heavy jazz / grindcore / noise
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Time to prepare for another slab of ruthless jazz aggression by Dutch combo Dead Neanderthals. The question is, how do you prepare for something like this? I mean, this is not the kind of music you usually listen to when you begin digging into the immense world of sound design. You got to have a certain history, some stepping stone bands, so to speak. For starters, you need to know your way around noise and experimental music. You should know something about jazz and then forget all about that. You should know about grindcore too.
A friend of mine once said that Dead Neanderthals "abuse their instrumental respectfully". I couldn't agree more. What they come up with sounds like pure equipment torture, but one that is only possible when the musicians is passionate about the music. 'Craters' is a thirty-six long extreme jazz composition, where sax and drums drag the listening into a cesspool of metallic, harsh and barely controlled chaos, for the occasion aided by a bass guitar. This album claws, scratches, screeches and gnaws, all in perfect Dead Neanderthals tradition.
I think it's safe to say that this is Dead Neanderthals darkest and moodiest work so far. In a way, it can compare to their previous work but also to acts like Barchan, Plaistow and Sunn O))). You know, jazz but heavy, overwhelming and perhaps a bit homicidal. Is it a recommended album? Well, obviously it is. Every Dead Neanderthals fan should have already got his hands on a copy of this album. Even if you're not a fan, check it out. You will either love it or hate it but you'll have to agree that it's something you don't hear every day.
​Serge
A friend of mine once said that Dead Neanderthals "abuse their instrumental respectfully". I couldn't agree more. What they come up with sounds like pure equipment torture, but one that is only possible when the musicians is passionate about the music. 'Craters' is a thirty-six long extreme jazz composition, where sax and drums drag the listening into a cesspool of metallic, harsh and barely controlled chaos, for the occasion aided by a bass guitar. This album claws, scratches, screeches and gnaws, all in perfect Dead Neanderthals tradition.
I think it's safe to say that this is Dead Neanderthals darkest and moodiest work so far. In a way, it can compare to their previous work but also to acts like Barchan, Plaistow and Sunn O))). You know, jazz but heavy, overwhelming and perhaps a bit homicidal. Is it a recommended album? Well, obviously it is. Every Dead Neanderthals fan should have already got his hands on a copy of this album. Even if you're not a fan, check it out. You will either love it or hate it but you'll have to agree that it's something you don't hear every day.
​Serge