Monitor is an album released by Australian alternative / space electronic music act Laedj, from Melbourne. released on June 15. With an interesting, original, exceedingly vibrating musical style – deeply rooted in the preeminent density of expansive harmonies deliberately conceived as a tenacious space-oriented creative dissolution – Monitor reveals itself from the beginning as a marvelous, splendid and highly genuine work of art, whose authenticity defies ordinary genre boundaries, and deals profusely with an audacious and sovereign degree of introspective artistry, that not only aspires to be something inadvertently genuine, but expressively singular, unforgettable and most of all, ostensibly inimitable.
The only terrible fault of this album is the length: at only thirty-three minutes long, Monitor is too concise. Nevertheless, when the album is over, you can appreciate it again, as I did the first time I’ve listened to this majestic and formidable masterpiece (I’ve heard two times in direct sequence). With only four tracks – Monitor, Kwingy, Heard From Space and Bad Buzz – the first and the last songs are the longer ones, having both little more than ten minutes each. With a very expressive, consistent and diluted sound, whose impressive originality designs impeccable and profoundly graceful creative harmonies in a very abrasive and elegant surface of organic elements, the marvelous and astoundingly extraordinary capabilities projected by this album is easy to assimilate, but concomitantly hard to embrace, given the fact that its overwhelmingly fulfilling, passionate, beautiful, dynamic and furiously elegant qualities surpasses with an absolute disposition the general standards currently seen in the underground scene.
One of the most marvelous albums that I ever had the pleasure of listening, Monitor is a fascinating sonorous synergy driven by a colorful festival of original, unrestrictive and extraordinary creative audacity. With gracefully cohesive and pristine harmonies, that perpetuates the diagram of its diffusive density over the majesty of its own creative lucidity, this sensational album is a sonorous spectacle full of highly sober and vivid colliding atmospheres, that dance over the shadows of a fading horizon, in the somnolent placidity of an everlasting, but sincerely captivating personal disturbance. Although the entire album is absolutely incredible – literally out of this world –, if I have to highlight two tracks, they would be Kwingy and Heard From Space, (which, surprisingly, have vocals); the second and the third, respectively. This are two amazingly marvelous, beautiful and effectively rapturous songs, that strikes with deranged virtuosity the soul of the listener.
Full of qualities, and with an exceptional degree of originality – never seen in the genre before – Monitor is an unforgiving, fantastic and splendorous masterpiece, whose fabulous degree of artistry deserves to be massively highlighted. With a huge potential to make history, Laedj. is a groundbreaking musical act, whose formidable level of authenticity can make them the next starlight of the alternative rock scene.
Wagner
The only terrible fault of this album is the length: at only thirty-three minutes long, Monitor is too concise. Nevertheless, when the album is over, you can appreciate it again, as I did the first time I’ve listened to this majestic and formidable masterpiece (I’ve heard two times in direct sequence). With only four tracks – Monitor, Kwingy, Heard From Space and Bad Buzz – the first and the last songs are the longer ones, having both little more than ten minutes each. With a very expressive, consistent and diluted sound, whose impressive originality designs impeccable and profoundly graceful creative harmonies in a very abrasive and elegant surface of organic elements, the marvelous and astoundingly extraordinary capabilities projected by this album is easy to assimilate, but concomitantly hard to embrace, given the fact that its overwhelmingly fulfilling, passionate, beautiful, dynamic and furiously elegant qualities surpasses with an absolute disposition the general standards currently seen in the underground scene.
One of the most marvelous albums that I ever had the pleasure of listening, Monitor is a fascinating sonorous synergy driven by a colorful festival of original, unrestrictive and extraordinary creative audacity. With gracefully cohesive and pristine harmonies, that perpetuates the diagram of its diffusive density over the majesty of its own creative lucidity, this sensational album is a sonorous spectacle full of highly sober and vivid colliding atmospheres, that dance over the shadows of a fading horizon, in the somnolent placidity of an everlasting, but sincerely captivating personal disturbance. Although the entire album is absolutely incredible – literally out of this world –, if I have to highlight two tracks, they would be Kwingy and Heard From Space, (which, surprisingly, have vocals); the second and the third, respectively. This are two amazingly marvelous, beautiful and effectively rapturous songs, that strikes with deranged virtuosity the soul of the listener.
Full of qualities, and with an exceptional degree of originality – never seen in the genre before – Monitor is an unforgiving, fantastic and splendorous masterpiece, whose fabulous degree of artistry deserves to be massively highlighted. With a huge potential to make history, Laedj. is a groundbreaking musical act, whose formidable level of authenticity can make them the next starlight of the alternative rock scene.
Wagner
