dark ambient / noise / experimental / industrial
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Last year, the apparent resurrection of Sielwolf pleasantly surprised me by releasing, 'Atavist Craft', a cooperation with German ritual ambient project Nam-Khar. Now, they return with a second effort, one that seemingly takes on an hypnotic, repetitive and industrial approach. Well, I cannot say that I'm disappointed by this direction, on the very contrary. This new album, 'Oppressfield' is pretty damn awesome, to be honest.
In fact, 'Oppressfield', both the title track and the entire album, are perfectly suited to function as the soundtrack for a post-apocalyptic horror game, or movie. There are unidentified noises coming from everywhere. The atmosphere is haunting and often quite intense. There are eerie soundscapes and drones. There is repetitive percussion, lulling the listener into a dark state of trance and taking him on an adventure through his deepest fears.
Of course, this is not an album for everyone. I cannot imagine people playing this at a dinner party or during a pleasant get together with friends and family. This is an album that should be listened to in absolute solitude, preferably loud. The gloomy drone track 'Failed States', for example, is a scary piece of work that only experienced ears can appreciate. But those ears will definitely adore this thing.
Who to recommend this to? Well, obviously to fans of MZ.412, Atrium Carceri, Brighter Death Now, Desiderii Marginis,... that kind of stuff. If you're into old Cold Meat Industry albums, 'Oppressfield' undoubtedly deserves a place in your collection. I only mentioned two tracks, but apart from the title track, I have to say that 'Crypt Trap' is the absolute highlight on this release, closely followed by the ritual droner 'Exorial' .
​Seriously, this is industrial ambient at its best...
Serge
In fact, 'Oppressfield', both the title track and the entire album, are perfectly suited to function as the soundtrack for a post-apocalyptic horror game, or movie. There are unidentified noises coming from everywhere. The atmosphere is haunting and often quite intense. There are eerie soundscapes and drones. There is repetitive percussion, lulling the listener into a dark state of trance and taking him on an adventure through his deepest fears.
Of course, this is not an album for everyone. I cannot imagine people playing this at a dinner party or during a pleasant get together with friends and family. This is an album that should be listened to in absolute solitude, preferably loud. The gloomy drone track 'Failed States', for example, is a scary piece of work that only experienced ears can appreciate. But those ears will definitely adore this thing.
Who to recommend this to? Well, obviously to fans of MZ.412, Atrium Carceri, Brighter Death Now, Desiderii Marginis,... that kind of stuff. If you're into old Cold Meat Industry albums, 'Oppressfield' undoubtedly deserves a place in your collection. I only mentioned two tracks, but apart from the title track, I have to say that 'Crypt Trap' is the absolute highlight on this release, closely followed by the ritual droner 'Exorial' .
​Seriously, this is industrial ambient at its best...
Serge