post rock / experimental / alternative
Kota — released in July 2 —, is the debut album of Kota Kota, the personal musical project of English musician Michael Holmes. Sixty-two minutes long, the album has nine tracks: 1)Black Waltz; 2)Lyric; 3)Extend Your Fingers; 4)The End; 5)Burleywood; 6)Transitions; 7)Until The Last Minute You Breathe; 8)Crimea River; 9)L'appel du Vide; with generally long tracks, and exceedingly marvelous and poetic harmonies, this album is filled with a wonderfully crafted and formidably genuine creativity, that definitely elevates post rock to a whole new level of sagacious originality and splendorous sensibility, unprecedented since the conception of the genre.
With dynamic melodies, and a very vivacious musical synergy, the sonorous atmosphere conceived in this majestic album circulates within the axis of its own graciosity. Displaying a serene, but conscious acquiescence that delightfully departs from the bright disposition of its fantastic and pristine tenderness, the sound created by the artist delivers directly to the soul the omnipotence of an everlasting beauty, whose poetic resurgence dissipates the eagerness of its volatile and captivating temperance.
As the sound achieves the glory of the restless melancholy of its dispersive essence, the rhythm gets more and more pervasive, with all of its pungent density proclaiming in the vastness of its consistence the diligence of harmonies that will never fade away.
With a clear and distinct sound that gradually departs from the latent darkness of its diluted consciousness, the style of the artist is simple, but delightfully graceful and beautiful, as the sound delivers a melancholic stupor that intrinsically reinvigorates the life present on its simple virtues. With its tempestuous dissonances gradually increasing, the rules of harmonies reborn in a more colorful landscape full of ghosts and shadows; otherwise, the melodies — indebted to a fascinating cosmogony that discreetly compensates in the peripheries of its glory a vast conjuncture of progressive elements and lethargic ordeals — rearrange in more graceful patterns the extraordinary creative devices that comprises the fascinating musical universe of Michael Holmes.
With a smooth, expansive, unexpected and salutary degree of experimentalism, that delivers to the audience a musical sensibility engraved in an audacious virtuosity, the sound present in Kota is a marvelous exposition of authenticity, crafted by an expressively talented musician, that has all the necessary qualities to create an entirely new genre by himself, departing from the unlimited excellence of his own peculiar and formidable sense of incomparable originality.
Wagner
With dynamic melodies, and a very vivacious musical synergy, the sonorous atmosphere conceived in this majestic album circulates within the axis of its own graciosity. Displaying a serene, but conscious acquiescence that delightfully departs from the bright disposition of its fantastic and pristine tenderness, the sound created by the artist delivers directly to the soul the omnipotence of an everlasting beauty, whose poetic resurgence dissipates the eagerness of its volatile and captivating temperance.
As the sound achieves the glory of the restless melancholy of its dispersive essence, the rhythm gets more and more pervasive, with all of its pungent density proclaiming in the vastness of its consistence the diligence of harmonies that will never fade away.
With a clear and distinct sound that gradually departs from the latent darkness of its diluted consciousness, the style of the artist is simple, but delightfully graceful and beautiful, as the sound delivers a melancholic stupor that intrinsically reinvigorates the life present on its simple virtues. With its tempestuous dissonances gradually increasing, the rules of harmonies reborn in a more colorful landscape full of ghosts and shadows; otherwise, the melodies — indebted to a fascinating cosmogony that discreetly compensates in the peripheries of its glory a vast conjuncture of progressive elements and lethargic ordeals — rearrange in more graceful patterns the extraordinary creative devices that comprises the fascinating musical universe of Michael Holmes.
With a smooth, expansive, unexpected and salutary degree of experimentalism, that delivers to the audience a musical sensibility engraved in an audacious virtuosity, the sound present in Kota is a marvelous exposition of authenticity, crafted by an expressively talented musician, that has all the necessary qualities to create an entirely new genre by himself, departing from the unlimited excellence of his own peculiar and formidable sense of incomparable originality.
Wagner
