While Of decay and sublime has more tender elements sidelined to the invisible ocean of a splendorous outline of graciously poetic attachments, the sound tends to filtrate the normal correlations of extremely floating melodies, standardized over a stream of harmonious symmetries, that perfectly highlights at the axis of the music a majestic universe of restrained turbulence, easily surpassed by a joyful pragmatism destined to overcome the tempestuous elements of the fallacious shadows of inexistent sentiments.
Sequoian Aequison, on the other hand, displays a thoroughly heavier sound, that dissipates over the abysses of a despondent soul all the dust and darkness conceived by the loneliness of a sad spirit. In the deserted desolation of a gray horizon, Sequoian Aequison’s sound complements, perceives and condensates the subtle hostility of the environment in a pervasive scale of dissonant consternations, indefinitely sidelined by an evasive solitude of constantly painful perceptions of life.
This split album definitely is a very beautiful, gracious and ultimately striking combination. Two amazing artists, whose sonorous characteristics complement one another so overwhelmingly, and yet, each one with its own distinctions, and respective musical styles. With a perfectly balanced symmetry of harmonic values, greatly distributed in the shapes of intensely sensible, and incredibly well dilapidated melodies, definitely this record stands as one of the best split albums that I have heard.