electronic / psychedelic / trance
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it was meant to be is an album by psychedelic electronic music artist Dubnotic, released on May 21 by British label Visionary Shamanics Records. Sixty three minutes long, the album masterly disperses a varied and versatile degree of psychedelic electronic music, in the best style it has to offer to its audience, with the partnership of other artists. With diluted harmonies, and the typical shamanic musical ordination, it was meant to be is a record that brings about in the crest of its sonorous abilities the traditional features of the genre: expansive harmonies in very long tracks, in a very extensive album. For enthusiasts of the genre, it is really the great provisional strength for the musical horizon of a new era, transmitting and expanding an atmosphere of splendor that condensates in a galaxy of captivating serenity amazingly intricate, but peaceful melodies, where liquid souls can exemplify at the axis of its engines the greatest legacy of a never-ending set of rhythms, that always becomes higher when exposed to the circumference of an interior sun.
With an amazing set of melodies, that vigorously comprehends as an axis of its own vicissitudes the horizon of its own infinity, it was meant to be can be better understood as a threaded stream of contrived and consistent melodies, uplifted to a higher scale of meditative dissonance. On this record, all melodies virtually fuse and melt together to conform to a new pattern of statically subtle – and submissively ordained – thoughts, and progressively, it is possible to feel that the experience on this album reaches a new level of conscious completeness, that expects the underground resilience of its practical results to be far beyond the usual levels of sensitive reliance.
While this album certainly has monotonous moments, invariably inevitable to the genre, it was meant to be can be considered genuinely good, truly representative of the psychedelic electronic musical genres its style abundantly revolves around with, in a dispersive infinity of diluted harmonies, where time dwells throughout the vicinities of its own embracing cosmogony of enchanting melodies.
In a virtuous sensibility upon which everything can be understood as the primary principle of the delusional efficiency of sound, it was meant to be is a very satisfactory album, that honors psychedelic electronic music in the most simple, but fundamental plans of its musical basis.
Wagner
With an amazing set of melodies, that vigorously comprehends as an axis of its own vicissitudes the horizon of its own infinity, it was meant to be can be better understood as a threaded stream of contrived and consistent melodies, uplifted to a higher scale of meditative dissonance. On this record, all melodies virtually fuse and melt together to conform to a new pattern of statically subtle – and submissively ordained – thoughts, and progressively, it is possible to feel that the experience on this album reaches a new level of conscious completeness, that expects the underground resilience of its practical results to be far beyond the usual levels of sensitive reliance.
While this album certainly has monotonous moments, invariably inevitable to the genre, it was meant to be can be considered genuinely good, truly representative of the psychedelic electronic musical genres its style abundantly revolves around with, in a dispersive infinity of diluted harmonies, where time dwells throughout the vicinities of its own embracing cosmogony of enchanting melodies.
In a virtuous sensibility upon which everything can be understood as the primary principle of the delusional efficiency of sound, it was meant to be is a very satisfactory album, that honors psychedelic electronic music in the most simple, but fundamental plans of its musical basis.
Wagner
