electronic / alternative rock
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Well, since we're dealing with deviant music today, I might as well throw this one in the mix. Again, much like the melodic death metal, the free jazz and the harsh hip hop I wrote about today, here is an album that shatters every expectation and leaves me wondering what the hell I'm going to write about the damn thing. Not that I mind, but the days of easily categorizing a band are over, that's for damn sure.
Unsurprisingly, Margaret Catcher are a French duo, that country is crazy. One is a drummer, the other one plays bass and both throw in heaps of vocoders, effect pedals and sensor paths. The result is something that resembles math rock music in an electronic and abstract way, a bit maybe like something between Add N to (X), Battles and Suicide. This album is loaded with weirdness, but also with uplifting and danceable songs.
Most of the songs are quite short, only a few make the three minutes mark. Nonetheless, they are full of unexpected hooks, dynamic drums and an old school sound that will make every vintage synth fan get aroused, easily. My personal favorites? Well, I'm quite fond of opener 'Not Too Bad' and title track 'Singularity' is a confusing but massively enjoyable piece of music. In between, there are other captivating tracks to be found.
In all, this is a startling album, one that could have been made in the experimental scenes of the seventies or eighties. I think most of these songs will end up in my day-to-day playlist and I'm sure that I will grin each time they appear, especially when I got people over who have no idea that there is such a thing as experimental music. I suggest you do the same, you might be surprised what lurks in the rehearsal rooms of France...
Serge
Unsurprisingly, Margaret Catcher are a French duo, that country is crazy. One is a drummer, the other one plays bass and both throw in heaps of vocoders, effect pedals and sensor paths. The result is something that resembles math rock music in an electronic and abstract way, a bit maybe like something between Add N to (X), Battles and Suicide. This album is loaded with weirdness, but also with uplifting and danceable songs.
Most of the songs are quite short, only a few make the three minutes mark. Nonetheless, they are full of unexpected hooks, dynamic drums and an old school sound that will make every vintage synth fan get aroused, easily. My personal favorites? Well, I'm quite fond of opener 'Not Too Bad' and title track 'Singularity' is a confusing but massively enjoyable piece of music. In between, there are other captivating tracks to be found.
In all, this is a startling album, one that could have been made in the experimental scenes of the seventies or eighties. I think most of these songs will end up in my day-to-day playlist and I'm sure that I will grin each time they appear, especially when I got people over who have no idea that there is such a thing as experimental music. I suggest you do the same, you might be surprised what lurks in the rehearsal rooms of France...
Serge
