
While the sound of the group is somewhat simple, easy to comprehend and to assimilate, their style is strongly playful and consistent, compatible with their melodic interchangeable cadences, and aligned with its glorious rhythmic continuity. There is a calmness in the surface that is never disrupted, even when the sound becomes more furious or seems reluctantly impulsive. Nevertheless, the harmonies are organic enough to maintain the equilibrium in all the corridors of its entire effusive anatomy, never disrespecting, displacing nor violating the cohesiveness or the tissue of its mordacious and peaceful, though subtle elegance.
Doomina is a band that has confident domain over the entire sensible and technical aspects of their formidable degree of musicality. With a flexibility that propitiates to them being rigid enough to sustain the ardent cohesion of the melodies, while at the same time they exasperate the serenity of their harmonies in a sweetest storm of poetic flavors, the group never struggles with difficulty; inspiration comes easy to them, as graceful notes dilute into a diligent rapture of musical splendor, closer to an everlasting night that anticipates the creative sensibilities of a glorious solitude, in an arduous realm of spectacular infinity.
Orenda is a formidable album, thoroughly poetic and dreadfully anticipating the sensational grace of a world to come. With soul, sensibility, consistency – and a vividly genuine style –, Doomina, with this marvelous record, has definitely elevated the standards for post rock. Undoubtedly, the genre has reached its greatest achievement so far, with this marvelous masterpiece.
Wagner