
With a vast sense of practical space expansion, the music of saisa is deeply engraved on the sensibilities of its calmer and sincere majesty; as the melodies levitate throughout the severed existence of its own dream-like parallel dimension of timeless sonorous allegories, the world as you know become more and more diluted in a sensational fantasy of the senses, as well as pragmatically engulfed in the glorious synthesis of a stylish conflagration of virtuous harmonies that comes from the soul, and enter into the melancholy realm of the heart by a sinuous audacity that seems eager to create a world of everlasting beauty and happiness, extracted from the collateral crude consternation of musical tonalities that aren’t fearful of exposing its deceptive sentimentalities.
With a strength that never sleeps, but strikes high at the vicinities of its own melancholy, this album is a fantastic journey towards the underworld of an introspective and very personal universe of dense, but beautiful connotations of life, driven by a surreal symphony of infinite delight, that certainly will drive the listener marvelously satisfied, and innocently involved at the greater axis of a consistent musical style that bravely exposes all the painful nuances of a heart that is convoluted by an endless labyrinth system of dark days.
The highly powerful – though soft and serene – harmonies of Melancholy Fado certainly makes this album to be a formidably superb exemplar of classic post rock – gentle, peaceful, and relaxing –, despite the fact that the vocals present in the work definitely give to the record a very special peculiar atmosphere. Exceedingly elegant and quiet on the verge of its spectacularly sensible sonorous proposal, Melancholy Fado is a very good album, that deserves to be highlighted by its formidable qualities and genuine creative veracity.
Wagner