post rock
This is an incredible beautiful album, the debut of New York based American musician Miloe Larsen. Almost fifty two minutes long, the record has ten tracks: Avenoir, Eva, A New World Ocean, Novel, Color, Mt., Blue Moon, Rose Tinted Serpent, A Schema and Aurora. Exceedingly spiritual, Oceanai elevates the listener to a melodic, serene, ethereal and surreal world, devoid of any pragmatic concerns. Wandering over the coalescent waves of an omnipotent ocean of beauty, the music of this album is above extraordinary; latently exposes the omniscience and the greater nuances of a sensitive conscience that seeks the higher grounds of an excellent existence.
A marvelous album that juxtaposes the infinity of a superior path that heavily promotes the convergence of a stream of undeniable spiritual tranquility and the poetic serenity of an irresistible imponderability, this album creates a parallel world of vacant serenity, where all thoughts can rest, while they are reversed to a soft mode.
All the melodies are exponentially beautiful, and translate a level of formidable lucidity, that resonates over a restless conscience. While there is an undeniable degree of simplicity in the music, the level of poetic profoundness is gentle, pure, educated and incorruptible. The amazing strength of creativity and the unconventional breaking beats that masterly aligns the harmonious equilibrium of these magnificent melodies at the epicenter of the splendid mosaic of the music’s rhythm also adds a strong level of efficiency into the general sonorous layer.
While listening to Oceanai, it is possible to be completely impressed by this fragmented, texturized, efficiently detailed, perfectly studied and vehemently surrealist groundbreaking state of the art work. A major album that defies a conventional comprehension not only of the genre per se, but music in general, Oceanai invites the listener to expand the conscience into a more profound level of philosophical and reflexive knowledge. An almost impressionistic glory that enchants the magnificence of an infinite universe of sonorous possibilities, there is such a formidable degree of philosophical veracity attached to the sonorous molecules of this work, that you instantly feel yourself transported to another planet, a more serene, more complete, more glorious composition of life.
Wagner
A marvelous album that juxtaposes the infinity of a superior path that heavily promotes the convergence of a stream of undeniable spiritual tranquility and the poetic serenity of an irresistible imponderability, this album creates a parallel world of vacant serenity, where all thoughts can rest, while they are reversed to a soft mode.
All the melodies are exponentially beautiful, and translate a level of formidable lucidity, that resonates over a restless conscience. While there is an undeniable degree of simplicity in the music, the level of poetic profoundness is gentle, pure, educated and incorruptible. The amazing strength of creativity and the unconventional breaking beats that masterly aligns the harmonious equilibrium of these magnificent melodies at the epicenter of the splendid mosaic of the music’s rhythm also adds a strong level of efficiency into the general sonorous layer.
While listening to Oceanai, it is possible to be completely impressed by this fragmented, texturized, efficiently detailed, perfectly studied and vehemently surrealist groundbreaking state of the art work. A major album that defies a conventional comprehension not only of the genre per se, but music in general, Oceanai invites the listener to expand the conscience into a more profound level of philosophical and reflexive knowledge. An almost impressionistic glory that enchants the magnificence of an infinite universe of sonorous possibilities, there is such a formidable degree of philosophical veracity attached to the sonorous molecules of this work, that you instantly feel yourself transported to another planet, a more serene, more complete, more glorious composition of life.
Wagner
