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Scann -Tec – Unyt

16/8/2016

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electronic / downtempo / ambient
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Scann-Tec is an ambient musical project, developed by sound artist Vladislav Isaev, that defines his art as cinematic downtempo. Unyt, his most recent work, was released recently, on June 16, by French label Ultimae Records.

With ten tracks, being them Snova I Snova, Unyt, Quantum Evo, Ne Viden, Svet, Klinostat, Parsec, Delta-V, Nadezhda, and Turgenev, the almost seventy minutes album can be described as a reverberating conceptual work, stylized over the pretext of a rewarding and infinite sonorous artistry, colossally upgrading scales on a journey focused on an overwhelming and super exposed galaxy of subtle intuition. With an ambient that expands over the borders of its own galactic sphere of an imperial promising demise, the phosphorescent and luminous side of Scann-Tec’s music provides the counterpart for dimensions of numbness and despair, that achieves a highly diluted abyss of sinister darkness, eager to disappear in the silent vastness of a tormented, and almost idiosyncratic derisive atmosphere of transcendental colorful acceptance. 

With a great deal of technical excellence allied to a very intuitive, ambitious and lucid sonorous objective, the uniformity of the album, counterbalanced with very peculiar and unique fragments of enchanting melodies, does a lot for the greatness of the work. Superbly engineered with the mastery of a zealous regard for feeling, atonement and creation, the redemptive side of Scann-Tec’s music is an indefinite expansion of a universe generating its own derogatory emptiness. Calculated by an enthroned ambivalence of sentimental destitution, Unyt is an album that breaks its own limitations, fiercely predisposed to create time, driven by the nucleus of hidden harmonies, stoned over solid rhythms that seems to be ecstatic and in motion, at the same time. Revolving in a parallel pattern, where everything delusional seems disproportionate, the contiguous melodies that undertakes a dismissing anguish throughout the relics of its own ascending rhythms undergoes an unforgiving sense of reason, led by a sonorous surreal trail of forgotten anxiety, where everything pure is torn apart by the sake of an interior discovery. 

In an ethereal world, devoid of solid grounds, Scann-Tec’s Unyt seems to lacerate and dilacerate everything that seems reasonable, while at the same time forgiving, accepting and evoking a peaceful sense of exhilaration and wisdom, where a sonorous journey develops your life through you, and within you, and around you, generating a soundscape of the soul throughout the galaxy, ever reasoning an ambience of intriguing mesmerizing infinity, making you severely acquainted with the hidden potential you have, inside yourself. 

With secrets hidden in each and every second of it, the more subtle, although extremely metallic melodies of Unyt make this record somewhat unusual and surprising, with a very individual style of composition, sonority and resourceful sound devices. With hidden beauties, and a very transcendental calmness that flirts wonderfully with the cosmic vastness makes this record quite appealing, with qualities that defines several layers of sonorous tonalities that rearranges to a totally different path the amalgamations of  dimensional music, distilling different patterns of symmetry, in a compelling, but remarkable longitudinal panel, where everlasting retributions seems to be groundbreaking journeys of light.                  

All in all, Unyt, by Scann-Tec, is a remarkable album, exceedingly gracious in the sinister and dubious, but nevertheless brightly colorful space scale, on which the album is inserted. With a somewhat stricken, but very easy listening appeal, it has all the greatest elements necessary for an astoundingly sincere, reverberating and tempestuous ambient album. You should hear, to believe!  


​Wagner
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