electronic / ambient
Interactivity is an album released on September 24, by Exosphere, a sublabel of Synphaera Records. The work of a masterfully cohesive and skillfully mininalist electronic music artist known as K. Markov, the record has five tracks, all of them more than twelve minutes long. They are: 1) Mind Control; 2) Interactivity; 3) Grand Illusion; 4) Reverse Evolution; 5) Inner Alchemy; with expressive, sensible and overwhelmingly graceful and sinister melodies, the music of K. Markov is primarily engraved by majestically obscure tonalities, that get lost in a cosmogony of dehydrated harmonious indulgencies, that play with the dense and diffusive atmosphere of its own dispersive, abrasive and suggestive style.
With an ascending, imperative and methodic musical style — whose horizontal vicissitudes alternate between the horizon of its own liquid harmonies and the temporal rationality of its own elemental serenity —, Interactivity immediately reveals itself to be a groundbreaking, genuine, affirmative album, that plays in the space of its sonorous resolutions the demands of deliberately diluted clinical textures, whose resonances perfectly dilapidates the dynamic synchronicity of its discreet catalyst nature.
Despite the fact that — at least in some moments — the artist falls in ordinary and predictable musical territory, its impossible to deny the prominence of the greatness, the accuracy and the originality of his style, that invariably prevails throughout the album; cultivating beauty in shape and also in the epic length of the songs, each track seems to be a surreal psychological journey towards a distant, fantastic and undisputed universe, where light and sound defines in the vividness of its colossal tenacity the organic tenderness of its pluralistic vitality. In fact, each song sounds like an anthem to the glory of the universe, a personal testimony of striking authenticity, that transpires in the strength of its genuine sonorous graciousness the effective sensibility of an introspective paradoxical beauty, forever lost in the tempestuous darkness of the cosmos.
Undoubtedly a marvelous album — that has all the necessary elements precisely aligned to make it outstanding —, the original vitality and the spectacular creativity of the artist has crafted an exceptionally formidable and expressively genuine work of art. Interactivity reveals itself to be a marvelous record all the way through, with a mordacious display of sinister overtones, that definitely makes all of its sonorous devices to feel arbitrarily real, at least in our most audacious, unpredictable and turbulent dreams.
Wagner
With an ascending, imperative and methodic musical style — whose horizontal vicissitudes alternate between the horizon of its own liquid harmonies and the temporal rationality of its own elemental serenity —, Interactivity immediately reveals itself to be a groundbreaking, genuine, affirmative album, that plays in the space of its sonorous resolutions the demands of deliberately diluted clinical textures, whose resonances perfectly dilapidates the dynamic synchronicity of its discreet catalyst nature.
Despite the fact that — at least in some moments — the artist falls in ordinary and predictable musical territory, its impossible to deny the prominence of the greatness, the accuracy and the originality of his style, that invariably prevails throughout the album; cultivating beauty in shape and also in the epic length of the songs, each track seems to be a surreal psychological journey towards a distant, fantastic and undisputed universe, where light and sound defines in the vividness of its colossal tenacity the organic tenderness of its pluralistic vitality. In fact, each song sounds like an anthem to the glory of the universe, a personal testimony of striking authenticity, that transpires in the strength of its genuine sonorous graciousness the effective sensibility of an introspective paradoxical beauty, forever lost in the tempestuous darkness of the cosmos.
Undoubtedly a marvelous album — that has all the necessary elements precisely aligned to make it outstanding —, the original vitality and the spectacular creativity of the artist has crafted an exceptionally formidable and expressively genuine work of art. Interactivity reveals itself to be a marvelous record all the way through, with a mordacious display of sinister overtones, that definitely makes all of its sonorous devices to feel arbitrarily real, at least in our most audacious, unpredictable and turbulent dreams.
Wagner
