
The marvelous easiness of all the progressive elements are gracefully inserted into the music. The style displayed by the artist anticipates on the dynamism of its iridescent insurgencies the arduous glories of its sincere and vigorous creative possibilities. Despite its strong, homogeneous and exceptionally grounded style, the artist displays a colorful and intricate level of eclecticism and versatility. The fifth track, Parting — which in my opinion is the best — proves that perfectly. Featuring the exceptionally beautiful voice of singer Louise Dissous, the graceful vivacity of her voice certainly adds a tender element of exotic mystery to this song, that not only fits the melodies with gracious intensity, but also complements wonderfully the general guidelines of the rhythm.
Although in a general evaluation the album can be considered very simple, Ravage is a cohesive and genuinely authorial work of art, whose creative strength is a musician that not only understands perfectly how his most salutary qualities work, but also has the wisdom to use his technical excellence and creative virtues to conceive a sublime universe of dispersive majesty, where everything can be converted to a sonorous diagram of colorful proficiency, ostensibly crafting a dimension where musical sensibility and dynamic pragmatism come together, to conceive restlessness as a new form of sentimental freedom.
With gracefully renitent guitar lines that evokes the purity and calmness of a universe that has never seen light before, the music displayed in Ravage is exceptionally beautiful, and filled with a gracious imponence that is not only sincere, but also exponetially lucid and proverbial, though essentially somber in nature. Nevertheless, the style delivered by nooM is dense, dynamic and relentless, but paradoxically vivacious and splendid. Definitely, Ravage is a very intriguing, resonant, quite eventful album, a masterpiece whose practical peculiarities redefine musical boundaries, within the diluted framework of a creative mind, that knows no limits or restricitions to its magnificent audacious nature.
Wagner