise and industrial genres, the artist evokes at the colorful blast of the music an atmospheric vitality that rejuvenates the harmonies and the anatomy of the music. With a lucid, compulsory and graceful creativity that is exponential to the ardent mordacity of the melodies, on this album, you certainly get the best the genre will ever offer you. The title track – The Cavern of Noise – is absolutely the best, and will leave you with the dense exposition of what electro techno music should really sound like. 

black metal

Mysteries of Earth, released by British black metal group Blutvial on July 5th, is a formidable, lucid and splendorous album. Fully energized, mortally intense and with sordidly aggressive, rapturous and impulsive, but lugubrious and poetic guitar lines, Mysteries of Earth is better described as a marvelous state of the art work. With ten amazingly placid and cohesive tracks – beneath the moon, black silence, existential rite, vault of unrest, carving nihil, midwinter's halls, urnacht, doomed to eternal night, in praise of noctula and where graves spring open – this fantastic work, besides its subtle originality, extraordinary grandiosity and proverbial musical audacity, consolidates firmly and brings about intrinsically the best qualities of the genre: hostile mordacity, somber harmonies, an aggressive stylish impetus, creative melodies, a rapid pace and an exceedingly volatile density. With the organic virtue of a profoundly vital and conscious musical dynamic, you can certainly highlight this record as one of the best black metal pieces released this year. Mysteries of Earth is a punctuating device and a majestic work of art in the history of the genre.     

black metal

Cosmic Autumn is the debut album of an eponymous black metal project from Germany. Released on July 13, the record has five tracks: The Last Deception, Event Horizon, Indistinct Visions, Realms Of Eternal Light and Solitude (Instrumental). With a beautiful and very original musical layer, very sober and proficient, the sound is definitely strong, sensitive, dynamic and fundamentally cohesive. Although the record retains the fury typical of the genre, Cosmic Autumn is also a lesson on sincere and poetic artistry, as the music revolves itself around a shroud of mortifying serenity, like a twilight that dies in the agony of an everlasting moment of unspeakable affliction. Since the music translates into sound these imponderable passages of pervasive anger, the overall loyalty of the project’s style to the genre is emphasized, but without compromising the ability of the artist in showcasing his own peculiarities. A very good work, that certainly exposes the mordacious talent of an exponentially promising black metal artist, Cosmic Autumn is the opening gate for a musician that has everything to aggregate into the genre a whole new conjuncture of possibilities, with his audacious and ostensibly brilliant creativity. 

stoner rock/ psychedelic rock 

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Earthborn is an album released by Greek stoner rock group Stone Age Mammoth. Forty minutes long, the record has seven tracks: Fearless, The Dark, Whispers, The Mysterious Life Of Mr Krips, The Secret, Earthborn and My Darkest Hour. An exceedingly calm, methodic and meticulous, but exceedingly vigorous and lucid album, undoubtedly, Earthborn is a fantastic state of the art work, that dissects, reverberates, comprehends and exposes the best aspects the genre has to offer. With singular, serene and soft guitar lines, a configuration of sonorous walls that grows from the sincere stylish leniency of the group and a marvelous sense of timing that knows from instinct what has to be done, Stone Age Mammoth has a formidable artistic security and a powerful domain over the genre, that comes out naturally. Revealing itself as a graceful masterpiece as the album evolves and revolves around its own atmosphere of calmness, omniscience and existential perception, the glorious creativity of the group certainly highlights them among other bands of the genre. With a singular conjuncture of sonorous qualities, Earthborn deserves to be greatly regarded, widely appreciated and publicized as the wonderful and fantastic work of art that truly is.

black metal

Nostalgia is an EP released on July 23 by German black metal artist ColdWorld. With five tracks – Cosmos Devourer, Demon Speed, The Dark Ages, Let The Devil In and Silva Nigra – the EP, almost twenty six minutes long, is concise. Exceedingly beautiful, with the typical elegance that is an engraved milestone of the artist, the proverbial guitar lines and the poetic harmonies anticipates the general conflagration of its overall majestic serenity, deeply fulgurated with the sensible character of its everlasting, elegant and somber  horizon of artistry. With rapid passages that are profoundly surrounded by graciously atmospheric interludes, the music on Nostalgia is overloaded with the imperial fragrances of its own rudimentary darkness, that is sustained by a lucid and dense, but marvelously whimsical ferocious resentment, whose vitality extrapolates the shadows of its own arrogant beauty. With everlasting precipices of color surrounding the rhythmic fortunes of the songs, I must confess that I wasn’t particularly overwhelmed by this work. Nevertheless, Nostalgia has all the elements that are characteristic of a ColdWorld work, and, to a certain extent, has enough qualities to be deemed valuable for its sincere and splendid level of singularity.    

post rock / experimental

Return is a three tracks EP released on July 25, by a musician from India, who works under the nom de plume of Phet. With three marvelous songs – Return, Distance and Liberation – Phet works very distinctively the interior perception of the harmonies, to articulate an ascendant, protuberant and expansive, but at the same time discreet, lucid and introspective degree of sonorous exhilaration. With a pungent, incisive axis of conscious melodic devices, correctly assimilated by the lenient, but purposeful stability of its glorious symbiosis of organic dissonances, that seems lethargic at first, the intrinsic nature of the rhythmic serenity that grows within this musical horizon slowly works towards the digressive elements of the harmonies, revolving around a certain complexity that obliterates the cosmic volatility of its formidably eloquent style. With a futurist, colorful, modernist musical approach that made the external shape of the songs, indeed, to sound in an exceedingly beautiful and elegant fashion, Return can be positively described as a very gracious, audacious and original work of art. The last track, Liberation, I would certainly highlight as my favorite. If you want to listen to something very surprising, astute and genuine, I definitely recommend this marvelous and surreal EP. 

Wagner