This work really transmits a salutary degree of sophistication that explores wisely the fundamental possibilities of space ambient music, never exasperating its cosmic creativity with predictable interludes. Here, musical pragmatism is executed marvelously well, since the sound never becomes monotonous, as both artists manage to insert an ascendant and rapturous – but at the same time moderately calm and reflexive – pattern of transcendental harmonies within the structure of each and every song. In the linear journey imposed by the vicinities of a gracious musical eloquence, the sound wanders around endlessly in an intermission of elements that fully respects the integrity and the anatomy of the genre, but genuinely inserting at the axis of its mobility a formidable and intricate degree of authorial devices.
In a general evaluation, the sound is immensely pleasurable. The Glow Beneath has a sober, lucid and intuitive sensibility, that revolves around the sensational expansion of its own conscious validation. With delicate harmonies that wander around the infinite galaxies of its own everlasting grandiosity, the sound fluctuates over the punctuating density of its own abstract principles, corroborating with the giant waves of its elementary ambitions the fantastic premises that converge directly to the qualities that were marvelously combined to produce this sensational piece of work.
Although a little concise for my personal taste, my final evaluation about The Glow Beneath highlights the fantastic excellence of this wonderful record. Here, One Arc Degree not only impersonates, but amazingly surpasses the gracious majesty inherent to space ambient music, as they superbly aggregate their own musical perspective into the genre, and this comes with so much qualities – although elementary inserted in a very subtle context – that listen to an album like this one can be a miraculous experience for the mind, and a college degree on musical sensibility.