post metal / noise rock / experimental
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Aah, Swiss instrumental adventurers Lilium Sova return, once again to leave me speechless. I reviewed their previous album, 'Epic Morning' for the former version of our website (read) and I remember using the world "labyrinthine" to describe this music. Well, if anything, I can easily use this word again since this once again is a mesmerizing and somewhat confusing piece of music, completely shattering all genre regulations.
The album opens with an eerie drone, which basically serves as a gateway into the complex and deranged music Lilium Sova produces. A cello appears, right before the track 'Pakeneminen' blasts off in perfect post-hardcore meets mathcore and noise rock tradition, if such a thing exists. I can hear influences from acts like Godflesh, Zu and Converge but just as much hints of free jazz and the heavy jazz of acts like Dead Neanderthals.
'Scandens' seems to attenuate the intensity for a while, nudging a bit more towards the jazz kind of things. Yet, it slowly evolves into an immersive piece of post-whatever. That being said, the first six tracks of the album, the 'Lost Between Mounts And Dales' part, drives on rolling bass, methodical drums and the wonderful sound of the cello. In that aspect, I can only throw in Apocalyptica as a reference because you know, it's metal with cello, but heavier.
'Ustabil' is a gloomy harsh ambient piece, providing a little breather before the short but destructive 'Lavina' starts smashing your skull. The latter only needs 43 seconds to do exactly that. It's followed by my favorite track 'Ofkæling'. Yep, I'm beginning to dig this whole jazz/post-rock thing, especially when it evolves into an awesome, lingering composition. Like classical music on steroids.
Then there are four more tracks, the so-called 'Set Adrift In The Flood Of People' side of the record. This side too blasts some intense experimental music through your eardrums, rarely giving you a chance to recuperate. That's the strength of a band like Lilium Sova. Although they come out as very experimental, they easily manage to keep the listener in their grasp, keeping the whole thing interesting. This simply is a marvellous piece of heavy, intense and experimental music, regardless of genres. Great job!!!
Serge
The album opens with an eerie drone, which basically serves as a gateway into the complex and deranged music Lilium Sova produces. A cello appears, right before the track 'Pakeneminen' blasts off in perfect post-hardcore meets mathcore and noise rock tradition, if such a thing exists. I can hear influences from acts like Godflesh, Zu and Converge but just as much hints of free jazz and the heavy jazz of acts like Dead Neanderthals.
'Scandens' seems to attenuate the intensity for a while, nudging a bit more towards the jazz kind of things. Yet, it slowly evolves into an immersive piece of post-whatever. That being said, the first six tracks of the album, the 'Lost Between Mounts And Dales' part, drives on rolling bass, methodical drums and the wonderful sound of the cello. In that aspect, I can only throw in Apocalyptica as a reference because you know, it's metal with cello, but heavier.
'Ustabil' is a gloomy harsh ambient piece, providing a little breather before the short but destructive 'Lavina' starts smashing your skull. The latter only needs 43 seconds to do exactly that. It's followed by my favorite track 'Ofkæling'. Yep, I'm beginning to dig this whole jazz/post-rock thing, especially when it evolves into an awesome, lingering composition. Like classical music on steroids.
Then there are four more tracks, the so-called 'Set Adrift In The Flood Of People' side of the record. This side too blasts some intense experimental music through your eardrums, rarely giving you a chance to recuperate. That's the strength of a band like Lilium Sova. Although they come out as very experimental, they easily manage to keep the listener in their grasp, keeping the whole thing interesting. This simply is a marvellous piece of heavy, intense and experimental music, regardless of genres. Great job!!!
Serge
