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Wu Wei – Automated Shadows

29/5/2017

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electronic / edm / experimental / glitch
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Automated Shadows is an album released on May 22, by American electronic music artist Wu Wei. Almost forty four minutes long, the record has ten tracks: Automated Shadow, My Circuitry, First Words, Blistered, Blinded, Manufactured Heartbeat, Witness, Oceans, I'll Always Think of You, Life Support and Before I. With a visibly organic sound that easily captures the vivid nuances of an atmospheric dream, Wu Wei’s melodies are small glories of splendor inserted into a vivid realm of luxurious amplitude, upon which all restlessness becomes solidified in a greatly styled serenity of peaceful grace. With harmonies that liquefy into a cosmic ocean of dense purity, the rhythmic shape of each and every song on this album is a marvelous experience of ultra-consciousness: doesn’t matter where your mind is, it is subtlety captured by the mindful coalescence of a navigating dream, that will formally captivate and reinstate into your darkened sense of reality a profound period of calmness, that will penetrate all levels of existence that floats throughout the parallel pyramids of the personal world of your thoughts. 

With a very singular style, that easily understands the poetic scope of its fantastically dense level of artistry, Wu Wei’s music conforms to a world where logic is another basic sense of the human spirit. Diffusing melodies that understand the intimacy of perfectly correlated rhythms, the work done for the sake of a complete expansion of dreams is not just marvelous, but inexperienced. With an elusive degree of originality, Wu Wei has created, on Automated Shadows, a subtle sonorous surface, that gracefully transforms itself into a reinstated planetary system of peaceful synesthesia, where all your senses are amplified into a more delightful expansion of conscious sensibilities.   

Automated Shadows is a dense and formidable work, that can be considered complete in its own right. With a continual layer of circular harmonies that complete its own sphere of graceful possibilities, the record transmits a genuine horizon of vicissitudes, upon which all harmonious rhetoric becomes a method for the sensorial musical perception. 

Don’t get me wrong. In any way – despite its resourceful and abundant qualities – I can point it out this album as a masterpiece. Sometimes, you feel the absence of a more solid and agitated, corporeal body of rhythms. Nonetheless, it is never tedious or monotonous either. In the end, Automated Shadows is a very good, reenergizing electronic musical work, with a very personal sonorous layer of its own. With calm and transcendental style, this record certainly represents an interesting vibration, with a very peculiar atmosphere of wonderful beauty.   


Wagner
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