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Āustras Laīwan is a musical project from Königsberg, Germany, led by a musician known only as Āulaukis, that works on the folk, ambient, experimental and neoclassical genres, incredibly skilled in achieving a remarkable degree of beautiful poetic fusion between all of these styles of music. With soft, but scathing melodies that easily fulfill all of your dreams in a vast and high sky of protuberating emptiness, wandering in a blue sea of calm transcendental reason, lost in the cosmic nothingness of the most universal space of the eyes of love, the poetry in the sound of this project is beyond the level of all possible dreams. It is a fantastic journey throughout the serenity of a beautiful sea of tranquility, firmly wandering by a powerful sensation of hybrid disillusion and forgetfulness, in such a vast landscape of sensational and restless amazement, that you will have a hard time believing what you are listening to.
With no information available at all about the musician responsible for creating these amazing masterpieces, all evaluations will obviously be limited to the music itself, which, by all means, is beyond spectacular. With a beautiful sonorous life of its own, being able to enchant and awake all the senses of the listener, the harmonies in question are bestowed beyond belief. Exploring the high resonances of a multitude of resourceful melodies that appeals to every aspect of your sensibility, intensifying all the levels of serenity in your senses, as well as the most intricate and recondite places of the imagination, tranquil chords and peaceful harmonies support one another constantly, in beautifully aligned melodies, that evokes worlds of stratospheric elevation, in a fleeting, but consistent search for interior exhortation. With some daring bets of minimalistic approach towards a more spirited result, Āustras Laīwan manages to give an intense, but very delightful result, with the amazingly creative originality of the music, completely fearless about the artistic path of striking abnormal musical greatness that manages to perfectly generate a very sensible and superior feeling of primordial beauty.
Āustras Laīwan is, undoubtedly, music to relax, reflect and wander. Throughout the vastness of your own thoughts, the neoclassical inquiry of this sonorous requiem of playfulness dreamlands of marvelous acquiescent wonderful beauties redeems the holes in your soul. It is also wonderful for deviating the laws of sorrowfulness into the same categories of poetic restlessness that creates the sensitive sounds that composes the harmonious elements able to bring to life the eternal spring into which Āustras Laīwan’s music melts your heart and soul into the fire of its own merciful derogatory clemency, only to set fire again to the sensible light of the hidden mysteries of your inner dawn. It’s the swans’ songs of the spring, crowned by the supreme and infinite beauty of an eternal and magnificent sadness, matching its own contemporaneous battle of depressing testimony. When all the marvelous elements of beauty, poetry, sadness, reflection and philosophy, comes along altogether, Āustras Laīwan is the obvious result, that forms a remarkable sonorous spectacle of outstanding rapture and sublime amazement, that blends the end of the world with its beginning, amending the night with the morning, and creating a vibrating, but very unknowable dreamland, where your soul levitates towards another earth, resurfacing in another era that dictates and recreates life, aiming to reach outward principles of demanding solemnity that reacts skillfully to your soul, as you struggle for more elevated patterns of true living goals. This is the music of Āustras Laīwan: a remarkable essay of contemporaneous poetry, deeply diluted in a sonorous harmony lost in a pale dream of insatiable reflection. It’s an individual choice of power, where all dimensions of your reality can redeem their own fate afterwards, and think about the splendid, but always explicit laws of disillusion, while your oaths assimilate the playfulness of the music, and the serious landmark of its own proposition. A very outstanding journey into a great universe filled with the wonderful sonorous static of philosophy. After listening to it, you will think about Āustras Laīwan’s music for a long time.
With no information available at all about the musician responsible for creating these amazing masterpieces, all evaluations will obviously be limited to the music itself, which, by all means, is beyond spectacular. With a beautiful sonorous life of its own, being able to enchant and awake all the senses of the listener, the harmonies in question are bestowed beyond belief. Exploring the high resonances of a multitude of resourceful melodies that appeals to every aspect of your sensibility, intensifying all the levels of serenity in your senses, as well as the most intricate and recondite places of the imagination, tranquil chords and peaceful harmonies support one another constantly, in beautifully aligned melodies, that evokes worlds of stratospheric elevation, in a fleeting, but consistent search for interior exhortation. With some daring bets of minimalistic approach towards a more spirited result, Āustras Laīwan manages to give an intense, but very delightful result, with the amazingly creative originality of the music, completely fearless about the artistic path of striking abnormal musical greatness that manages to perfectly generate a very sensible and superior feeling of primordial beauty.
Āustras Laīwan is, undoubtedly, music to relax, reflect and wander. Throughout the vastness of your own thoughts, the neoclassical inquiry of this sonorous requiem of playfulness dreamlands of marvelous acquiescent wonderful beauties redeems the holes in your soul. It is also wonderful for deviating the laws of sorrowfulness into the same categories of poetic restlessness that creates the sensitive sounds that composes the harmonious elements able to bring to life the eternal spring into which Āustras Laīwan’s music melts your heart and soul into the fire of its own merciful derogatory clemency, only to set fire again to the sensible light of the hidden mysteries of your inner dawn. It’s the swans’ songs of the spring, crowned by the supreme and infinite beauty of an eternal and magnificent sadness, matching its own contemporaneous battle of depressing testimony. When all the marvelous elements of beauty, poetry, sadness, reflection and philosophy, comes along altogether, Āustras Laīwan is the obvious result, that forms a remarkable sonorous spectacle of outstanding rapture and sublime amazement, that blends the end of the world with its beginning, amending the night with the morning, and creating a vibrating, but very unknowable dreamland, where your soul levitates towards another earth, resurfacing in another era that dictates and recreates life, aiming to reach outward principles of demanding solemnity that reacts skillfully to your soul, as you struggle for more elevated patterns of true living goals. This is the music of Āustras Laīwan: a remarkable essay of contemporaneous poetry, deeply diluted in a sonorous harmony lost in a pale dream of insatiable reflection. It’s an individual choice of power, where all dimensions of your reality can redeem their own fate afterwards, and think about the splendid, but always explicit laws of disillusion, while your oaths assimilate the playfulness of the music, and the serious landmark of its own proposition. A very outstanding journey into a great universe filled with the wonderful sonorous static of philosophy. After listening to it, you will think about Āustras Laīwan’s music for a long time.
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