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The Philomath is a 2015 album released by the creative and talented English musician Sam Morgan “Transmigrant”, currently based in Indonesia. Certainly one of the greatest underground albums of the last year, The Philomath is an instrumental album that flirts with neoclassical compositions, and also with lounge music, and it has on piano and violin the main components of its artistic power.
One thing interesting about the album is the fact that, for the main part, its music is, to a great extent, indefinite in terms of musical categorization: its genre is very unique. Sam leads us through a personal realm of sound and sensibility, and, for almost an hour, you can swim through the great vastness of his creative musical endeavors, filled with an original input of passion and soul. In melancholic, but overwhelmingly beautiful sounds, permeated by the spoken word poetry of Charles Bukowski, Stanley Kunitz, Jean Binta Breeze, Adrian Henri and John Betjeman, as well as excerpts of speeches by Carl Sagan and Richard Feynman, you will certainly recognize a little of each sound deeply inside yourself.
An eclectic musician, Sam’s main inspirations for his work were, in his own words, Rock, Jazz, Classical, Electronica, and Ambient. Nevertheless, he managed to create something beautifully peculiar, with a profound degree of singularity that inspires wonder and admiration for his music. Without being pretentious, but sincere and meaningful, his originality should never go unnoticed.
With an atmosphere of serenity and peace, the melodies will captivate the listener, giving birth to an ethereal journey of different elements and perceptions, hard to name at first. A cool sense of nostalgia for classical Jazz and old radio songs will certainly invade your soul, and as soon as the album finishes, you will certainly feel the need to hear it again. Nevertheless, this is an album you have to hear, and drawn into your own conclusions, since it takes you onto a very personal journey of sensorial transcendence and reflexive wisdom.
Wagner
One thing interesting about the album is the fact that, for the main part, its music is, to a great extent, indefinite in terms of musical categorization: its genre is very unique. Sam leads us through a personal realm of sound and sensibility, and, for almost an hour, you can swim through the great vastness of his creative musical endeavors, filled with an original input of passion and soul. In melancholic, but overwhelmingly beautiful sounds, permeated by the spoken word poetry of Charles Bukowski, Stanley Kunitz, Jean Binta Breeze, Adrian Henri and John Betjeman, as well as excerpts of speeches by Carl Sagan and Richard Feynman, you will certainly recognize a little of each sound deeply inside yourself.
An eclectic musician, Sam’s main inspirations for his work were, in his own words, Rock, Jazz, Classical, Electronica, and Ambient. Nevertheless, he managed to create something beautifully peculiar, with a profound degree of singularity that inspires wonder and admiration for his music. Without being pretentious, but sincere and meaningful, his originality should never go unnoticed.
With an atmosphere of serenity and peace, the melodies will captivate the listener, giving birth to an ethereal journey of different elements and perceptions, hard to name at first. A cool sense of nostalgia for classical Jazz and old radio songs will certainly invade your soul, and as soon as the album finishes, you will certainly feel the need to hear it again. Nevertheless, this is an album you have to hear, and drawn into your own conclusions, since it takes you onto a very personal journey of sensorial transcendence and reflexive wisdom.
Wagner
