metalcore / post hardcore
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Pariah is the debut album of metalcore duo Glasslands, consisting of musicians Josh Kincheloe and Brandon Mullins. With ten tracks, being them Birth, Back And Forth, Fame, Deadman, Soul Without A Home, The Sounds, Demons, Meaningless, Dark and Go For Broke, Pariah certainly is, without a doubt, the best metalcore album that I have ever heard in my entire life. Powerful, complete, graciously touching, moving and poetically melodic, this work is painfully dilacerated with sad harmonies and a world full of frozen dust, fulfilled by joyful paradoxical artistic principles, and an astonishing balance between raw and clean vocals. Pariah is best described as a great, incredible, lucid and marvelous masterpiece, like I haven’t heard in centuries. Filled with emotional fury and sentimental beauty, Pariah deserves a handful of prizes. If this work passes out without any recognition, no other album in the history of the genre deserves one. Far above splendid and way ahead the limits of the beautiful lines of a true poetic artistry, Pariah will enter history as a marvelous reference for the entire metalcore worldwide scene, for such a heinous fury, transcendental poetic sorrow, undivided harmonies and gigantic colossal beautiful melodies were carefully dilapidated at the core of an enthusiastic and deeply symmetric testimony of artistic proficiency, strengthened by the confluence of a turbulent, but natural musical talent.
Combining a sincere, but sad fury, with a poetic melancholy that dilacerates the nuance of rhythms at the pace of a joyful sonorous composition, Pariah’s music has so many components correctly placed at the right angle, that for the first time metalcore was done right, without sounding like the complaints of a bunch of teenagers crying over their middle class life problems at home.
With the power of a sincere fury deeply exhilarated by a profound existential sadness, underlined by the symmetry of a high level of musical elements standardized in a categorical style filled with a serene devotional wrath, the deeply meaningful cadences that surround the rhythms, over the pace of poetic melodies wonderfully entitled to a transcending melancholy that harmonizes the beautiful intersections of a poetic life encircled by the most wonderful melodies ever written in the history of the genre, this is a gracefully marvelous album, generated by angels in heaven, and transported to earth by these two marvelous musicians, that shares with us the most wonderful metalcore album ever produced.
With all the power of an aggressive and sad melancholy, inserted at the heart of a meaning that dilutes the sorrow in the forgotten hearts of hungry nights, the perfect equilibrium between harsh and clean vocals intertwine the precise volatile dynamics of promising sagacious harmonies. A sincere epic hymn to the dark disgraces of the human life, Glasslands, with Pariah, undoubtedly exhibited to us all how to do an impeccable state of the art work.
If this album is good? No, it’s not. It’s excellent! You can say Pariah converted me into an avid enthusiast of metalcore. Definitely, one of the greatest albums that I have ever heard in my entire life!
Wagner
Combining a sincere, but sad fury, with a poetic melancholy that dilacerates the nuance of rhythms at the pace of a joyful sonorous composition, Pariah’s music has so many components correctly placed at the right angle, that for the first time metalcore was done right, without sounding like the complaints of a bunch of teenagers crying over their middle class life problems at home.
With the power of a sincere fury deeply exhilarated by a profound existential sadness, underlined by the symmetry of a high level of musical elements standardized in a categorical style filled with a serene devotional wrath, the deeply meaningful cadences that surround the rhythms, over the pace of poetic melodies wonderfully entitled to a transcending melancholy that harmonizes the beautiful intersections of a poetic life encircled by the most wonderful melodies ever written in the history of the genre, this is a gracefully marvelous album, generated by angels in heaven, and transported to earth by these two marvelous musicians, that shares with us the most wonderful metalcore album ever produced.
With all the power of an aggressive and sad melancholy, inserted at the heart of a meaning that dilutes the sorrow in the forgotten hearts of hungry nights, the perfect equilibrium between harsh and clean vocals intertwine the precise volatile dynamics of promising sagacious harmonies. A sincere epic hymn to the dark disgraces of the human life, Glasslands, with Pariah, undoubtedly exhibited to us all how to do an impeccable state of the art work.
If this album is good? No, it’s not. It’s excellent! You can say Pariah converted me into an avid enthusiast of metalcore. Definitely, one of the greatest albums that I have ever heard in my entire life!
Wagner
