electronic / trance / techno / psytrance
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The Myth Of The Cave is the most recent album by Hallupsynagogic, released by Biijah Records, on November 20. With five tracks – being them From Caveman to Alchemist Part I, From Caveman to Alchemist Part II, Ghost Valley, Goblin's Cavern and Hipnagogic Purple (Vs Polybius), The Myth Of The Cave is a trance electronic music album, with an effervescent psychedelic vibe and twist.
Playing all around with the most entertaining elements of trance music, The Myth Of The Cave has vibrantly skilled and spiraled upbeat harmonies, all perfectly inserted in a very eccentric layer of intelligent rhythms, that remains somewhat constant throughout the whole album. With a distinct playfulness that characterizes ostensibly the spirit of a very basic trance, these five tracks on The Myth Of The Cave really pushes to the limit the basic elements of the genre, relying on a more fully formed traditional design to uplift the development of the rhythms.
Although this feature can be appreciated as a restrict quality, on the other hand, it represents a very compounding weakness, since no innovation is presented here, and the album eventually turns out to the just another trance record, that relies on a “same old” model of work. Although the five tracks presented here are not bad at all, they’re also far away of having some significance. Generated by the central axis of the propelling musical device which comes to subsidize the basic outline of the genre, what we really have in The Myth Of The Cave is a very good, decent trance music album, that is incapable of going beyond that. This means that, completely destitute of an impulsive energy and a groundbreaking originality, this album will never achieve a great result. While I reiterate the fact that this album is, indeed, a very good work, its normality and uniformity can’t accomplish too much. Even the more ardent enthusiasts of the genre will feel bored after listening to this album only a handful of times.
A good trance music album, that doesn’t explore the vitality of its potential, or the amplitude of the genre per se, The Myth Of The Cave is a very good work, but, unfortunately it stops there. Completely incapable of going further on the path of limitless musical possibilities, exploration and exhilaration, this album is destined to lose itself in the road to sameness. In the meanwhile, you can certainly listen to it, and enjoy, at least to a certain degree. Sooner or later, you will inevitably forget about it. You can be positive about that.
Wagner
Playing all around with the most entertaining elements of trance music, The Myth Of The Cave has vibrantly skilled and spiraled upbeat harmonies, all perfectly inserted in a very eccentric layer of intelligent rhythms, that remains somewhat constant throughout the whole album. With a distinct playfulness that characterizes ostensibly the spirit of a very basic trance, these five tracks on The Myth Of The Cave really pushes to the limit the basic elements of the genre, relying on a more fully formed traditional design to uplift the development of the rhythms.
Although this feature can be appreciated as a restrict quality, on the other hand, it represents a very compounding weakness, since no innovation is presented here, and the album eventually turns out to the just another trance record, that relies on a “same old” model of work. Although the five tracks presented here are not bad at all, they’re also far away of having some significance. Generated by the central axis of the propelling musical device which comes to subsidize the basic outline of the genre, what we really have in The Myth Of The Cave is a very good, decent trance music album, that is incapable of going beyond that. This means that, completely destitute of an impulsive energy and a groundbreaking originality, this album will never achieve a great result. While I reiterate the fact that this album is, indeed, a very good work, its normality and uniformity can’t accomplish too much. Even the more ardent enthusiasts of the genre will feel bored after listening to this album only a handful of times.
A good trance music album, that doesn’t explore the vitality of its potential, or the amplitude of the genre per se, The Myth Of The Cave is a very good work, but, unfortunately it stops there. Completely incapable of going further on the path of limitless musical possibilities, exploration and exhilaration, this album is destined to lose itself in the road to sameness. In the meanwhile, you can certainly listen to it, and enjoy, at least to a certain degree. Sooner or later, you will inevitably forget about it. You can be positive about that.
Wagner