The overall sound of the album is great. While The Negative Bias has a style fundamentally different, more dramatic, precise and dense in comparison to other acts of the genre, on the other hand, it is easily identifiable as black metal. With a pervasive, but persistent rapture that defies the trivial essence of the melodies, going further and further in the sinister palace of an inevitable consumption of ulterior dissonances, the general style of The Negative Bias is an electrifying shock of destructive impulses. You can positively affirm that majestic and furiously emotive guitar lines pulsates throughout the whole album, energizing the triumph of a vicious harmonious vortex generated by a dubious and invasive eccentricity, that erupts at the core of an insistent rhythmic aggression, dissolved at the same time that a collective sensibility incorporates the atrocious essence of the sound in the infinite conflagration of an eternal darkness, destined to dissipate the moribund cosmogonies of a life that denies to an ordinary existence the possibility of a suicidal conscience.
A mortifying album with as much aggressive intonations as philosophic and sensitive interludes, Lamentation of the Chaos Omega can certainly be categorized as a majestic, seriously tense, sinisterly ambiguous and splendidly audacious black metal effort, where a severely authentic style has no fear to point the genre into more distinct and authorial directions.
A formidable album that will immediately captivate and enchant black metal audiences, Lamentation of the Chaos Omega is an aggrandizing and whimsically executed experiment. With a thoroughly refined final result, you can surely define this work as exceptional, excellent and inevitably superior. You can’t afford to miss this genuinely fantastic work of art.