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Doomina - Orenda

1/11/2018

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Orenda is an album released in October 19, by Austrian post rock group Doomina. Almost one hour long, the album has nine tracks: Sonett, Soyuz II, Synaesthesia, I, Barbarian, Tiny Danza, The Thing With Feathers, The Voynich Manuscript, Limerence and Farnsworth Paradox. With a lucid proficiency, and melodies consecrated with a gracious level of beauty, there is a general simplicity on this album that contrasts heavily with its poetic profoundness and cohesive immersion into an infinite ocean of introspective calmness. With a methodic style and a robust, effortlessly expansive sense of density, the music of Doomina is an erudite collision of sonorous precision, where every note finds instantly the exact space conceived to encounter the objective grace of its sensibility. With a dimensional gravity that understands the serenity of its majestic graciosity, Orenda has a marvelous sound that naturally departs from the boundaries of its own existential premises, eager to disrupt the relentless tiredness that compromise the integrity of all the sincere energy left untouched in the world.

While the sound of the group is somewhat simple, easy to comprehend and to assimilate, their style is strongly playful and consistent, compatible with their melodic interchangeable cadences, and aligned with its glorious rhythmic continuity. There is a calmness in the surface that is never disrupted, even when the sound becomes more furious or seems reluctantly impulsive. Nevertheless, the harmonies are organic enough to maintain the equilibrium in all the corridors of its entire effusive anatomy, never disrespecting, displacing nor violating the cohesiveness or the tissue of its mordacious and peaceful, though subtle elegance.

Doomina is a band that has confident domain over the entire sensible and technical aspects of their formidable degree of musicality. With a flexibility that propitiates to them being rigid enough to sustain the ardent cohesion of the melodies, while at the same time they exasperate the serenity of their harmonies in a sweetest storm of poetic flavors, the group never struggles with difficulty; inspiration comes easy to them, as graceful notes dilute into a diligent rapture of musical splendor, closer to an everlasting night that anticipates the creative sensibilities of a glorious solitude, in an arduous realm of spectacular infinity.      

Orenda is a formidable album, thoroughly poetic and dreadfully anticipating the sensational grace of a world to come. With soul, sensibility, consistency – and a vividly genuine style –, Doomina, with this marvelous record, has definitely elevated the standards for post rock. Undoubtedly, the genre has reached its greatest achievement so far, with this marvelous masterpiece. 


Wagner

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